Poly Evolver Operation Manual
Poly Evolver Operation Manual Version 2.2 February, 2010 Dave Smith Instruments 1210 Cabrillo Hwy N Half Moon Bay, CA 94019-1449, USA © 2006-2010 Dave Smith Instruments www.DaveSmithInstruments.
Tested To Comply With FCC Standards FOR OFFICE USE This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference and (2) this device must accept any interference received, including interference that may cause undesired operation. This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Contents Quick Start 6 Preset Notes 8 FAQs 9 Chaining Evolvers and Polys 10 Inside Evolver 11 Signal Flow Diagram 12 Basic Operations 13 Global Parameters 15 Program Parameters 18 Analog Oscillators (1 and 2) 18 Digital Oscillators (3 and 4) 19 Lowpass Filter 20 Amplifier (VCA) 21 Feedback 22 Delay 22 Low Frequency Oscillators (LFO) 24 Envelope 3 25 Miscellaneous Audio Parameters 26 Miscellaneous Parameters 27 Miscellaneous Timing Parameters 29 MIDI Modulation Parameters 30 Miscellaneous Modulation Paramete
Welcome… Thanks for purchasing your Poly Evolver! Listen to the sounds, twiddle some knobs, have some fun! Register If you purchased your Poly directly from us, there is no need to register – we already have your contact information. If you purchased it from a music dealer, please go to www.davesmithinstruments.com and register. Editor –Register at http://www.soundtower.com/poly/regist.htm to get your registration code. Version 2.0 Notes Your Poly has the latest 2.0 features installed.
To select Combo mode, just hit the COMBO button. Combos give you complete flexibility configuring the four voices; you can stack or split the keyboard, assign different Programs to different MIDI channels, set it to play multiple different sequences synchronously, etc. There are 3 banks of 128 Combos, a total of 384. As with the Programs, you can edit Combos by just hitting the EDIT button. Again, the top knob selects the parameter, the lower changes the value of that parameter.
Program Notes There are 512 Programs and 384 Combos in your Poly Evolver. The factory sound set is on the website if you ever need to refresh it. There are additional banks of Programs on our website at: http://www.davesmithinstruments.com/polyevolver/sounds.html, Remember to save your sounds via program dumps occasionally! The Programs are not set up in any particular order, so you might just want to listen through them to see what you like.
FAQs The Poly is a very flexible instrument. While this provides a wide range of operational possibilities, it also means that you can put Evolver into a state where it doesn’t seem to work. Here are some hints: 1) How do I save a Program or Combo? Hit the WRITE button. Then hit the YES button (also known as the PAGE UP button) when prompted. All other switches are locked out in the meanwhile, though you can hit the NO button if you change your mind.
Using an Evolver with a Poly Evolver The Poly Evolver has 4 voices that are identical to the single voice in an Evolver. The Poly is also in a 1U rack, which means that it can be slow to program at times. Fortunately, it is set up so you can use an Evolver with a Poly to have a five voice synth, plus you can use your Evolver as a controller for both synths! First, connect your MIDI keyboard to the MIDI In on Evolver. Connect MIDI Out on Evolver to the MIDI In on your Poly.
Inside the Poly Voice Before going through the individual parameters, following is a brief description of the Poly’s architecture of a single Poly voice. The signal flow diagram on the next page is a good starting point for understanding how the Poly works. The Analog Side The analog electronics for each voice consist of two identical (Left/Right) synth sections, each with an analog waveshape oscillator, a 2/4 pole resonant lowpass filter, and a Voltage Controlled Amplifier (VCA).
Basic Operation Program Mode: When the Poly is first turned on, it will be in Program Mode with the PROGRAM LED lit and the following screen active. Program: xxx B:x xxxxxxxxxxxxxxxx The top line shows the Program (1…128) and Bank (1…4) number of the currently selected Program, and the bottom line shows the 16 character name of the Program. The top knob will change the Program, and the bottom knob will change the Bank.
