Specifications

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PSPHD PROCISE

7.3 High-Deﬁnition Professional Surround Sound Processor

crestron.com

800.237.2041

The Full Frontal

What was the thing you noticed when you first saw the PSPHD? Was it the

clean, inviting controls, the modern metallic accents, or its high-resolution

graphic displays? Unlike other audio processors, setting up and operating

the PSPHD from the front panel is a pleasure. Touch any button to awaken

it, and easily select your source and make adjustments with a simple turn

and tap of the left selection knob. Detailed information appears on the

front panel to eliminate any confusion. Jump directly to key menus using

the dedicated function buttons. And, oh yeah, select the bargraph analyzer

or retro-style analog meters to lend a classic touch for monitoring signal

status. And by all means, turn up that knob on the right whenever you want

to impress your guests with more volume.

PROCISE Tools

While much of the PSPHD’s initial setup and configuration can be

accomplished through its front panel, PROCISE Tools software provides

the optimum user interface for accessing all of its audio adjustments and

settings. And, although MultEQ XT does most of the work to optimize your

system’s sound quality, there is plenty of customization and tweaking

available to those so inclined. For instance, PROCISE Tools allows you to

fine-tune lip-sync delay, define the default decoding and EQ modes for

each source, set up the mix inputs, monitor signal levels, and finesse the

various level, crossover, delay, and other settings.

To those who prefer to make all their own EQ adjustments, either globally

or for a specific input or surround mode (in lieu of MultEQ XT), PROCISE

Tools offers a choice of master 6-band graphic EQ or ten independent

channels of precision 6-band parametric EQ. Each EQ mode allows five

presets to be saved, which can be recalled via a control system or set to

correspond with any input or decoding mode.

The Beauty of Simplicity

The wonderful thing about Crestron is, once the system’s installed and

all the critical adjustments are made, all you need to worry about is your

choice of movie and popcorn. As part of a complete Crestron system, all

the technology within the PSPHD disappears behind the scenes, with only

the controls you want and need provided to you on your choice of Crestron

touch screen or handheld remote.

So press play, set your senses for maximum impact, and enjoy the movie!

SPECIFICATIONS

Audio – General

Features: 27 selectable source inputs plus built-in noise generator,

7.1 Dolby Digital

/DTS

surround sound decoder, 7.3 multi-channel signal

processing and steering, Audyssey MultEQ

XT, Audyssey Dynamic

Volume

, Audyssey Dynamic EQ

, 6-band graphic or parametric EQ,

100 ms lip-sync/speaker delay, unprocessed “Pure” mode (analog sources

only), “Direct” mode (HDMI only), independent mono and stereo downmix

outputs, 3 channel line mixer (post surround decoder/processor) with

independent speech-optimized signal processing, HDCP management,

Crestron QuickSwitch HD

Input Signal Types: HDMI supporting HD lossless multi-channel up to 7.1

with HDCP, DisplayPort Multimode

[2]

, S/PDIF (coaxial and optical), AES/EBU,

analog 2-channel (balanced and unbalanced), analog 8-channel

(unbalanced), analog mono (balanced or unbalanced)

Output Signal Types: Analog 7.3 channel (balanced and unbalanced),

analog 2-channel downmix (balanced and unbalanced), analog mono

downmix (balanced and unbalanced), HDMI w/2-channel downmix

Processor: Three floating-point DSPs

Analog-To-Digital Conversion: 24-bit 96 kHz

Digital-To-Analog Conversion: 24-bit 96 kHz (192 kHz in Direct mode)

Frequency Response: 20 Hz to 20 kHz ±0.2 dB

THD+N: 0.002% digital in to analog out;

0.003% analog in to analog out

S/N Ratio: 125dB AES/EBU in to balanced out;

122dB SPDIF/HDMI in to balanced out;

118dB AES/EBU in to unbalanced out;

114dB SPDIF/HDMI in to unbalanced out;

109dB unbalanced in to unbalanced out

Audio – Surround Sound

Decoding Modes: None, Stereo, Dolby Pro Logic IIx Movie, Dolby Pro Logic

IIx Music, DTS Neo:6 Cinema, DTS Neo:6 Music, Two Channel Steering

– Surround, Two Channel Steering – Rear, Multi-Channel Stereo (Party),

Cathedral, Hall, Stadium, Jazz Club, Dolby Digital

, Dolby Digital EX, Dolby

Digital Plus, Dolby

TrueHD, DTS

, DTS-ES Matrix, DTS-ES Discrete, DTS

96/24, DTS-HD Master Audio

™

, PCM Multi-Channel, Multi-Channel Input

Master Volume Level: -80 to +20 dB, adjustable from 0% to 100%, plus

mute

Speaker Levels: ±12.0 dB per output (Front L/R, Surround L/R, Back L/R,

Center, Sub 1-3)

Low Frequency Effects (LFE): -10.0 to +0.0 dB

Decoding Mode Speaker Levels: ±12.0 dB per output

Decoding Mode LFE Level: -10.0 to +0.0 dB

Input Compensation: ±10.0 dB per input

Bass Control: ±12.0 dB

Treble Control: ±12.0 dB

EQ Modes: Audyssey MultEQ XT, 6-band graphic (global), or 6-band

parametric (per output)

GEQ Center Frequencies: 63, 250, 1k, 4k, 10k, 20k Hz

GEQ Gain: ±12.0 dB per band

GEQ Presets: 1 thru 5

PEQ Center Frequency: 25 to 20,000 Hz per band

PEQ Gain: ±12.0 dB per band

PEQ Bandwidth: 0.0 to 3.0 octaves per band

PEQ Presets: 1 thru 5

Crossover Frequency: Large (full range) or 40 to 200 Hz, adjustable in

10Hz steps, per output (excluding subs)

Delay: 0 to 100 ms lip-sync (global);

0 to 20 ms speaker distance compensation (per output);

Adjustable in milliseconds, feet, or meters;

NOTE: 100 ms max per output lip-sync and speaker delay combined

Compression: Off, Audyssey Dynamic Volume (Heavy, Medium, Light),

Dolby/DTS DRC (Heavy, Medium, Light), Dolby TrueHD Auto

Loudness Compensation: None or Audyssey Dynamic EQ (available only

with MultEQ XT active)