- Crestron Electronics Digital Audio Processor With Room Control Operations Guide C2N-DAP8RC
Digital Audio Processor with Room Control  Crestron C2N-DAP8RC  
30 • Digital Audio Processor with Room Control: C2N-DAP8RC   Operations Guide - DOC. 8187A 
The Mute button on the lower right of all screens is intended as a “panic” button to 
prevent damage to speakers in the event of sudden large increases in sound level, 
which can occur when switching from one sound source to another. Pressing this 
button again does not turn mute off. Turn mute off, after the problem is resolved, as 
stated above. 
Using Source/Noise Steering for Calibration 
Calibrating a room is a critical part of setting up a home theater. Without proper 
calibration, the impact of a movie or musical soundtrack will lack what the sound 
engineer had originally intended. 
The Source/Noise Steering feature gives you three options to choose from to suit 
your calibration needs. The definitions below give you the function of each type of 
noise and its intended use for system calibration. The Source/Noise Steering feature 
should be used with an SPL Meter and/or a Real Time Analyzer (RTA) for the best 
possible calibration of the room. 
Pink Noise: 
Pink noise is sound that is comprised of a random signal, with all audio frequencies 
present, over time, and at various signal levels. It provides equal energy per octave to 
provide a flat response over all frequencies. (Refer to Graph 1 after the next 
paragraph for visual reference.) 
The main function of pink noise is to calibrate a speaker’s interaction within its 
given room. The reason that pink noise is used over other generated noises such as 
white noise is because of its equal power to all octaves. This makes it easier to 
calibrate for a flat plot on a real time analyzer, since the level will be uniform across 
every octave. Pink noise is provided by DAT software or you can use an external 
source such as a DVD or CD. This would be used with the Room Calibration, Output 
Settings, Graphic EQ and Parametric EQ tabs. 
Graph 1: 