Program or Combo Save: Hit the WRITE button and the following screen will appear: Write? P:xxx B:x Hit: Yes or No Simply hit the YES button to save the current Program or Combo, or NO if you changed your mind. To store in a different location, use the upper parameter knob to select a the new Program or Combo destination, and the lower knob for a different bank. Compare Feature: While editing a Program or Combo, you can hit the COMPARE switch to listen to the original version.
Global Parameters To edit the Global parameters, just hit the GLOBAL button at any time, and Global page 1 is displayed. The upper knob changes the parameter on the upper LCD line, and the lower knob changes the lower parameter. The PAGE UP and PAGE DOWN buttons select the other pages. Note: If you hold the PAGE DOWN button while you hit the PAGE UP button, it will jump to the last page. Similarly, if you hold the PAGE UP button when you hit the PAGE DOWN button, it will jump to the first page.
Page 2: Transpose: Fine Tune: xx xx Top Line: Transpose: -36…+36 centered. Steps in semitones. Master Transpose control, 0 is Bottom Line: Fine Tune: -50…+50 Steps in cents (50 cents = ½ semitone). Master Fine Tune control; 0 centered. Page 3: MIDI Channel: xx Poly Chain: xx Top Line: MIDI Channel: ALL, 1…16 Select which MIDI channel to send and receive data, 1 to 16. All receives on any channel.
Page 5: Input Gain:xxxxx LCD Contrast: xx Top Line: Input Gain: 0db… 24d Provides extra gain on the Left and Right External Inputs. You can select no gain (0 dB), or a gain in steps of 3 dB up to 24 db. Bottom Line: LCD Contrast: 1…100 LCD. This sets the contrast level for the Page 6: Dump: (Hit S/S) xxxxxxxxxxxxxxxx MIDI Dumps: see table This screen allows dumping of Programs and combos over MIDI in a number of ways.
Program Parameters The Poly has 128 parameters in a Program, plus another 64 Sequence parameters, followed by the 16 character Program Name. These parameters are the same as in Evolver. Following is a description of every parameter. The upper knob selects the Parameter, and the lower knob changes the value. The PAGE UP and PAGE DOWN buttons step through parameter groups. Note: If you hold the PAGE DOWN button while you hit the PAGE UP button, it will jump to the last page.
that only glides when more than one note is held down is selected by setting glide over 100, where it ranges from F02 to F00 (equivalent to glides of 2 to 100). Thought not quite Glide related, if you set glide all the way to maximum, it goes to OFF, which has the effect of disconnecting oscillator 1 from MIDI. Turns oscillator hard sync on or off. Whenever oscillator 2 resets, it will also reset oscillator 1 for the classic hard sync sound.
FM 4 -> 3: 0…100 The amount of Frequency Modulation of Oscillator 3 from Oscillator 4. Note that each digital oscillator can FM the other at the same time for some wild results. Off, SE1..4 This parameter allows sequencing Waveshapes. Off if not in use, otherwise select one of the four sequences Seq 1, Seq 2, Seq3, or Seq 4 to change the waveshape on every sequence step.
0…110 Env Attack: Env Decay: 0…110 Attack time of the filter ADSR envelope generator Decay time 0…100 Env Sustain: Sustain Level 0…110 Env Release: Release time Keyboard Amt: 0…100 Amount of keyboard (MIDI note) to the filter cutoff. A setting of 72 will step the filter one semitone for each MIDI note, 36 would be half-semitones, etc. Also, the MIDI note is derived using Oscillator 1 Glide, allowing Glide tracking.
xMonox xxRLxx xRxxLx RxxxxL Mono – Both channels mixed to the center – also useful when only using one output Reverse Stereo 1 – Right channel panned somewhat left, Left somewhat to the right Reverse Stereo 2 – Right channel panned mostly left, Left mostly to the right Reverse Stereo 3 – Right channel panned fully left, Left fully to the right 0…100 Sets the voice volume; usually used for matching volumes between Programs.
Note – if all three Delay taps are in use, the Levels of each should be set to lower amounts to prevent overload distortion. Time 1: 0…150, sync Sets the delay time of the first delay tap. 0 - 150 will adjust the delay from zero to 1 second at 16 bits 48KHz sampling, no compression. The middle range steps are in tuned semitones (noticeable with Feedback 1 turned up high). Since delay is a time measurement, higher delay numbers are lower frequencies.
