Specifications

7. MASTER L/R INSERT IN/OUT (See page 11)

These two 1/4" stereo (TRS) jacks allow an external device

to be inserted into each of the signal paths, pre-fader in the

Master L/R channel. The tip has the send signal. The ring is

the return input. A switch in the jack normally connects the

send to the return until a plug is inserted.

8. CONTROL ROOM L/R OUTPUT

These two 0 dBu/10 k Ohm, unbalanced 1/4" (TS) outputs

provide the signal to drive the control room monitors. The

level is controlled from the HEADPHONE/CR LEVEL

CONTROL on the front panel.

9. TWO TRACK INPUT

A 0 dBu/10 k Ohm, unbalanced 1/4" (TS) stereo input,

which allows the signal from an external tape machine to be

monitored on the HP/CR OUTPUT. This input is duplicated

with a pair of parallel RCA connectors.

10. MAIN OUT RCA

These outputs duplicate the MASTER L/R main, unbalanced output with a pair of RCA

connectors for convenient connection to a tape machine input.

11. GROUP 1—6 OUTPUTS

These six unbalanced 0 dBu/2 k Ohm, 1/4" (TS) outputs provide the signals from GROUP 1—6.

12. AUX 1-2 OUTPUTS

Each of the two AUX1-2 master-mix channels has a 0 dBu/2 k Ohm, 1/4" unbalanced output

and a +4 dBu/600 Ohm, XLR balanced output, which can be used simultaneously. These are

the MIX B outputs as well.

13. AUX 3—6 OUTPUTS

These four unbalanced 0 dBu/2 k Ohm, 1/4" (TS) outputs provide the signals from AUX 3—6.

VI. INPUT CHANNELS

The input channels of the CPM 2642 are the heart of its versatility. Various channel configurations

have been included to eliminate the need for patch cables and adapters. This section will describe

those different configurations and the numerous features of each.

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