User manual NeoSynth Audio expansion card for CME VX and UF keyboard range Version 1.
Special messages section This product utilizes batteries or an external power supply (adapter). Do NOT connect this product to any power supply or adapter other than one described in the manual, on the product, or specifically recommended by CME. Warning Do not place this product in a position where anyone could walk on, trip over, or roll anything overpower or connecting cords of any kind.
Battery notice This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use“household”type batteries. Some of these may be rechargeable.
FCC information (U.S.A.) Important notice: do not modify this unit! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by CME may void your authority, granted by the FCC, to use the product. Important When connecting this product to accessories and/or another product use only high quality shielded cables. Cable(s) supplied with this product MUST be used. Follow all installation instructions.
Table of contents Introduction 6 Terminology What’s in the box? 6 6 Installing the Neosynth expansion board into your CME keyboard 8 NeoSynth inputs and outputs 9 Connections 9 General 12 Leds behaviour Sound bank upgrade USB MIDI driver 12 12 12 The patch editor software 13 Preference Screen Routing screen Inputs FX screen Synth FX screen Synth channels A screen Synth channels B screen Synth channels C screen Sound bank screen The menu items of the patch editor 14 16 19 23 28 29 31 33
Introduction First of all, congratulations with the purchase of the Neosynth! With this expansion board from WaveIdea you will add great sonic possibilities to your CME VX or UF keyboard. In short the expansion board gives you the possibility to play high quality sounds in various music styles provided in sound banks that can be loaded from an optional SD card that fits into the expansion board. You can also change settings for sounds, MIDI channels etc. with the provided software patch editor.
– Rear plate for VX keyboard; – CD-ROM; – Manual; – SD-card with GM sound Bank; – USB cable.
Installing the Neosynth expansion board into your CME VX or UF keyboard First of all, be sure to unplug the power plug and USB cable from your keyboard to avoid electrical shortcuts during installation. Also be sure to ground yourself to avoid static electricity which could damage your NeoSynth expansion board. Do not touch electronic parts of the expansion board either since this can damage the expansion card as well. Step 1: Unscrew the metal plate on your VX or UF keyboard on the back.
Step 3: Gently insert the Neosynth expansion board into the VX or UF keyboard and place the 4 respectively 5 screws to tighten the Neosynth expansion board. Step 4: The quickest way to be able to make sure your Neosynth is installed correctly is to plug in a headphone in the NeoSynth’s headphones output and play the demo on your VX or UF keyboard (see the respective VX or UF keyboard manual how to do that. On the VX press the expansion link button).
Headphones output (stereo): A stereo output, mirrored from the main outputs with it’s own dedicated mixer in the patch editor. Note : By default, this output is connected to the synthesizer part of the NeoSynth. Master output (L+R): These outputs can be connected to your DAW, audio card, amplifier etc. Note : By default, this output is connected to the synthesizer part of the NeoSynth Auxilliary (Aux) output (L+R): These outputs can be connected to your DAW, audio card, amplifier etc.
SD-card slot Here you can put in a SD card for loading various sound banks. As soon as the sound bank has been updated, the SD card can be removed from the slot. There are two ways for loading a sound bank from a SD card: Software-less The update can be done by inserting the card, reboot the VX or UF keyboard while holding the button besides the SD card slot. The Neosynth will read the sound bank from the SD card that way.
General Leds behaviour The behaviour of the leds on the Neosynth says something about the status of the NeoSynth in various conditions: Status 1 led Status 2 led Yellow Red Normal mode Neosynth is booting On On Neosynth idle Off Off Neosynth idle – USB attached Off On Neosynth playing – USB attached/not attached Lighting On/Off Sound bank or firmware upgrade mode Previous sound bank erase Sound bank upgrading Firmware upgrading Firmware upgrade finished - Success Sound bank upgrade finished - Success So
The patch editor software The fun of the Neosynth doesn’t stop here! When you have attached a USB cable to the Neosynth from your computer and installed the patch editor software (both Windows and Macintosh versions are available), you can change the sounds, store them, and make all kinds of settings for multitimbral use of the synthesizer in conjuction with a MIDI sequencer. In this manual we will take an extensive look at the parameters that can be changed using the patch editor.