Time 2: 0…150, sync ranges as Time 1. Level 2: Time 3: 0…100 Sets the delay time of the second delay tap, same Sets the delay amount of the second delay tap. 0…150, sync Sets the delay time of the third delay tap, same ranges as Time 1. Level 4: 0…100 Sets the delay amount of the third delay tap. Feedback 1: 0…100 Amount of feedback from the summed output of all the delay taps to the input of the delay.
see table Shape: Selects the LFO waveshape: Display Triangle LFO Shape Triangle Reverse Sawtooth Rev Saw Sawtooth Sawtooth Square Square Wave Random Random – changes once per cycle for sample-and-hold effects 0…100; Ksync 1…100 Sets the amount of LFO. An new feature on the Poly is the ability to re-start the LFO when a new note is played (Key Sync). To select this mode of operation, set the LFO amount to a value over 100. Each LFO can be set independently.
Page 14: Misc Audio Highpass: Out 0…99, In 0…99 Sets the cutoff frequency of the four-pole highpass filter. If set from Out 0 to Out 99, the filter is placed after the analog lowpass filter and VCA, before the Delay. Conversely, if set from In 00 to In 99, the highpass filter is inserted before the analog lowpass filter, and only affects external input. Refer to the Signal Flow diagram on page 12. There are two separate highpass filters, one for each channel, that are controlled in tandem.
Page 15: Miscellaneous There are different ways to control the Poly Evolver; using the internal sequencer, using external MIDI controllers (keyboards, computers, etc), or using external audio sources. And, there are ways of combining these, such as gating the sequencer from a keyboard. It can get more complicated in a Combo, but here we are just discussing the Program side of things. Control consists mainly of triggers for the envelopes, and note numbers for the oscillators.
EiSqStep MdSqStep Plays one step of the sequencer on each External Input audio trigger. AUTO. Plays one step of the sequencer on each MIDI note received. AUTO. Off, -36…+36 Enables and transposes MIDI notes. If Off, MIDI notes are ignored. Otherwise, it transposes midi notes from –36 to +36 semitones (+/- 3 octaves). Key Off/Tran: Note – this is an important parameter! When this is off, MIDI notes will not work.
Clock Div: see table Used as a clock divider to provide a wider range of sequencer speeds. Works the same as the Clock Divide in main, but is only active when “Use Preset Tempo” is on. When On, changing this parameter also changes the main Clock Divide, and vise-versa. When Off, changing this parameter has no effect.
see table Mod 1 Destination - see the Modulation Destination table on page 34 for a list of possible destinations. Dest 1: Mods 2 – 4: Same as Mod 1 Page 17: MIDI Modulation -99…+99 Amount of MIDI Velocity modulation. The Velocity of the most recent MIDI note is used. Velocity Amt: see table Velocity Destination - see the Modulation Destination table on page 34 for a list of possible destinations. Vel Dest: Mod Whl Amt: -99…+99 Amount of MIDI Mod Wheel modulation.
0…5 The amount of random oscillator frequency slop. The analog and digital oscillators in Evolver are very accurate, and will not drift. This works great for accurate sounds, and allows precise de-tuning. The Oscillator Slop parameter allows subtle amounts of frequency drift. For larger amounts, use a random LFO or white noise mod. Osc Slop: Env Shape: Exp, Lin Selects whether all three envelopes have a linear (straight line) shape, or exponential (curved). Exponential is the more natural of the two.
controlled via MIDI. In Combo mode, each Part can have the sequencer individually enabled or disabled. As mentioned in the Trigger section above, some Trigger modes will automatically start the sequencer for gated sequence operation. In this case, all voices in Program mode will use the sequencer, not just voice 1. Each of the four sequences is basically a modulation source; it can be routed to any of the normal modulation destinations (see table on page 34) using the Seq Dest knobs (last row).
The Sequence parameters are in the pages after the synth parameters in Program Edit – the pages jump between sequences 1 – 4 for fast editing. Note - when routing a sequencer to an oscillator, a sequence value of 24 corresponds to one octave, i.e. each step is one half a semitone. All four sequences can have separate lengths. This is done by selecting Reset (at the end of the range after 100) as the step value. When this step is reached, the sequence will reset to step one.
