Instruction manual

4
CLEAN CHANNEL
OVERDRIVE CHANNEL
BOTH CHANNELS
1 2 3 4 5 6 7 8
1. Guitar Input: Connect your instrument
here by means of a shielded signal cable.
This input signal to this jack is not attenu-
ated and accommodates instruments
with standard output signals. If your
instrument has a strong output signal,
use the Accordion Input (#2).
2. Accordion Input: Connect your instru-
ment here by means of a shielded signal
cable. The signal to this jack is attenuat-
ed 6dB to accommodate instruments with
stronger output signals.
3. Gain: Use this control to adjust the
amount of overdrive distortion for the
overdrive channel. This control works in
conjunction with the Master control (#8).
4. Volume: Use this control to adjust the
output level of the clean channel.
5. Treble: Use this control to adjust the
output level of the high frequencies for
both channels. This control provides
22dB of cut or boost at 10kHz.
6. Mid: Use this control to adjust the out-
put level of the middle frequencies for
both channels. This control provides 5dB
of cut or boost at 500Hz.
7. Bass: Use this control to adjust the
output level of the low frequencies for
both channels. This control provides
22dB of cut or boost at 150Hz.
8. Master: Use this control to adjust the
output level of the overdrive channel. This
control works in conjunction with the Gain
control (#3) to produce sounds from
slightly distorted to all-out screaming –
and everything in between.
9. Tremolo Speed: Use this control to
adjust the speed of the built-in tremolo
effect. With the control fully counter clock-
wise, the effect is slow and mellow. As the
control is rotated clockwise, the speed of
the effect increases.
10. Tremolo Intensity: Use this control
to adjust the intensity (or depth) of the
built-in tremolo effect. With the control
fully counterclockwise, none of the tremo-
lo effect is applied. As the control is rotat-
ed clockwise, the amount of tremolo
increases.
11. Reverb: Use this control to adjust the
amount of reverberation applied to both
channels. With the control fully counter-
clockwise, no reverb is applied. As the
control is rotated clockwise, the amount
of reverb increases.
The Front Panel: