Specifications

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Long recognized as an industry-standard stage-floor
microphone, the half-supercardioid PCC-160 is also
great for altar tables – anywhere maximum gain and
articulation are essential. PCC boundary technology
guarantees a natural sound free of phase interfer-
ence, with sensitivity increased by 6 dB. Available in
two versions: black (PCC-160) or white (PCC-160W).
Element Type: Electret Condenser
Frequency Response: 50 Hz to 18 kHz
Polar Pattern: Half-Supercardioid
Impedance: 150 ohms
Sensitivity: 22 mV/Pa
CM-30
Hanging Mic with Screw-Terminal Connector
Nearly invisible and with a built-in (removable) hanger for easy
positioning, the CM-30 is the choice for church choir and overhead
stage miking. Smooth, wide-range response makes the CM-30
ideal for natural reinforcement or recording, while its ultratight
supercardioid pattern provides impressive gain-before-feedback
while rejecting unwanted noise and reverb. Electronics for the
CM-30 attach straight to a rectangular electrical box. Accepts
phantom power and includes 30-ft. (9.14 m) cable and electronics.
Available in two versions: black (CM-30) or white (CM-30W) .
Element Type: Electret Condenser
Frequency Response: 40 Hz to 20 kHz
Polar Pattern: Supercardioid
Impedance: 150 ohms
Sensitivity: 10 mV/Pa
CM-31
Hanging Mic with XLR Connector
Offering the same performance as the CM-30, the CM-31 includes
a tubular electronics module with an XLR connector. This module,
connected to your phantom power supply, also includes a low-cut
switch. Output is balanced, low impedance and is protected
against static and RF interference. Accepts phantom power and
includes a 30-ft. cable. Available in two versions: black (CM-31) or
white (CM-31W).
Element Type: Electret Condenser
Frequency Response: 40 Hz to 20 kHz
Polar Pattern: Supercardioid
Impedance: 150 ohms
Sensitivity: 10 mV/Pa
PCC
®
-160
Industry-Standard Stage-Floor Mic
MICROPHONES — Installed Sound: Stage and Pulpit