Modulation Destinations 34 Display Off Destination No destination selected O1Frq Oscillator 1 Frequency O2Frq Oscillator 2 Frequency O3Frq Oscillator 3 Frequency O4Frq Oscillator 4 Frequency OAFrq Oscillator All Frequency – goes to all four O1Lev Oscillator 1 Level O2Lev Oscillator 2 Level O3Lev Oscillator 3 Level O4Lev Oscillator 4 Level OALev Oscillator All Level Noise Noise Level ExtIn External In Level O1 PW Oscillator 1 Pulse width O2 PW Oscillator 2 Pulse width OA PW O
L1Frq LFO 1 Frequency L2Frq LFO 2 Frequency L3Frq LFO 3 Frequency L4Frq LFO 4 Frequency LAFrq LFO All Frequency L1Amt LFO 1 Amount L2Amt LFO 2 Amount L3Amt LFO 3 Amount L4Amt LFO 4 Amount LAAmt LFO A Amount E1Amt Envelope 1 Amount (Level) E2Amt Envelope 2 Amount (Level) E3Amt Envelope 3 Amount (Level) EAAmt Envelope All Amount (Level) E1Att Envelope 1 Attack Rate E2Att Envelope 2 Attack Rate E3Att Envelope 3 Attack Rate EAAtt Envelope All Attack Rate E1Dec Envelope 1 Dec
Modulation Sources 36 Display Off Source No Source selected Seq 1 Sequence 1 Seq 2 Sequence 2 Seq 3 Sequence 3 Seq 4 Sequence 4 LFO 1 LFO 1 LFO 2 LFO 2 LFO 3 LFO 3 LFO 4 LFO 4 F Env Filter Envelope A Env Amp (VCA) Envelope Env 3 Envelope 3 Peak External Audio Input Peak EnvFol External Audio Envelope Follower Mid PB Midi - Pitch Bend Mid MW Midi - Mod Wheel Mpress Midi - Pressure Mbreth Midi - Breath Controller M Foot Midi - Foot Controller M Vel Midi – Note Velocity
Combo Parameters Combos are used to make different combinations of Programs, and use them in different ways. You can use up to four different Parts, each with its own set of 16 parameters. The upper knob selects the parameter, and the lower knob changes the value. The PAGE UP and PAGE DOWN buttons step through the four parts, and to the Edit name page after the four parts. Note: If you hold the PAGE DOWN button while you hit the PAGE UP button, it will jump to the last page.
MIDI Ch: 1…16, All Selects the MIDI channel to use for this Part. If All is selected, it responds to any MIDI channel. If MIDI Mode is set to Off, this parameter is ignored. Sequencer: Off, On Enables or disables the Program’s sequencer for this Part. Only Parts with the Sequencer enabled will respond to hitting the START button or MIDI Start commands (when MIDI clocks are enabled in the Global setting).
The envelopes will be triggered by MIDI notes only. MIDI MIDI rst MID Gate MIDI G r Ext In Ext In r Ext Gate Ext G r MS Once MS Once R EiSqStep MdSqStep The envelopes will be triggered by MIDI, and the sequencer will be reset on every note (if it is running). The sequencer will not trigger the envelopes. Gated mode – the envelopes will only be triggered when a MIDI note is held and the sequencer is running; in other words the MIDI notes will gate the sequencer.
Or, you may want to stack two voices, by setting two Parts to Poly 2, and setting both keyboard ranges to the same range (C-2 to C8). You can even stack four Unison Parts, each with a different Program, for a super-thick mono synth. C -2…C 8 This parameter sets the high keyboard limit for this Part in conjunction with the Low Key parameter. High Key: Lo Velocity: 0…127 This parameter, along with the Hi Velocity parameter following, sets the velocity range this Part responds to.
MIDI Implementation The Poly Evolver receives MIDI data according to the mode controls in the Global Section. When in Combo mode, the Global parameters may be overridden by the Combo settings. In addition, there is interaction between some of the Program parameters which determine the overall response of Evolver to MIDI data. Following are all the parameters that affect response to MIDI. Global Parameters ALL, 1…16 Select which MIDI channel to send and receive data, 1 to 16. All receives on any channel.