Preference Screen MIDI devices – MIDI In In this pop-up screen you can choose the available MIDI device to send preset data to, in our case the NeoSynth. Midi in & out selections are saved so thet are retrieved next time you start the software. MIDI devices – MIDI Out In this pop-up screen you can choose the available MIDI device to receive preset data from, in our case the NeoSynth. Midi in & out selections are saved so thet are retrieved next time you start the software.
Misc. – Auto send When selected, the software editor will send every parameter change made in the editor immediately. When unselected you will have to use the “Send” button in the upper screen to send the whole preset to Neosynth. Also you can right click on a knob or any other control to send it indiviually. (On OSX controlclick). Misc.
Routing screen There are two stereo audio paths that can be mixed and panned in all kinds of ways. One stereo path (from here called external audio) is the line in left and right analog inputs going through a effects section which is then routed to the S/PDIF output (stereo) and mirrored on the left and right auxilary outputs. On top of that you can mix this external audio signal into the synth audio path.
to down. LINE IN L+R level control This knob controls how much signal that comes in from the line inputs will be fed into the stereo signal path. Enable inputs This checkbox enables/disables the inputs. The external audio path is split into left and right paths each with its own panning and level control. This makes it possible to have two completely independend mono signals going through the external audio effects section where they can have different settings.
The left and right output of the synthesizer channels (16 at maximum) are fed into the dedicated synthesizer effects section. Later on in this manual the effects are explained in the Synth FX section. After the synth FX section you see two controls. Synth audio post effects panning control This control determines how much of the stereo signal from the synthesizer channels goes left and right. You can see it as a main panning control for all synthesizer channels.
Inputs FX screen In this screen you can make all the effects settings of the external inputs dedicated effects blocks. There is a stereo reverb, stereo delay and a stereo equalizer available, to sculpt your sounds in detail. Let us take look at all the controls: First there are three checkboxes to enable/disable each effect. If you don’t need one or more of the effects it is wise to turn them off, since that will increase polyphony of the synth module.
Enable Eq This checkbox enables/disables the Equalizer effect. REVERB The reverb effects gives space to a sound and is mostly used to make a sound more natural, by adding simulated reflection signals like they exist in the real world. We all know how our voice sounds inside a cathedral or the bathroom. That effect is called reverb. The sound of our voice reflects against walls, ceilings, floors, objects and gets back to our ears with a very small delay in time.
Delay – Feedback control This slider determines how much of the Delay signal is fed back into the Delay FX. With higher settings it takes a longer time for the delay signal to fade out. Delay – Filter control This slider determines how much filtering will take place on the delay signal. With higher settings you can simulate old tape machines that loose high frequencies on the delay signal by their nature. The filter is a 6 dB lowpass filter inserted in the feedback loop.
Equalizer – mid 1 gain control This knob controls the level of the gain for the medium 1 frequency. 0 = -12 dB, 127 = +12 dB. Equalizer – mid 1 frequency control (up to 1.4 Khz) This knob controls the medium 1 frequency that can be level controlled by the medium 1 gain control. Equalizer – mid1 bw control This knob controls the slope or bandwidth of the medium 1 frequency that can be set by the mid 1 frequency control.
Synth FX screen In this screen you can make all the effects settings for the synthesizer channels. The effects are globally used for all 16 synthesizer channels. The provided effect blocks are different from the ones in the external audio path. There is a stereo reverb, stereo chorus, a stereo equalizer and a so called spatializer available to sculpt your synthesizer sounds in detail.
Enable Reverb This checkbox enables/disables the Reverb effect. Enable Chorus This checkbox enables/disables the Delay effect. Enable Eq This checkbox enables/disables the Equalizer effect. Enable Spatializer This checkbox enables/disables the Spatializer effect. REVERB For a overall function of the reverb effect see the description at the Input FX section above. The reverb controls here differs from the reverb controls in the external audio path effects section. It has more extended controls.
