Specifications

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RECORDING / BROADCAST
SASS-P MKII, SASS-HC
Natural Stereo Imaging
The SASS-P MK II is the latest version of our patented, stereo
condenser microphone using PZM technology. A mono-compatible,
near-coincident array design makes it perfect for professional
recording, broadcast and sampling.
The SASS-P MK II features carefully controlled polar patterns and
human-head-sized spacing between its capsules that create well-
focused natural stereo imaging without a “hole in the middle.”
Reproduction is precise and realistic, and accurately conveys the
ambient environment for location recording, film sound or synched
audio ambience.
Separate left and right outputs are low impedance-balanced,
allowing long cable runs without hum or high-frequency loss. A
low-frequency cut switch attenuates frequencies below 100 Hz by
12 dB-per-octave, reducing wind noise and low-end rumble. The
SASS-P MK II can be powered either by two internal 9 volt batter-
ies or by phantom power.
Perfect for permanent installations such as high school and college
music programs, the SASS-HC is the same as the SASS-P MK II,
but without the carrying case or accessories except windscreen.
Case and accessories may be purchased separately, if desired.
Element Type: Electret Condenser
Frequency Response: 20 Hz to 18 kHz
Polar Pattern: Omnidirectional (low frequencies), Unidirectional
(high frequencies)
Impedance: 150 ohms
Sensitivity: 6 mV/Pa
MIC TIPS
Field Recording with the SASS
Electronic News Gathering (E.N.G.)
Often you can record an announcer and
ambience with the SASS alone, without an
extra handheld or lavalier mic on the
announcer. If the ambient noise level is too
high, use a mixer to blend a close-up
microphone (panned to center) with the
SASS.
The SASS will give a slight but not notice-
able boost to the appropriate side if the tal-
ent moves away from the frame center. If
the SASS is camera mounted, use the
windscreen to subdue wind noise caused
by camera movement.
Because of its light weight, the SASS can
be mounted on a fishpole, floor stand,
boom stand, or tripod, in addition to the
handgrip.
Large musical ensembles (orchestra,
band, choir, pipe organ)
Place the SASS 4 to 15 feet from the front
row of musicians. Angle it down so that it
will be aimed at the performers when
raised, and raise it about 15 feet high on a
microphone stand. Closer placement to the
performers will sound more edgy, detailed,
and dry: farther placement will sound more
distant, blended and reverberant. Try to find
a spot where you hear a pleasing balance
between the direct sound from the ensem-
ble and the hall ambience.
For more information on SASS techniques,
go to www.crownaudio.com.
Under Expert Advice, Mics, click on Tech
Info.
Why Choose Crown Mics for Recording and Broadcast?
• Excellent sound quality.
• Rugged, reliable and affordable.
• 3-year warranty.
• Outstanding rejection of background noise in the CM-311AHS
and CM-310AHS.
Low
frequencies
High
frequencies