Evolver Keyboard Operation Manual
Evolver Keyboard Operation Manual Version 1.3 August, 2010 Dave Smith Instruments 1210 Cabrillo Hwy N Half Moon Bay, CA 94019-1449 USA © 2005-2010 Dave Smith Instruments www.DaveSmithInstruments.
Tested To Comply With FCC Standards FOR OFFICE USE This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference and (2) this device must accept any interference received, including interference that may cause undesired operation. This Class B digital apparatus meets all requirements of the Canadian InterferenceCausing Equipment Regulations.
Contents Quick Start 1 Preset Notes 3 FAQs 4 Chaining Evolvers and Polys 5 Inside Evolver 7 Signal Flow Diagram 8 Basic Operations 9 Global Parameters 10 Program Parameters 14 Analog Oscillators (1 and 2) 15 Digital Oscillators (3 and 4) 16 Low-pass Filter 17 Amplifier (VCA) 18 High-pass Filter 19 Feedback 19 Distortion 19 Delay 20 Output Hack 21 Envelope 3 21 Low Frequency Oscillators (LFO) Modulators 23 Miscellaneous Parameters 24 Sequencer Operation 27 Arpeggiator 32 Modulation Destination Table 33 Mo
Welcome… Thanks for purchasing the Evolver Keyboard! Listen to the sounds, twiddle some knobs, have some fun! Register If you purchased directly from us, there is no need to register – we already have your contact information. If you purchased it from a music dealer, please go to www.davesmithinstruments.com and register. Quick Start Here’s how to quickly get started with your new keyboard: First, plug in the power supply.
Summary You should be up and running now; for more operation information, read on. Or, just look up specific parameters for detailed notes. Pages 33 through 35 contain a handy reference for mod destinations and sources. At some point you should read through the manual to discover all the little features that you might not notice at first. I should mention that this manual does not include explanations of basic synthesizer functions.
About the Programs There are 512 Programs in your Evolver keyboard. The factory Programs are on our website if you ever need to refresh it. There are also additional banks of Programs on our website. Note: Remember to occasionally save your sounds via program dumps! The programs are organized as follows: Bank 1 and 2: These are classic Evolver sounds to be played from the keyboard. Bank 3: These programs are all sequencer-based; they will not play from the keyboard; hit the Start switch to hear them.
Frequently Asked Questions The Evolver is a very flexible instrument. While this provides a wide range of operational possibilities, it also means that you can put it into a state where it doesn’t seem to work. Here are some tips: • How do I save a Program? Hit the WRITE switch. Then press the +/YES switch when prompted. All other switches are locked out, though you can hit the -/NO switch if you change your mind. You can change the Program and/or Bank and store in a different location using the knobs.
Chaining Multiple Evolvers Together The Evolver Keyboard voice is identical to the 4 voices in a Poly Evolver (keyboard and rack), and the single voice in the original desktop Evolver. This compatibility enables you to chain multiple Evolvers together to increase polyphony, using your Keyboard as a controller for all chained Evolvers. Note: If the Poly Chain parameter is Off, the Poly Chain MIDI Output jack acts as a second MIDI Out jack.
Chaining Mono Evolvers You can also use one or more mono desktop Evolvers for more voices. If using one, set the Keyboard to MIDI clock Out, and set Poly Chain to 2. Set the Evolver to MIDI Clock In. A Note on Versions The same basic voice structure is used on all Evolvers. Great care has been taken to maintain backwards compatibility, but there have been a few changes necessary in both the mono Evolver and the Poly Rack to make them work more seamlessly with the keyboard.
The Evolver Voice This section provides a brief description of the architecture of a single Evolver voice. The signal flow diagram on the next page is a good starting point for understanding how the Evolver works. The Analog Side The analog electronics consist of two identical (Left/Right) synth sections, each with an analog waveshape oscillator, a 2/4 pole resonant lowpass filter, and a Voltage Controlled Amplifier (VCA). Control voltages are generated by the processors to control the analog components.
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Basic Operation When you first turn the power on, the keyboard will be in Program Mode with the PROGRAM LED lit and the following screen active: Program: xxx B:x xxxxxxxxxxxxxxxx The top line shows the Program (1…128) and Bank (1…4) number of the currently selected Program, and the bottom line shows the 16-character name of the Program. The PARAM 1 knob changes the Program, and the PARAM 2 knob changes the Bank.