Reverb – time control This knob controls the time of the reverb tail. Low settings have a short reverb tail, high settings make a long reverb tail. Reverb – delay control This knob controls the delay time for the reverb types 6 and 7. CHORUS In simple terms the chorus effect thickens a sound by adding a slightly changed copy of the orginal to the original. The change is in the pitch of the copy. Because it is very little difference, our ears do not perceive the sound as out of tune.
Chorus – rate control This knob controls the rate of the chorus effect. Chorus – depth control This knob controls the depth of the chorus effect. EQUALIZER This effect is actually a number of filters that control specific parts of the soundspectrum. With an equalizer you can enhance or push back certain frequency ranges like the bass frequencies, middle frequencies or high frequencies of a sound. It’s a perfect effect to make a sound stand out in a mix of various sounds.
Equalizer – high gain control (up to 5.2 Khz) This knob controls the level of the gain for the high frequency. 0 = -12 dB, 127 = +12 dB. Equalizer – high frequency control This knob controls the high frequency that can be level controlled by the high gain control. SPATIALIZER This effect can enhance the “stereo feeling” of a sound or sounds. You can also use it with a 4 speaker setting when you use both the main outputs and the aux outputs together.
Synth channels A screen In this first of three synth channels screens you can alter various parameters that will change a synthesizer sound. You can make these changes for each of the 16 individual synthesizer channels. Synth channel A – portamento checkbox With this checkbox you can turn the portamento on or off. Portamento is also called glide. It is an effect where the pitch of the sound ‘glides’ from one key to the other.
Synth channel A – express level control This knob sets the level of the expression pedal. Synth channel A – panning control This knob sets the panning of each individual synthesizer channel in the stereo field. Synth channel A – level control This slider controls the level of each individual synthesizer channel. Synth channels B screen In this second screen you can alter level settings for the various effects plus an additional effect: vibrato.
Synth channel B – reverb level control This knob sets the amount of signal that is going into the reverb effect for each of the 16 individual synth channels. Synth channel B – chorus level control This knob sets the amount of signal that is going into the chorus effect for each of the 16 individual synth channels. Synth channel B – vibrato rate control This knob sets the rate of the vibrato for each of the 16 individual synth channels.
Synth channels C screen In this screen you can change the cutoff and resonance of the built-in low pass filter. Such a filter can have great effect on a sound by removing certain parts of the soundspectrum of that sound, in this case by filtering out high frequencies. The effect gets even greater by an extra parameter, the resonance control. With this control you enhance the frequencies around the the point from where frequencies are cut off.
will sound immediately at it’s maximum value, higher values makes the sound come up in level in a certain time. Synth channel C – amplifier decay control Decay control sets the time a sound will go on while a key is pressed. Low values makes that a short time, the highest value will make the sound go on until you release the key. Synth channel C – amplifier release control This control sets the time a sound will go on after you have released the key.
Sound bank screen In this screen you can make various settings for bank and program selection on the 16 MIDI channels. You can also upgrade a sound bank from this field. Beware that we are talking about two different types of banks here! The first control (bank select) is a controller to select a bank which contains a maximum of 128 programs (or instruments).
maximum of 128 programs in a bank. Sound bank – include to presets This checkbox determines if the made settings for bank select and program channel will be included in the active preset when saved. Sound bank – sound bank name Here you can see the name of the sound bank that is going to be uploaded to the NeoSynth. Sound bank – sound bank size (MB) Here you can see the size of the sound bank that is going to be uploaded to the NeoSynth.
The menu items of the patch editor In the main menu bar there are some global parameters like saving, opening, connecting and other features. We will shortly describe them here, since most of them are pretty obvious. FILE File – New patch This will create a new patch. A patch is a complete setting of 16 presets which can be made with the NeoSynth patch editor. You can save these patches on your computer. File – Open patch With this command you can open a saved patch.