Display Sq or MD Sequencr MIDI MIDI rst MID Gate MIDI G r Ext In Ext In r Ext Gate Ext G r MS Once MS Once R EiSqStep MdSqStep Envelope Trigger Selections The envelopes will be triggered by either the sequencer or MIDI notes. When triggered by the sequencer, the gates are on for half the step time. Simply adjust the envelope parameters (ADSR) for the desired effect. The envelopes will be triggered by the sequencer only. The envelopes will be triggered by MIDI notes only.
Key Mode: see table Selects the key mode when playing from a MIDI keyboard. These are only active in Combo mode when a Part is Mono. Display Low MIDI input mode Low note priority LoRT Low note priority, re-trigger envelopes High High note priority HiRT High note priority, re-trigger envelopes Last Last note hit priority LaRT Last note hit priority, re-trigger envelopes Combo Parameters MIDI Mode: see table Selects the Program to use for this Part.
Hi Velocity: 0…127 This parameter, along with the Lo Velocity parameter following, sets the velocity range this Part responds to. see table Selects the source of triggers/gates for the envelope generators for this Part. Note that the Sequencer and/or MIDI must be enabled to match the Trigger selected.
MIDI Messages Received Channel Messages Status 1000 nnnn 1001 nnnn 1010 nnnn 1011 nnnn Second 0kkkkkkk 0kkkkkkk 0kkkkkkk 0vvvvvvv 1100 nnnn 0ppppppp 1101 nnnn 1110 nnnn 0vvvvvvv 0vvvvvvv Notes: 0kkkkkkk nnnn Third 0vvvvvvv 0vvvvvvv 0vvvvvvv 0vvvvvvv 0vvvvvvv Description Note Off. Velocity is ignored Note On.
27 28 29 30 31 40 41 42 43 62 52 53 54 55 56 57 58 59 60 61 75 76 77 78 13 85 86 12 102 103 104 105 106 107 108 109 Oscillator 4 Level Oscillator 1 Shape Oscillator 2 Shape Oscillator 3 Shape Oscillator 4 Shape FM 4->3 FM 3->4 RM 4->3 RM 3->4 Noise Level Low Pass Filter Frequency Filter Resonance Filter Envelope Amount Filter Attack Filter Decay Filter Sustain Filter Release Filter Audio Mod Filter Split Filter Key Amount Amp Attack Amp Decay Amp Sustain Amp Release Highpass Filter Cutoff Feedback Frequenc
System Real-time Messages Status 1111 1000 1111 1010 1111 1011 1111 1100 Description Timing Clock Start – starts the sequencer from step 1 Continue – re-starts the sequencer from the current step Stop – Stops the sequencer Universal System Exclusive Message (Device Inquiry) Status 1111 0000 0111 1110 0vvv vvvv 0000 0110 0000 0001 1111 0111 Description System Exclusive (SysEx) Non-realtime message If MIDI channel is set to 1-16, 0vvvvvvv must match (unless MIDI Channel = ALL); always responds if 0vvvvvvv
System Exclusive Messages Note that all the System Exclusive messages use the Evolver ID, rather than the Poly Evolver ID. This maintains compatibility with Evolver, since the Programs are the same. Program Parameters If this message is received while in Combo mode, only the Parts with MIDI enabled will respond to the change.
Combo Parameters This message is ignored if the synth is in Program mode Status 1111 0000 0000 0001 0010 0000 0000 0001 0010 1010 00vv vvvv 0000 vvvv 0000 vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Combo Parameter Combo Parameter number 0 – 79. See table on page 59.
Request Program Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0101 0000 00vv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Request Program Transmit Bank Number, 0 - 3 Program Number, 0 - 127 End of Exclusive (EOX) The Poly Evolver will respond by sending out the Program Data in the format described in the Program Data Dump on page 52. It also sends a Program Name Dump message (also on page 52) after the Program dump.