Global Parameters To edit the Global parameters, press the GLOBAL switch. The PARAM 1 knob changes the parameter on the upper LCD line, and the PARAM 2 knob changes the lower parameter. Use the +/YES and -/NO switches to change pages. Note: If you hold the -/NO switch while you hit the +/YES switch, it will jump to the last page. Similarly, if you hold the +/YES switch when you hit the -/NO switch, it will jump to the first page.
Prog Tempo: Off, On – When set to Off, changing a Program will not change the tempo- this is useful for keeping a constant tempo but using different sounds. If set to On, a Program change will change the tempo to the BPM and Clock Divide values saved with the Program. When on, changing the main BPM will also change the Program BPM, and vice-versa. When off, changing one has no effect on the other. Page 4: Tempo (BPM): xxx Clock Div:xxxxxx Tempo: 30…250 – Sets the basic speed for the sequencer in BPM.
MIDI Pressure: Off, On – When On, the synth will respond to MIDI pressure (aftertouch) received, and will transmit Keyboard Pressure to MIDI Out. Page 6: MIDI Control:xxx MIDI SysEx:xx MIDI Control: Off, On – When On, the synth will respond to MIDI controllers, and will transmit controllers from the keyboard to the MIDI Out. Controllers include Pitch Wheel, Mod wheel, Pedal 1, and pedal 2.
Page 9: Velocity Curve:x Pressure Curve:x Velocity Curve: 1…4 – Sets one of the four velocity curves for the keyboard; this gives you the ability to adjust the keyboard to your playing style. Pressure Curve: 1…4 – Sets one of the four pressure curves for the keyboard; this gives you the ability to adjust the keyboard to your playing style.
Page 12: Dump: (Hit S/S) xxxxxxxxxxxxxxxx MIDI Dumps: see table – Allows dumping of Programs over MIDI in a number of ways. Display Current Program Current Bank All Banks MIDI Transmit Operation Send current program Send all 128 programs in current bank Send all programs in all four banks When this screen is active, the sequencer START/STOP LED will start blinking. When the START/STOP switch is hit, the transmission will start. It is handy for saving Programs on a computer or sending to another Evolver.
Program Parameters All Program parameters can be edited using the front panel controls. To edit a program, simply turn the desired parameter knob. The selected parameter and value appears in the LCD display. After a parameter is selected by turning its knob, you can also use the PARAM 2 knob to change the value of the selected parameter. The +/YES or -/NO switches incrementally adjust parameter values as well. Note: Hit both +/YES or -/NO at the same time to set the parameter to zero.
Level: 0…100 – Sets the volume of the selected Oscillator. Glide: Normal 0…100; Finger 02…Finger 100; Keybd Off – Sets the Oscillator Glide rate. Glide can be set independently for each oscillator. Low settings are faster. Normal Glide covers the range from 1 to 100 (0 is no glide). A “fingered” mode that only glides when more than one note is held down is selected by setting glide over 100, where it ranges from Finger 02 to Finger 100 (equivalent to glides of 2 to 100).
Note: If the Ring Mod amount is turned up, you will get output from the Oscillator even if the Oscillator Level is set to zero. Shape Seq: Off, Seq1...4 – This parameter allows sequencing Waveshapes. Off if not in use, otherwise select one of the four sequences Seq 1, Seq 2, Seq3, or Seq 4 to change the waveshape on every sequence step. In other words, if sequence 1 is selected, with step 1 = 10 and step 2 = 5, then waveshape 10 will play in the first step, and waveshape 5 will play in the second.
Attack: 0…110 – Sets the Attack time of the filter ADSR envelope generator Decay: 0…110 – Sets the Decay time. Sustain: 0…100 – Sets the Sustain level. Release: 0…110 – Sets the Release time. Audio Mod: 0…100 – Sets the amount of audio modulation from the analog oscillator to the filter, separate in left and right channels (that is, Oscillator 1 modulates the left filter, and Oscillator 2 mods the right filter).
