Specifications

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MICROPHONES — Portable PA / Touring
CM-200A, CM-200ASW
Smooth Vocals, Excellent Instrumentals
The CM-200A cardioid delivers fine studio quality sound in a
rugged package that withstands the toughest field conditions.
Its smooth, articulate performance combined with a wide fre-
quency range make it an excellent choice for all-around criti-
cal uses, either vocals or instruments. The CM-200ASW adds
a built-in magnetic reed switch that turns the mic on and off.
Element Type: Electret Condenser
Frequency Response: 80 Hz to 15 kHz
Polar Pattern: Cardioid
Impedance: 150 ohms
Sensitivity: 3 mV/Pa
CM-310A, CM-310ASW
Differoid Noise-Canelling Microphone
F
eaturing Crown’s patented Differoid
®
technology, the CM-
310A provides quality sound and exceptional isolation from
background noise. The microphone is ideal for live perform-
ance with high stage volume, sports announcing and for elimi-
nating strong ambient background noise. The CM-310ASW
features a built-in magnetic reed switch that turns the mic on
and off. Frequency response is internally adjustable for your
choice of natural sound or bright, articulate sound. Requires
12-48 volt phantom power.
Element Type: Electret Condenser
Frequency Response: 80 Hz to 15 kHz
Polar Pattern: Cardioid
Impedance: 200 ohms
Sensitivity: 1.7 mV/Pa
CM-311A, CM-311AE, CM-311AHS
Headworn Differoids
The CM-311A offers Differoid performance in a comfortable
headworn package. It is designed to meet the most demand-
ing touring sound applications, with its electret condenser cap-
sule providing full, clear and distortion-free sound. Gain-
before-feedback and isolation are exceptional. Lightweight,
rugged and comfortable, the headband and mic boom are
adjustable to any vocalist. CM-311A includes a battery/phan-
tom powered belt pack. CM-311AE connects directly to most
wireless transmitters. The CM-311AHS mounts on a Sony
MDR-V6 or MDR-7506 headphone.
Element Type: Electret Condenser
Frequency Response: 50 Hz to 17 kHz
Polar Pattern: Cardioid
Impedance: 75 ohms
Sensitivity: 4 mV/Pa
SASS-P MKII, SASS-HC
Natural Stereo Imaging
The SASS
®
-P MK II is the latest version of
our patented, stereo condenser microphone
using PZM technology. A mono-compatible,
near-coincident array design makes it perfect
for professional recording, broadcast and
sampling.
The SASS-P MK II features carefully con-
trolled polar patterns and human-head-sized
spacing between its capsules that create well-
focused, natural stereo imaging without a
“hole in the middle.” Reproduction is precise
and realistic, with the SASS-P MK II accurate-
ly conveying ambient environment for location
recording and audience reaction.
Separate left and right outputs are low imped-
ance balanced, allowing long cable runs
without hum or high-frequency loss. A low-
frequency cut switch attenuates frequencies
below 100 Hz by 12 dB-per-octave, reducing
wind noise and low-end rumble. The SASS-P
MK II can be powered either by two internal
9-volt batteries or by phantom power.
Perfect for permanent installations such as
high school and college music programs, the
SASS-HC is the same as the SASS-P MK II,
but without the carrying case or accessories
except windscreen. Case and accessories
may be purchased separately, if desired.
Element Type: Electret Condenser
Frequency Response: 20 Hz to 18 kHz
Polar Pattern: Omnidirectional (low frequen-
cies), Unidirectional (high frequencies)
Impedance: 50 ohms
Sensitivity: 6 mV/Pa
Low
frequencies
High
frequencies