Parts List
Table Of Contents
- 1GENERAL
- 2SYSTEM OVERVIEW
- 2.1Transmitter Operation
- 2.2Frequency Selection
- 2.2.1Synthesizer Transmitter
- 2.3Transmitter Assembly and Adjustment
- 2.3.1Complete Transmitter Alignment
- 2.3.2Frequency Change
- 2.3.3Output Power Adjustment
- 2.3.4Deviation Setting
- 2.3.5Setting RF Alarm Thresholds
- 2.4Recommended Test Equipment List
- 2.5Repair Note
- 2.6Printed Circuitboard Numbering Convention
- 3ILLUSTRATIONS
- 4PARTS LIST
- 5REVISION HISTORY
- TRANSMITTER MAIN BOARD
- 1GENERAL
- 2THEORY OF OPERATION
- 2.1 Transmitter Main Board
- 2.1.1General
- 2.1.2Transmitter Push-To-Talk
- 2.1.2.1Microphone PTT
- 2.1.2.2PTT With Time-Out-Timer
- 2.1.2.3PTT No Time-Out-Timer
- 2.1.2.4Optional Relay
- 2.1.2.5PTT Output
- 2.1.2.6PTT Voltage Switching
- 2.1.2.7Transmitter Standby Modes
- 2.1.3Audio Circuits
- 2.1.3.1Microphone Audio
- 2.1.3.2Received Audio
- 2.1.4Channel Selection
- 2.1.4.1Synthesized Transmitter
- 2.1.4.2Crystal Controlled Transmitter
- 2.1.5Amplifier Circuits
- 2.1.6Time-Out-Timer Circuitry
- 2.2MT-3 Front Panel Board
- 2.3MT-3 Audio Processor (Version 1.6)
- 2.3.1General
- 2.3.2Power Requirements
- 2.3.3Audio Processor Turn-on Time
- 2.3.4Audio Processor Signals
- 2.3.4.1Audio Processor Outputs
- 2.3.4.2Audio Processor Modulation Output
- 2.3.4.3Audio Processor Low Frequency / Direct Mod. Output
- 2.3.4.4Audio Processor Inputs
- 2.3.4.5Audio Processor Microphone Input
- 2.3.4.6Audio Processor Balanced Input
- 2.3.4.7Audio Processor Auxiliary Input
- 2.3.4.8Audio Processor Subtone Inputs
- 2.3.4.9Audio Processor Direct Modulation Input
- 2.4MT-3 Audio Processor (Version 1.8)
- 2.4.1General
- 2.4.2Power Requirements
- 2.4.3Audio Processor Turn-on Time
- 2.4.4Audio Processor Signals
- 2.4.4.1Audio Processor Outputs
- 2.4.4.2Audio Processor Modulation Output
- 2.4.4.3Audio Processor Low Frequency / Direct Mod. Output
- 2.4.4.4Audio Processor Inputs
- 2.4.4.5Audio Processor Microphone Input
- 2.4.4.6Audio Processor Balanced Input
- 2.4.4.7Audio Processor Auxiliary Input
- 2.4.4.8Audio Processor Subtone Inputs
- 2.4.4.9Audio Processor Direct Modulation Input
- 2.5Low Frequency Modulation
- 3TRANSMITTER ALIGNMENT
- 3.1General
- 3.2Repair Note
- 3.3Printed Circuitboard Numbering Convention
- 3.4Recommended Test Equipment List
- 3.5Standard Factory Settings and Jumper Configuration
- 3.5.1MT-3 Transmitter Board Factory Configuration
- 3.5.2MT-3 Audio Processor Factory Configuration (Version 1.6)
- 3.6MT-3 Transmitter Board Alignment
- 3.6.1General
- 3.6.2MT-3 Transmitter Board Test Points
- 3.7Module Installation and Removal
- 3.8MT-3 Audio Processor Alignment (Version 1.6)
- 3.8.1General
- 3.8.2MT-3 Audio Processor Standard Deviation Adjustment
- 3.9Standard Factory Settings and Jumper Configuration
- 3.9.1MT-3 Audio Processor Factory Configuration (Version 1.8)
- 3.10MT-3 Audio Processor Alignment (Version 1.8)
- 3.10.1General
- 3.10.2MT-3 Audio Processor Standard Deviation Adjustment
- 3.11Low Frequency Modulation Configuration
- 3.11.1MT-3 Transmitters
- 3.11.2MT-3 Transmitter Audio Processors
- 3.11.3Synthesizer and Crystal Controlled Oscillator
- 3.11.4Tuning the Transmitter