Note: There is a clip indicator on the right side of the VCA box; this gives you an indication of signal levels between the analog and digital electronics. Occasional clip LED flashes are okay. High-Pass Filter Frequency: 0…99 – Sets the cutoff frequency of the four-pole high-pass filter. When the HP Pre/Post parameter in the Misc Params section is set to Pre(After ExtIn) the high-pass filter is inserted before the analog low-pass filter, and only affects external audio input.
Note: There is a built-in noise gate that is enabled when distortion is not zero. If you want to use the noise gate but without distortion, use a distortion setting of 1. The noise gate uses the Left channel signal level to gate both channels. Note: If the Distortion Amount is = 0, modulating Distortion will have no effect. Delay The delay takes a mix of both channels as input, and provides up to three independent taps, each of which can be individually time or level modulated.
2 Steps Delay is 2 steps in length 1 Step Delay is 1 step in length 1/2 Step Delay is one-half step in length 1/4 Step Delay is one-quarter step in length 1/8 Step Delay is one-eighth step in length 1/16Step 6 Steps Delay is one-sixteenth step in length Delay is 6 steps in length 3 Steps Delay is 3 steps in length 1/3 Step Delay is one and a half steps in length Delay is two-thirds of a step in length Delay is one-third step in length 1/6 Step Delay is one-sixth step in length 1.
LFOs The Evolver has four identical Low Frequency Oscillators (LFOs). To select a specific LFO for editing, press the appropriate switch, 1-4. Turning a knob will then adjust the parameters of the selected LFO. Note: Holding one of the four switches will solo that LFO (the switch will blink) by setting the Amounts of the other three to zero. It does not affect any modulation that is routed to LFO Amounts, though, so at times it may not completely turn off all other Amounts.
Destination: see table – see the Modulation Destination table on page 33 for a list of possible destinations. Modulators The Modulators section lets you configure the modulation routing and amount for the Evolver’s four general-purpose modulation slots as well as for MIDI controllers such as the Mod Wheel, Key Pressure, Velocity, Breath Control, and more.
Misc Parameters The Misc Params section lets you configure a variety of parameters not found elsewhere. The parameter list is printed on the panel for easy reference. Use the Select knob to choose the desired parameter, and the Value knob, Param 2 knob, or the +/YES or -/NO switches to adjust the value. Voice Volume: 0…100 – Sets the voice volume; usually used for matching volumes between Programs. Name: The lower LCD line will display the name of the Program.
Key GatesSeqOnce Key GateSeqOnceR Ext In Steps Seq Key Steps Seq Plays a sequence once (according to the length of Sequence 1) when a key is hit. The sequence is not restarted on multiple keys until it finishes and stops. AUTO Also plays a sequence once when a key is hit, but will re-start the sequence on each key hit. AUTO Plays one step of the sequencer on each External Input audio trigger. AUTO Plays one step of the sequencer on each key hit.
Pitch Wheel Range: 0…12 – Sets the Pitch Bend Range of the Pitch Wheel, in semitones. Osc Slop: 0…5 – The amount of random oscillator frequency slop. The analog and digital oscillators in Evolver are very accurate, and will not drift. This works great for accurate sounds, and allows precise de-tuning. The Oscillator Slop parameter allows subtle amounts of frequency drift. For larger amounts, use a random LFO or white noise mod. Input Mode: see table – Selects the external audio signal input mode.
Sequencer For many musicians, the term sequencer has become synonymous with MIDI sequencer; that is, a computer-based application or dedicated hardware device for recording and playing back notes and performance gestures via MIDI. But sequencers were around long before MIDI. Evolver’s sequencer is much more like the original analog sequencers typically associated with modular synthesizer systems. The sequencer comprises four 16-step sequences that play in parallel.
Tip: Using Reset while programming a sequence can be helpful. For example, when programming a specific melodic line, start by shortening the sequence to four or eight steps until those steps are set, and then gradually move the reset point to lengthen the loop until the desired number of steps is playing. Sequences do not have to be the same length, however, which makes for some very interesting, less repetitive patterns, particularly when sequences are set to odd and even numbers of steps.
Clock Divide: see table – Provides a wider range of sequencer speeds. When “Prog Tempo” is set to On in the Global Parameters menu, changing this parameter also changes the master Clock Divide, and vice-versa. When Off, changing this parameter has no effect.
