User Guide
Table Of Contents
- Featured artists
- Table of contents
- Welcome to Corel Painter IX
- The Basics
- Working with Documents
- Creating and Opening Documents
- Creating and Opening Templates
- Placing Files
- Understanding Resolution
- Zooming
- Repositioning Documents
- Rotating Documents
- Cropping Images
- Using Full Screen Mode
- Image Size Information
- Resizing the Canvas
- Rotating and Flipping the Canvas
- Saving Files
- Closing Documents and Quitting the Application
- Setting Preferences
- Working with Documents
- Layers
- Getting Started with Layers
- Managing Layers
- Editing Layers
- Painting on Layers
- Brush Methods and Painting on Layers
- Preserving Layer Transparency
- Working with Floating Objects
- Adding Drop Shadows
- Creating Patterns on Layers
- Working with Reference Layers
- Setting Layer Opacity
- Blending Layers by Using Composite Methods
- Adding Notes to a Layer
- Storing Images with the Image Portfolio
- Organizing Layers with Image Portfolio Libraries
- Color
- Getting Started with Color
- Working with the Mixer Palette
- Working with Color Sets
- Setting Color Variability
- Viewing Color Information
- Setting Color Expression
- Working with Gradients
- Textures, Patterns, and Weaves
- Using Paper Texture
- Using Patterns
- Using Weaves
- Painting
- Exploring Brushes
- Marking the Canvas
- Exploring Painting
- Working with Fill
- Watercolor
- Liquid Ink
- Impasto
- Image Hose
- Customizing Brushes
- Getting Started with the Brush Creator
- Managing Settings and Controls
- General Controls
- Size Controls
- Spacing Controls
- Angle Controls
- Bristle Controls
- Well Controls
- Rake Controls
- Random Controls
- Mouse Controls
- Cloning Controls
- Impasto Controls
- Image Hose Controls
- Airbrush Controls
- Water Controls
- Liquid Ink Controls
- Digital Watercolor Controls
- Artists’ Oil Controls
- Color Variability Controls
- Color Expression Controls
- Expression Settings
- Managing Custom Brushes
- Cloning and Tracing
- Image Effects
- Working with Surface Texture
- Setting Appearance of Depth Properties
- Using Paper to Create Texture
- Using 3D Brush Strokes to Create Texture
- Creating 3D Oils
- Using Image Luminance to Create Texture
- Using Clone Source Luminance to Create Texture
- Creating Embossing Effects
- Using Channels and Layer Masks to Create Texture
- Working with Reflection Maps
- Applying Lighting to a Texture
- Working with Surface Texture
- Mosaics
- Getting Started with Mosaics
- Placing and Customizing Tiles
- Using Shapes
- Animation and Video
- Creating Animations and Video
- Getting Started with Movies
- Modifying a Movie
- Rotoscoping
- Saving and Exporting Movies
- Printing
- Index

Textures, Patterns, and Weaves 113
Textures, Patterns, and Weaves
In Corel Painter, paper textures, gradients, patterns, and weaves can all be applied to
your image. You can brush some of them on, get them to interact with each other,
spray them, smear them, and even create your own. Best of all, you never have to run
to the store in the middle of creating to get a new tube of paint or the right kind of
paper.
You’ll use these items in several ways:
• to load a Brush tool with media for painting
• to fill selections with the Effects menu > Fill command or the Paint Bucket tool
• to control certain image effects, like Apply Surface Texture
This chapter explains how to select, customize, and create textures, patterns, and
weaves, as well as how to save them to a library for future use.
Papers, patterns, and weaves all reside in libraries. The default libraries offer sample
materials. You’ll find more libraries, with additional materials, on the Corel Painter CD
and on the Corel Web site. For more information about libraries, including how to load
alternate libraries, create your own libraries, and manage library content, see “What
Are Libraries?” in the Help.
Using Paper Texture
In the real world, a marking tool has different results when applied to surfaces with
different textures. Corel Painter allows you to control the texture of the canvas to
achieve the results you’d expect from natural media on a given surface — pencil on
water color paper, felt pens on cotton paper, chalk on the sidewalk, and so on.
Of course, some brushes, like those in the Airbrush category, don’t reveal paper texture
in their strokes. This behavior follows that of the natural tool.