- 4TRANSMITTER INTERCONNECT PIN DEFINITIONS
- 5ILLUSTRATIONS AND SCHEMATIC DIAGRAMS
- 5.1Transmitter Block Diagram
- 5.2Transmitter Main Board Electrical Assembly
- 5.2.1Transmitter Main Board Top Side Component Layout
- 5.2.2Transmitter Main Board Bottom Side Component Layout
- 5.2.3Transmitter Main Board Schematic Diagram
- 5.3Front Panel Board
- 5.3.1Front Panel Board Component Layout
- 5.3.2Front Panel Board Schematic
- 5.4Audio Processor Electrical Assembly (Version 1.6)
- 5.4.1Audio Processor Component Layout
- 5.4.2Audio Processor Schematic Diagram
- 5.5Audio Processor Electrical Assembly (Version 1.8)
- 5.5.1Audio Processor Component Layout
- 5.5.2Audio Processor Schematic Diagram
- 6PARTS LISTS
- 6.1Transmitter Main Board Parts List
- 6.1.1Transmitter Main Board Electrical Parts List
- 6.1.2Transmitter Main Board Mechanical Parts List
- 6.1.3MT-3 Front Panel Board Electrical Parts List
- 6.2MT-3 Audio Processor Parts List (Version 1.6)
- 6.2.1MT-3 Audio Processor Electrical Parts List (Version 1.6)
- 6.3MT-3 Audio Processor Parts List (Version 1.8)
- 6.3.1MT-3 Audio Processor Electrical Parts List (Version 1.8)
- 7REVISION HISTORY
- AUDIO PROCESSOR
- 1 FM AUDIO PROCESSOR
- 2 SIGNALS
- 3 THEORY OF OPERATION
- 4 ALIGNMENT
- 5 TROUBLESHOOTING - TEST EQUIPMENT NEEDED
- 6 TEMPERATURE COMPENSATION
- 7 ILLUSTRATIONS, TABLES AND SCHEMATIC DIAGRAMS
- 8 FM AUDIO PROCESSOR PARTS LIST
- 9 AM AUDIO PROCESSOR
- 9.1 Introduction
- 9.2 Performance Specifications
- 9.3 Audio Specifications
- 9.4 Audio Circuits
- 9.5 Power Requirements
- 9.6 Transmitter Standby Modes
- 9.7 Audio Circuitry
- 9.8 AM Audio Processor Factory Configuration
- 9.9 AM Audio Processor Alignment
- 9.10 AM Audio Processor Electrical Parts List
- 9.11 AM Audio Processor Component Layout
- 9.12 AM Audio Processor Schematic Diagram
- 10 REVISION HISTORY
- VHF AMPLIFIER
- 1GENERAL
- 2THEORY OF OPERATION
- 3VT-3/150 AMPLIFIER ALIGNMENT
- 3.1General
- 3.2Repair Note
- 3.3Recommended Test Equipment List
- 3.4Printed Circuitboard Numbering Convention
- 3.5Standard Factory Settings and Jumper Configuration
- 3.6VT-3/150 Amplifier Alignment
- 3.6.1General
- 3.6.2VT-3/150 Amplifier Adjustment
- 3.6.2.1General Set-Up
- 3.6.2.2Output Power Alarm (Forward Power)
- 3.6.2.3Output Power
- 3.6.2.4Antenna VSWR Alarm (Reverse Power)
- 3.6.2.5Antenna VSWR Overload
- 3.6.2.6Procedure Verification
- 4ILLUSTRATIONS AND SCHEMATIC DIAGRAMS
- 5PARTS LISTS
- 6REVISION HISTORY
- ENHANCED AM/FM SYNTHESIZER
- 1. GENERAL
- 2. THEORY OF OPERATION
- 2.1 Internal Power and Control (Digital Board)
- 2.2 Synthesizer Analog Circuitry (Analog Board)
- 2.2.1 Common Analog Board Circuitry
- 2.2.2 29 - 71.4 MHz Analog Board Circuitry
- 2.2.3 118 - 159.4 MHz Multichannel AM Analog Board Circuitry
- 2.2.4 128 - 174 MHz Analog Board Circuitry
- 2.2.5 406 - 470 MHz Analog Board Circuitry
- 2.3 Synthesizer Digital Circuitry (Digital Board)
- 2.4 Frequency Control
- 2.4.1 BCD Switch Frequency Control
- 2.4.2 Frequency Select Handle Frequency Control
- 2.5 Synthesizer Base and Frequency Increment Table
- 2.6 5.0/6.25 kHz Channelization.
- 2.7 8.333 kHz Channelization.
- 2.8 12.5 kHz Channelization.