To program a sequence: 1. Press SEQ EDIT. 2. Select the sequence you want to program by pressing the appropriate switch, 1-4. 3. Select the destination for that sequence using the Destination knob. For example, to generate a sequence of notes, select OscAllFreq. Note: When a sequence is routed to oscillator frequency, each knob increment equals half of a semitone. The LCD display will show the relative note value, with a “+” after it to show when at a half-semitone step. 4.
Suggested Destinations You can really have some fun with other destinations. For example, route a sequence to Delay amount to have the delay level change; or to feedback amount to drastically change the sound every step. FM and Ring Mod Levels are fun to sequence, too— you get the idea. With four sequences, you can program a very dynamic sequence. Another very useful way to modulate a sequence is using LFOs with sync; LFO frequency runs 0-150, after which you can select the sync settings.
Arpeggiator As a last-minute addition, a simple arpeggiator was included as a hidden function. As a hidden function, the operation is a little less than obvious, but the assumption is that it’s nice to have anyway. Note: The Arpeggiator settings are not saved as part of the Program. Basic operation is simple: while holding the RESET switch, simply hit the Sequencer 1 switch for an Up direction arpeggio, Sequencer 2 for Down, 3 for Up/Down, and 4 for Assign, which remembers the order the keys are held.
Modulation Destinations Display Off Destination No destination selected Osc 1 Freq Oscillator 1 Frequency Osc 2 Freq Oscillator 2 Frequency Osc 3 Freq Oscillator 3 Frequency Osc 4 Freq Oscillator 4 Frequency OscAllFreq Oscillator All Frequency – goes to all four Osc1 Level Oscillator 1 Level Osc2 Level Oscillator 2 Level Osc3 Level Oscillator 3 Level Osc4 Level Oscillator 4 Level OscAll Lev Oscillator All Level NoiseLevel Noise Level ExtInLevel External In Level Osc1 PulsW Oscilla
LFO 1 Freq LFO 1 Frequency LFO 2 Freq LFO 2 Frequency LFO 3 Freq LFO 3 Frequency LFO 4 Freq LFO 4 Frequency LFOAllFreq LFO All Frequency LFO 1 Amt LFO 1 Amount LFO 2 Amt LFO 2 Amount LFO 3 Amt LFO 3 Amount LFO 4 Amt LFO 4 Amount LFOAll Amt LFO A Amount Env 1 Amt Envelope 1 Amount (Level) Env 2 Amt Envelope 2 Amount (Level) Env 3 Amt Envelope 3 Amount (Level) EnvAll Amt Envelope All Amount (Level) Env1Attack Envelope 1 Attack Rate Env2Attack Envelope 2 Attack Rate Env3Attack
Modulation Sources Display Off Source No Source selected Sequence1 Sequence 1 Sequence2 Sequence 2 Sequence3 Sequence 3 Sequence4 Sequence 4 LFO 1 LFO 1 LFO 2 LFO 2 LFO 3 LFO 3 LFO 4 LFO 4 FilterEnv VCA Env Filter Envelope Amp (VCA) Envelope Envelope3 Envelope 3 ExtInPeak External Audio Input Peak EinEnvFol External Audio Envelope Follower PitchBend Pitch Bend Mod Wheel Mod Wheel Pressure Pressure (Aftertouch) MidBreath Midi – Breath Controller Midi Foot Midi – Foot Contro
MIDI Implementation The Evolver receives MIDI data according to the mode controls in the Global Section. In addition, there is interaction between some of the Program parameters that determine the overall response of Evolver to MIDI data. Following are the Global parameters that affect response to MIDI. Global Parameters MIDI Channel: ALL, 1…16 – Selects the MIDI channel to send and receive data, 1 to 16. All receives on any channel.
MIDI Messages Received Channel Messages Status 1000 nnnn 1001 nnnn 1010 nnnn 1011 nnnn Second 0kkkkkkk 0kkkkkkk 0kkkkkkk 0vvvvvvv 1100 nnnn 0ppppppp 1101 nnnn 1110 nnnn 0vvvvvvv 0vvvvvvv Notes: 0kkkkkkk nnnn Third 0vvvvvvv 0vvvvvvv 0vvvvvvv 0vvvvvvv 0vvvvvvv Description Note Off. Velocity is ignored Note On.
