User manual
A I R E N C E - U S B M a n u a l P a g e 25
EXTENDER TRIPLE INPUT MODULES 1-6
Each of Modules 1 thru 6 has three selectable inputs. The three types of inputs consist of a Mic input a stereo
When the Mic is switched out, you have the choice of Line A or Line B stereo inputs which allows for the
busses.
GAIN
-
ed to the required internal mixer level. This control adjusts both the Mic input and the stereo Line/Line inputs
Try it in this way, if you cannot achieve enough Mic gain when the gain control is fully turned clockwise, only
STEREO LINE/LINE
devices such as CD players/MP3 players etc. The second Line B input can accept a D&R stereo Phono Pre-amp
D&R webshop.
MIC
The Mic input has a balanced XLR input connector with 48 volt phantom powering for condenser mikes. The
Mic-pre circuitry uses the latest technology studio-class components as used in high end recording consoles,
The low-noise design and excellent phase spec that D&R is known for is integrated throughout the AIRENCE-
USB which results in phase coherent signal path. Using balanced microphones & cables allows for the quietest
and high quality audio signals throughout your AIRENCE-USB mixer. You can use standard balanced Mic cables
available at any pro audio dealer or music store. The AIRENCE-USB uses chassis-mount female XLR type Mic
EQUALIZER
Each module has a stereo three band equalizer to control the high, mid, and low frequencies individually. The
D&R designers used carefully chosen frequencies in the equalizer circuitry to enhance the Mic input as well as
the stereo A & B line inputs.
SUB
PROG(RAM)
to the main outputs of ther mixer via the master faders.
AUX SEND
The next control is a stereo Aux send that sends stereo source signals to the stereo Aux send buss Master (or
SUB buss) and then to the output connectors on the Master back panel. The stereo Aux send is for external
CUE
-
If you push a DJ’s Cue (let’s say channel one) and if you then push the Telco Cue, the DJ as well as the caller can hear each other
circuits.