Request Combo Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0010 0001 0000 00vv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Request Combo Transmit Bank Number, 0 - 2 Program Number, 0 - 127 End of Exclusive (EOX) Evolver will respond by sending out the Combo Data in the format described in the Combo Data Dump on page 52.
Program Data Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0010 0000 00vv 0vvv vvvv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Program Data Bank Number, 0 - 3 Program Number, 0 - 127 220 bytes in “packed MS bit” format (see page 54). Includes 128 bytes of Program parameters and 64 bytes of Sequence data.
Program Edit Buffer Data Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0011 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Edit Buffer Data 220 bytes in “packed MS bit” format (see page 54). Includes 128 bytes of Program parameters and 64 bytes of Sequence data.
Waveshape Data Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 1010 0vvv vvvv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Waveshape Data Waveshape number, 0 – 127, corresponds to Waveshapes 1 – 128. Only Waveshapes 96 – 127 can be sent to Evolver and saved as user programmable; others will be ignored. 293 bytes in “packed MS bit” format (see page 54).
Start/Stop Button Status 1111 0000 0000 0001 0010 0000 0000 0001 0001 0010 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Start/Stop button End of Exclusive (EOX) Reset Button Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0100 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Reset Button End of Exclusive (EOX) Shift Button On Status 1111 0000 0000 0001 0010 0000 0000 0001 0001 0011 1111 0111 Description System Exclusive (SysEx) DSI ID Ev
Select Program Mode Status 1111 0000 0000 0001 0010 0000 0000 0001 0011 0000 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Select Program Mode End of Exclusive (EOX) Select Combo Mode Status 1111 0000 0000 0001 0010 0000 0000 0001 0011 0001 1111 0111 56 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Select Combo Mode End of Exclusive (EOX)
Global Parameter Data Parameter Range Description 0 0 - 127 Program Number 1 - 128 1 0-3 Bank Number 1 - 4 2 0 - 100 Master Volume 0 - 100 3 0 - 72 4 30 - 250 Master Transpose; 0 = -36 semitones (- 3 octaves), 36 = 0 (no transpose), and 72 = +36 semitones.
12 x Not used (zero sent in Main Dump) 13 x Not used (zero sent in Main Dump) 14 0 - 16 15 X MIDI Channel; if = 0, data received on all MIDI channels. Otherwise = channel number 1 – 16. Not used (zero sent in Main Dump) 16 0 – 127 Combo number 1 - 128 17 0–2 Combo Bank 1 to 3 Note: Some parameters are not used in order to maintain the closest match with standard Evolvers.
Combo Parameter Data There are 4 identical parts in a Combo; they are listed below. The name of the combo follows the other parameters.
the sequencer Midi note plays sequence once Midi note plays sequence once, resetting on mulitple notes 12 External Trigger – the sequence plays once on an external signal 13 MIDI trigger – the sequence plays once when a MIDI note is received Transpose; 0 = -36 semitones (- 3 octaves), 36 = 0 (no transpose), and 72 = +36 semitones.
Program Parameter Data Parameter 0 Range 0 - 120 Description Oscillator 1 Frequency, 0 – 120 in semitones (10 octave range) Oscillator 1 Fine Tune; 0 = -50 cents, 50 = 0 (centered), 100 = + 50 cents Oscillator 1 Shape 0 Sawtooth 1 Triangle 2 Sawtooth/triangle mix 3 – 102 Pulse Wave, Pulse width 0 - 99 Oscillator 1 Level Oscillator 2 Frequency, 0 – 120 in semitones (10 octave range) Oscillator 2 Fine Tune; 0 = -50 cents, 50 = 0 (centered), 100 = + 50 cents Oscillator 2 Shape 0 Sawtooth 1 Triangle 2 Sawtoot