27 28 29 30 31 40 41 42 43 59 52 53 54 55 56 57 58 59 60 61 75 76 77 78 13 85 86 12 102 103 104 105 106 107 108 109 38 Oscillator 4 Level Oscillator 1 Shape Oscillator 2 Shape Oscillator 3 Shape Oscillator 4 Shape FM 4->3 FM 3->4 RM 4->3 RM 3->4 Noise Level Low Pass Filter Frequency Filter Resonance Filter Envelope Amount Filter Attack Filter Decay Filter Sustain Filter Release Filter Audio Mod Filter Split Filter Key Amount Amp Attack Amp Decay Amp Sustain Amp Release Highpass Filter Cutoff Feedback Freq
System Common Messages Status 1111 0010 Second 0vvvvvvv Third 0vvvvvvv Description Song Position Pointer – LS Byte then MS Byte. Positions depends on Clock Divide. For example, if Clock Divide is set to 4n (quarter note), then the sequence is 4 measures of 4/4 in length. The Song Position will calculate correctly within the four bars.
Transmitted Channel Messages Status 1000 nnnn 1001 nnnn 1011 nnnn Second 0kkkkkkk 0kkkkkkk 0vvvvvvv 1100 nnnn 0ppppppp 1101 nnnn 1110 nnnn 0vvvvvvv 0vvvvvvv Notes: 0kkkkkkk nnnn 0vvvvvvv Third 0000000 0vvvvvvv 0vvvvvvv 0vvvvvvv Description Note Off. Note On.
System Exclusive Messages Program Parameters Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0001 0vvv vvvv 0000 vvvv 0000 vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Program Parameter Parameter Number 0 – 127. The Parameter data starts on page 48.
Request Program Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0101 0000 00vv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Request Program Transmit Bank Number, 0 – 3 Program Number, 0 – 127 End of Exclusive (EOX) The Evolver will respond by sending out the Program Data in the format described in the Program Data Dump on page 43. It also sends a Program Name Dump message (also on page 43) after the Program dump.
Request Global Parameter Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 1110 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Request Global Parameter Transmit End of Exclusive (EOX) Evolver will respond by sending out the current edit buffer in the format described in the Global Parameter Dump on page 43 Program Data Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0010 0000 00vv 0vvv vvvv 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Ev
Program Edit Buffer Data Dump Status 1111 0000 0000 0001 0010 0000 0000 0001 0000 0011 0vvv vvvv 1111 0111 Description System Exclusive (SysEx) DSI ID Evolver ID File Version Edit Buffer Data 220 bytes in “packed MS bit” format (see page Error! Bookmark not defined.). Includes 128 bytes of Program parameters and 64 bytes of Sequence data.
Packed Data Format Data is packed in 8 byte “packets”, with the MS bit stripped from 7 parameter bytes, and packed into an eighth byte, which is sent at the start of the 8 byte packet.
Global Parameter Data Parameter Range Description 0 0 – 127 Program Number 1 – 128 1 0–3 Bank Number 1 – 4 2 0 – 100 Master Volume 0 – 100 3 0 – 72 4 5 30 – 250 0 – 12 Master Transpose; 0 = -36 semitones (- 3 octaves), 36 = 0 (no transpose), and 72 = +36 semitones.
12 x Not used (zero sent in Main Dump) 13 x Not used (zero sent in Main Dump) 14 0 – 16 15 X MIDI Channel; if = 0, data received on all MIDI channels. Otherwise = channel number 1 – 16.