- 3. SYNTHESIZER ALIGNMENT
- 3.1 General
- 3.2 Repair Note
- 3.3 Recommended Test Equipment
- 3.4 OS(R/T)-3(A/H) Synthesizer Factory Configuration
- 3.5 OS(R/T)-3(A/H) Synthesizer Alignment
- 3.5.1 General
- 3.5.2 Synthesizer Test Points
- 3.5.3 Synthesizer Removal and Installation
- 3.5.4 Circuit Board Removal
- 3.5.5 Frequency Adjustment and Channel Selection
- 3.5.5.1 VHF OS(R/T)-3H 29 - 71.4 MHz VCO Alignment
- 3.5.5.2 VHF OS(R/T)-3A 118 - 159.4 MHz Alignment
- 3.5.5.3 VHF OS(R/T)-3H 128 - 174 MHz VCO Alignment
- 3.5.5.4 UHF OS(R/T)-3H 406 - 470 MHz VCO Alignment
- 3.5.5.5 Reference Frequency Alignment
- 3.5.6 Jumper Configuration
- 4. ILLUSTRATIONS AND SCHEMATIC DIAGRAMS
- 4.1 OS(R/T)-3H 29 - 71.4 MHz Analog Board Diagrams
- 4.1.1 OS(R/T)-3H 29 - 71.4 MHz Analog Board Component Layout (Bottom)
- 4.1.2 OS(R/T)-3H 29 - 71.4 MHz Analog Board Component Layout (Top)
- 4.1.3 OS(R/T)-3H 29 - 71.4 MHz Analog Board Schematic Diagram
- 4.2 OS(R/T)-3A 118 - 159.4 MHz Analog Board Diagrams
- 4.2.1 OS(R/T)-3A 118 - 159.4 MHz Analog Board Component Layout (Bottom)
- 4.2.2 OS(R/T)-3A 118 - 159.4 MHz Analog Board Component Layout (Top)
- 4.2.3 OS(R/T)-3A 118 - 159.4 MHz Analog Board Schematic Diagram
- 4.3 OS(R/T)-3H 128 - 174 MHz Analog Board Diagrams
- 4.3.1 OS(R/T)-3H 128 - 174 MHz Analog Board Component Layout (Bottom)
- 4.3.2 OS(R/T)-3H 128 - 174 MHz Analog Board Component Layout (Top)
- 4.3.3 OS(R/T)-3H 128 - 174 MHz Analog Board Schematic Diagram
- 4.4 OS(R/T)-3H 406 - 470 MHz Analog Board Diagrams
- 4.4.1 OS(R/T)-3H 406 - 470 MHz Analog Board Component Layout (Bottom)
- 4.4.2 OS(R/T)-3H 406 - 470 MHz Analog Board Component Layout (Top)
- 4.4.3 OS(R/T)-3H 406 - 470 MHz Analog Board Schematic Diagram
- 4.5 OS(R/T)-3(A/H) Digital Board Diagrams
- 4.5.1 OS(R/T)-3(A/H) Digital Board Component Layout (Bottom)
- 4.5.2 OS(R/T)-3(A/H) Digital Board Component Layout (Top)
- 4.5.3 OS(R/T)-3(A/H) Digital Board Schematic Diagram
- 5. PARTS LISTS
- 5.1 OS(R/T)-3H 29 - 71.4 MHz Analog Board Electrical Parts List
- 5.2 OS(R/T)-3A 118 - 159.4 MHz Analog Board Electrical Parts List
- 5.3 OS(R/T)-3H 128 - 174 MHz Analog Board Electrical Parts List
- 5.4 OS(R/T)-3H 406 - 470 MHz Analog Board Electrical Parts List
- 5.5 OS(R/T)-3(A/H) Digital Board Electrical Parts List
- 5.6 OS(R/T)-3(A/H) Synthesizer Mechanical Parts List
- 6. REVISION HISTORY
- VHF CHANNEL DESIGNATION TABLES
2-2 Audio Processor Board Instruction Manual
using the lower input levels) Like the microphone input, the balance input is limited and filtered and
is output at the standard modulation output port.
If no compression is required (i.e.: customer is providing their own), JU11 can be enabled
providing a path through R48 (Auxiliary Input Level Control) to amplifier U2C where pre-
emphasis or flat audio can then be selected from its output.
2.6 Auxiliary Input
The auxiliary input is a special input and does not have an ALC. This input can be configured for a
pre-emphasis response (enable JU9
Y
) or a flat-audio response (enable JU9X). The level for this
input is set by R48. The auxiliary output is normally summed with the voice signals by op-amp
U3A, limited, then filtered and output at the standard modulation output port. When jumper JU6 is
disabled and jumper JU7 is enabled, the auxiliary input can be used to directly modulate the
transmitter. Care should be taken when directly modulating the transmitter with the auxiliary input
because the MT-3 transmitters use direct FM modulation and there is no filtering or limiting action
provided by the auxiliary input. The input level to the auxiliary input should be -18 dBm and can
be driven by one of three inputs:
• the balanced input – JU11
• the tone/digital input – JU12 X or
Y
enabled
• the direct modulation input – through JU28
When the 600 ohm balanced input is connected to the auxiliary input, the balanced input level
control can be used to adjust the level for the auxiliary input.
2.7
S
ubtone Inputs
There are two subtone inputs available on the FM Audio Processor. Both subtone inputs can be
individually configured to be output from the standard Modulation Output port or to be output from
the Low Frequency / Direct Modulation Output. In standard configuration, Subtone 1 is summed
with the voice signals to be output from the standard Modulation Output port while Subtone 2 is
used for DCS. Both subtone inputs have an input level control.
2.8 Direct Modulation Input
The Direct Modulation Input is an extremely versatile input. This port is designed to be used for
data signals. Depending on the application, the signal can be amplified, AC or DC coupled and
output to the Modulation Output or the Low Frequency / Direct Modulation Output port. Please
consult the factory for specific jumper settings for your application.