Parts List

Table Of Contents
Transmitter Main Board Instruction Manual
2-11
2.3.4.5 Audio Processor Microphone Input
The
microphone
input has an
automatically
gain
controlled
(AGC)
preamplifier
whose input
level
is
controlled
by R2. The
microphone
input
level
control (R2) can
accommodate
a -25 dBm to 0 dBm
input signal. The compression
level
for the
microphone
input is adjusted by R8. The
microphone
input is
limited
and
filtered
and is output at the standard
modulation
output port.
2.3.4.6 Audio Processor Balanced Input
The 600 ohm
balanced
input also has an AGC
preamplifier,
input
level
control (R31), and
compression
level
control (R38). The
balanced
input
level
control can
accommodate
a -25 dBm to
0 dBm input. The
balanced
input can
have
a standard 6
dB/octave
pre-emphasis response by
enabling
jumper JU9 or a
flat-audio
response by
enabling
jumper JU10. Like the
microphone
input,
the
balance
input is
limited
and
filtered
and is output at the standard
modulation
output port.
2.3.4.7 Audio Processor Auxiliary Input
The
auxiliary
input is a
special
input and does not
have
an AGC
preamplifier
or an input
level
control. This input can be configured for a pre-emphasis response
(enable
JU14) or a
flat-audio
response
(enable
JU15). The compression
level
for this input is set by R48. The auxiliary output
is
normally
summed
with
the
voice
signals by op-amp U4a,
limited,
then
filtered
and output at the
standard
modulation
output port. When jumper JU6 is disabled and jumper JU7 is
enabled,
the
auxiliary
input can be used to
directly
modulate
the
transmitter.
Care should be taken when
directly
modulating
the
transmitter
with
the
auxiliary
input because the MT-3
transmitters
use
direct
FM
modulation
and there is no
filtering
or
limiting
action
provided
by the
auxiliary
input. The input
level
to the
auxiliary
input should be -18 dBm and can be
driven
by one of three inputs:
• the
balanced
input – JU11
enabled
• the
tone/digital
input – JU12
enabled
• the
direct
modulation
input – JU13
enabled
When the 600 ohm
balanced
input is
connected
to the
auxiliary
input,
the
balanced
input
level
control can be used to adjust the
level
for the
auxiliary
input. When
either
the
tone/digital
input or
the
direct
modulation
input are used, the input
level
is not
adjustable.
2.3.4.8 Audio Processor Subtone Inputs
There are two subtone inputs
available
on the audio processor. Both subtone inputs can be
individually
configured to be output from the standard
Modulation
Output port or to be output from
the Low Frequency / Direct
Modulation
Output. In standard co
nfiguration,
Subtone 1 is summed