Program Parameter Data 48 Parameter 0 Range 0 – 120 Description Oscillator 1 Frequency, 0 – 120 in semitones (10 octave range) Oscillator 1 Fine Tune; 0 = -50 cents, 50 = 0 (centered), 100 = + 50 cents Oscillator 1 Shape 0 Sawtooth 1 Triangle 2 Sawtooth/triangle mix 3 – 102 Pulse Wave, Pulse width 0 – 99 Oscillator 1 Level Oscillator 2 Frequency, 0 – 120 in semitones (10 octave range) Oscillator 2 Fine Tune; 0 = -50 cents, 50 = 0 (centered), 100 = + 50 cents Oscillator 2 Shape 0 Sawtooth 1 Triangle 2 Sa
27 28 29 30 0 – 110 0 – 100 0 – 110 0–6 31 0 – 100 VCA Envelope Decay VCA Envelope Sustain VCA Envelope Release Output Pan 0 Left channel panned fully left, Right fully to the right 1 Left channel panned mostly left, Right mostly to the right 2 Left channel panned somewhat left, Right somewhat to the right 3 Mono 4 Right channel panned somewhat left, Left somewhat to the right 5 Right channel panned mostly left, Left mostly to the right 6 Right channel panned fully left, Left fully to the right Program
50 Parameter 48 49 50 51 52 53 54 Range 0 – 198 0 – 68 0 – 110 0 – 110 0 – 100 0 – 110 0 – 13 55 0 – 73 Parameter 56 57 58 59 60 61 62 Range 0 – 75 0 – 75 0 – 75 0 – 75 0 – 100 0 – 100 0–2 63 0 – 14 Parameter 64 65 66 Range 0 – 200 0–1 30 – 250 Description Envelope 3 Amount; -99 to +99 Envelope 3 Destination (see destination table on page 53) Envelope 3 Envelope Attack Envelope 3 Envelope Decay Envelope 3 Envelope Sustain Envelope 3 Envelope Release Trigger Select 0 All – The envelopes will be tr
67 0 – 12 68 69 70 71 0 – 200 0–5 0 – 12 0 – 23 Program Clock Divide (see Master Clock Divide for selections) Glide, Oscillator 2; 101 – 199 = Fingered; 200 = osc midi off Oscillator Slop Pitch Bend Range, in semitones Key Mode 0 Low note priority 1 Low note priority with re-trigger 2 High note priority 3 High note priority with re-trigger 4 Last note hit priority 5 Last note hit priority with re-trigger Add 0 for Poly, 6 for Mono, 12 for Unison 1, and 18 for Unison 2 to the above Parameter 72 73 74 75
52 Parameter 96 97 98 99 100 101 102 103 Range 0 – 24 0 – 198 0 – 68 0 – 166 0 – 100 0 – 166 0 – 100 0 – 199 Description Modulation 4 Source (see Source Table on page 55) Modulation 4 Amount; -99 to +99 Modulation 4 Destination (see destination table on page 53) Delay 2 Time Delay 2 Level Delay 3 Time Delay 3 Level Distortion; 0-99 for distortion on output; 100 – 199 for levels 0-99 with distortion on input Parameter 104 105 106 107 108 109 110 111 Range 0 – 160 0–4 0 – 200 0 – 68 0 – 160 0–4 0 – 200 0
Modulation Destinations 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 No destination selected Oscillator 1 Frequency Oscillator 2 Frequency Oscillator 3 Frequency Oscillator 4 Frequency Oscillator All Frequency – goes to all four Oscillator 1 Level Oscillator 2 Level Oscillator 3 Level Oscillator 4 Level Oscillator All Level Noise Level External In Level Oscillator 1 Pulse width Oscillator 2 Pulse width Oscillator All Pulse widt
45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 LFO 3 Amount LFO 4 Amount LFO A Amount Envelope 1 Amount Envelope 2 Amount Envelope 3 Amount Envelope A Amount Envelope 1 Attack Envelope 2 Attack Envelope 3 Attack Envelope A Attack Envelope 1 Decay Envelope 2 Decay Envelope 3 Decay Envelope A Decay Envelope 1 Release Envelope 2 Release Envelope 3 Release Envelope A Release Filter 1 (left) Cutoff Frequency Filter 2 (right) Cutoff Frequency Filter 1 (left) Resonance Filter 2 (right) Re
Modulation Sources 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 No Source selected Sequence 1 Sequence 2 Sequence 3 Sequence 4 LFO 1 LFO 2 LFO 3 LFO 4 Filter Envelope Amp (VCA) Envelope Envelope 3 External Audio Input Peak External Audio Envelope Follower Pitch Bend Mod Wheel Pressure Midi – Breath Controller Midi – Foot Controller Key Velocity Key Note Number Midi – Expression Noise Oscillator 3 Oscillator 4 Hidden Functions The following hidden functions are listed for information on
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Dave Smith Instruments 1210 Cabrillo Hwy N Half Moon Bay, CA 94019-1449 USA www.DaveSmithInstruments.
