Operator`s manual

20. SOLO/OFF/ON
A,B,C,D,A1,A2:
Any combination of busses can be
monitored. ’SOLO’ disconnects the other-
busses to the Monitor 1 output - Solo
normally mono’s the signal to the
headphone out - there is an internal slide
switch to defeat this. ‘ON’ - In stereo mode
the busses are assigned to either (L) left or
(R) right.
21. M/ST/MS: M = mono, ST = stereo, MS = mid-side
(Monitor 1) Any combination selected by switch (20)
can be monitored in mono, stereo or
mid-side.
22. LEVEL: Gain control.
(Monitor 1)
23. MIC:
Internal slate mic (See #24, 25, 27).
OSC/SL SECTION
24. AB/CD/AUX: Assigns the oscillator or slate to AB,CD or
Aux busses- The aux. bus switch now has
3 positions. Left = off, Center = Aux 1 only,
Right = Aux 1 & 2.
25. EXT SLATE: Down = external slate mic input (on rear
panel). The trimmer below adjusts the slate
mic level.
OSCILLATOR SECTION
26. 10k/1k/100: Frequency select for the internal oscillator.
LEVEL: Adjusts oscillator level (multiturn).
OSC: Internal oscillator - Up = on,
Down = momentary on.
27. SL: Slate mic; Down = with LF (low frequency)
tone. Up = no LF tone.
28. PL SECTION: Master private line to Monitors 1, 2 or 3.
The level is adjusted by the multiturn
trimmer above.
2/+/3: Assigns PL to Monitor 2, 2 & 3 or Monitor 3
only.
29. ROLL 1,2: Independent remote control for many types
of recorders (see separate application
note).
30. MASTER FADERS: ABCD - Normally left at maximum for
optimum headroom and signal to noise
ratio.
MODEL CS 208 v2
MAY 2003
OUTPUT MODULE
4