Parameter 24 25 26 27 28 29 30 Range 0 - 100 0 - 100 0 - 110 0 - 110 0 - 100 0 - 110 0-6 31 0 - 100 Description VCA Level VCA Envelope Amount VCA Envelope Attack VCA Envelope Decay VCA Envelope Sustain VCA Envelope Release Output Pan 0 Left channel panned fully left, Right fully to the right 1 Left channel panned mostly left, Right mostly to the right 2 Left channel panned somewhat left, Right somewhat to the right 3 Mono 4 Right channel panned somewhat left, Left somewhat to the right 5 Right channel p
42 43 44 45 46 47 0 - 200 0 - 68 0 - 160 0-4 0 - 200 0 - 68 LFO 1 Amount (over 100 repeats with Key sync on) LFO 1 Destination (see destination table on page 67) LFO 2 Frequency (same as LFO 1) LFO 2 Shape (same as LFO 1) LFO 2 Amount (over 100 repeats with Key sync on) LFO 2 Destination (see destination table on page 67) Parameter 48 49 50 51 52 53 54 Range 0 - 198 0 - 68 0 - 110 0 - 110 0 - 100 0 - 110 0 - 13 55 0 - 73 Description Envelope 3 Amount; -99 to +99 Envelope 3 Destination (see destinatio
63 64 0 - 14 1 Left Input channel goes to both channels 2 Right Input channel goes to both channels 3 Left channel audio, Right channel control Input Hack Amount Parameter 64 65 66 67 Range 0 - 200 0-1 30 - 250 0 - 12 Description Glide, Oscillator 1; 101 – 199 = Fingered; 200 = osc midi off Sync; 0 = off, 1 = on Program tempo Program Clock Divide (see Master Clock Divide for selections) Glide, Oscillator 2; 101 – 199 = Fingered; 200 = osc midi off Oscillator Slop Pitch Bend Range, in semitones Key Mod
Parameter 88 89 90 91 92 93 94 95 Range 0-1 0 - 100 0 - 24 0 - 198 0 - 68 0 - 24 0 - 198 0 - 68 Description Linear/Exponential envelopes 0 = Exponential, 1 = Linear VCA Envelope Velocity Modulation 2 Source (see Source Table on page 69) Modulation 2 Amount; -99 to +99 Modulation 2 Destination (see destination table on page 67) Modulation 3 Source (see Source Table on page 69) Modulation 3 Amount; -99 to +99 Modulation 3 Destination (see destination table on page 67) Parameter 96 97 98 99 100 101 102 103
Parameter 120 121 122 123 124 125 Range 0 - 198 0 - 68 0 - 198 0 - 68 0 - 198 0 - 68 126 127 0 - 198 0 - 68 Description Mod Wheel Amount; -99 to +99 Mod Wheel Destination (see destination table on page 67) Pressure Amount; -99 to +99 Pressure Destination (see destination table on page 67) Breath Controller Amount; -99 to +99 Breath Controller Destination (see destination table on page 67) Foot Controller Amount; -99 to +99 Foot Controller Destination (see destination table on page 67)
Modulation Destinations 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 No destination selected Oscillator 1 Frequency Oscillator 2 Frequency Oscillator 3 Frequency Oscillator 4 Frequency Oscillator All Frequency – goes to all four Oscillator 1 Level Oscillator 2 Level Oscillator 3 Level Oscillator 4 Level Oscillator All Level Noise Level External In Level Oscillator 1 Pulse width Oscillator 2 Pulse width Oscillator All Pulse widt
45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 LFO 3 Amount LFO 4 Amount LFO A Amount Envelope 1 Amount Envelope 2 Amount Envelope 3 Amount Envelope A Amount Envelope 1 Attack Envelope 2 Attack Envelope 3 Attack Envelope A Attack Envelope 1 Decay Envelope 2 Decay Envelope 3 Decay Envelope A Decay Envelope 1 Release Envelope 2 Release Envelope 3 Release Envelope A Release Filter 1 (left) Cutoff Frequency Filter 2 (right) Cutoff Frequency Filter 1 (left) Resonance Filter 2 (right) Re
Modulation Sources 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 No Source selected Sequence 1 Sequence 2 Sequence 3 Sequence 4 LFO 1 LFO 2 LFO 3 LFO 4 Filter Envelope Amp (VCA) Envelope Envelope 3 External Audio Input Peak External Audio Envelope Follower Midi - Pitch Bend Midi - Mod Wheel Midi - Pressure Midi - Breath Controller Midi - Foot Controller Midi – Note Velocity Midi – Note Number Midi – Expression Noise Oscillator 3 Oscillator 4 69
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