Specifications

SPECIFICATIONS – PAGE 25
9
LEXICON EFFECTS TABLE – PAGE 7
EFFECTS
MONO INPUTS
Connectors
Neutrik XLR for mics. Phantom Power
available globally from the master section
(condenser mics). 1/4 inch jack for line level
instruments. Mic and line inputs are balanced.
Direct Out and Insert point.
Gain Control
UltraMic™ padless preamp provides 60dB of
gain range. Maximum 22dBu of headroom.
Equaliser Section
Steep 18dB per Octave 100Hz High
Pass Filter.
3-band British EQ with swept mid.
±15dB at Lo 80Hz, Hi 12kHz and Mid
variable 240-6kHz. Q = 1.5.
See page 5 for EQ curves.
Auxiliary Section
4 flexible auxiliary controls:
Aux 1 is pre-fader/post EQ for foldback or
stage monitor mixes.
Aux 2 and 3 are post-fader/post EQ but Aux 2
is switchable pre-fader on each channel.
LexFX dedicated to Lexicon effects
(post-fader).
Pan
To position signal in stereo mix or for
subgroup routing.
Routing Section
Any channel can be routed to Mix and/or Sub
Outputs. Signal to Auxes, Mix and Sub Out
can be muted.
Solo
Monitors the pre-fade signal of a “solo”
channel before it reaches the main mix. If SIP
is pressed in master section, gives true stereo
position, after fader and with effects.
Direct Pre
Allows direct outs to be switched to pre-fader
(live recording to prevent multitrack levels
from being affected by changes to the FOH
mix) or post-fader for studio work.
100mm Fader
GROUP/MASTER SECTION
Connectors are on rear panel – see below.
2-Track Return
Two phono connectors allow playback of
master stereo recording or for pre-show
music.
Mono Sum Output
Useful as additional bass bin send, side fill
feed, mono PA feed or for induction loops.
Monitor Outputs
For nearfield monitors via an amplifier.
Mix Outputs
2 impedance-balanced XLRs send mix signal
to PA speakers or a stereo recorder.
Mix Inserts
For processing all signals routed to mix with a
compressor/limiter or other device.
Subgroup Outputs
2 impedance-balanced
1/4" jacks send
subgroup signal to a
multitrack or additional
speakers.
Subgroup Inserts
For processing the
subgroup signal.
Rear Connector Panel
Auxiliary Outputs
3 impedance-balanced 1/4" jacks send signals
to effects units or monitor/foldback
amplifiers.
Phantom Power
Supplies +48V globally to power condenser
mics. LED indicates +48V active.
Stereo Return Section
4 inputs routable to Mix or Submix, with
access to Auxes 1 or 2.
Aux/FX Master Section
4 rotaries govern master levels of Auxes and
Lexicon effects. Each master may be solo’d
after the fader.
2-Track Return Section
Rotary sets playback level.
Can be routed to Mix.
Monitor Source
Monitor Mix and/or Submix. Press 2TK to play
back master recordings without repatching.
Rotary controls monitor output level.
Solo in Place (SIP)
Replaces PFL with SIP. LED lights in
SIP mode. See “Solo” mode operation.
Meters
Two 3-colour, 10-segment bargraph meters
show mix, submix, control room or 2-track
levels. Peak reading (PPM). When any PFL,
SIP or AFL switch is pressed, meters switch
to show solo level.
Phones
For headphones of 200 Ohms or greater
impedance. Rotary pot governs output level.
Sub-Mix and Mix Faders
Pressing the “Sub to Mix” switch routes
submix buses to the mix. Insert points allow
signal processors to be connected across
submix and mix.
LEXICON EFFECTS SECTION
Effects Controls
The Lexicon dual effects section provides
combinations of delay, reverb and chorus.
Each effect has two editable, storable/
recallable parameters.
See Lexicon Effects table on page 7.
Programme Select
Select from 16 pre-programmed effects
combinations.
Parameter Adjust
Param 1 / 2 alter values of two effect
parameters using encoder. Alterations are
held in memory when Parameter switch is
released; User Mode LED indicates an
alteration has been made to factory preset
(restorable).
Lexicon Effects Return
Rotary sets Lexicon effects return level,
routable to Mix or Sub. Internal effects have
access to Aux 1 or 2, allowing you to add
reverb to a foldback mix, or to mix external
effects with the Lexicon processor to create
unique combination effects.
Lexicon Foot Switch
Allows effects to be turned on or off on stage
using a guitar foot-pedal.