File – Save patch as With this command you can save an existing patch with a different name, to be able to keep the original patch. File – Reset patch to default With this command you can reset all 16 presets to default values. File – Quit This command quits the patch editor software. PRESET Preset – Send A preset is a complete setting for the NeoSynth, including the synthchannel settings etc.
Preset – Receive With this command you can request the preset settings that are in the NeoSynth. Preset – Copy With this command you can make copy of the preset settings and paste it into another preset with the preset paste command. Preset – Paste With this command you can paste a copied preset into another preset. Preset – Reset to default This command resets the active preset in the software to default values.
MIDI devices – MIDI In In this pop-up screen you can choose the available MIDI device to send preset data to, in our case the NeoSynth. Midi in & out selections are saved so thet are retrieved next time you start the software. MIDI devices – MIDI Out In this pop-up screen you can choose the available MIDI device to receive preset data from, in our case the NeoSynth.Midi in & out selections are saved so thet are retrieved next time you start the software.
The NeoSynth features The Neosynth from WaveIdea is an expansion card suitable for the CME VX and UF keyboard range. – It is a MIDI/USB expander; – It has up to 124 voice of polyphony; – There are built-in effect engines for both the input audio path as well as the synthesizer audio path; – Effects are Reverb, Delay, Equalizer, Chorus, Spatializer; – Each sound bank can contain up to 64 MB of sounds; – Soundbanks are updatable from a SD card.
MIDI implementation of the NeoSynth NRPN Description (High|Low) Power-up default GENERAL 3755h 3756h 3707h Effects on/off Input modules on/off Master Volume See paragraph 1-11 for details See paragraph 1-12 for details 0 to 7Fh Midi Equalizer Low band gain Midi Equalizer Med1 band gain Midi Equalizer Med2 band gain Midi Equalizer High band gain Midi Equalizer Low band freq Midi Equalizer Med1 band freq Midi Equalizer Med2 band freq Midi Equalizer High band freq Midi Equalizer Med1 band width Midi E
372Eh 372Fh 3730h 3731h 3732h 3733h 3734h 3735h 3736h 3737h 3738h 3739h 373Ah 373Bh 373Ch 373Eh 3740h 3741h 3743h 3744h 3745h 3746h Input1 Equalizer Med1 band width Input1 Equalizer Med2 band width Input2 Equalizer Presets Input2 Equalizer Low band gain Input2 Equalizer Med1 band gain Input2 Equalizer Med2 band gain Input2 Equalizer High band gain Input2 Equalizer Low band freq Input2 Equalizer Med1 band freq Input2 Equalizer Med2 band freq Input2 Equalizer High band freq Input2 Equalizer Med1 band wid
1.
nrpn 38xxh = 7Fh: midi channel xxh is auxiliary output Midi message: control 99 = 56 (38h) control 98 = xx: xx = 0 select midi channel 0 xx = 1 selects midi channel 1 … xx = 15 selects midi channel 15 control 6 = 0 (master) or 127 (auxiliary) Midi message code (in hexadecimal): B0h 63h 38h, B0h 62h xxh, B0h 06h vv Default value = 0 (master) Note Nrpn 3820h assigns all midi channels of first port (midi channels 0 to Fh).
nrpn 3831h = chorus auxiliary oputput volume Midi message: control 99 = 56 (38h), control 98 = 49 (31h), control 6 = vv Midi message code (in hexadecimal): B0h 63h 38h, B0h 62h 31h, B0h 06h vv vv in range 0 (no sound) to 127 (maximum) Default value = 0 Table 3 Input Volume and Pan Nrpn # High|Low Midi Message MIdi Code (Hexadecimal) Description 3750h Control 99 = 55 Control 98 = 80 Control 6 = vv B0h 63h 37h B0h 62h 50h B0h 06h vvh Input Module Mixing to Main Outputs vv = 0 to 127 3751h Contro
3726h Control 99 = 55 Control 98 = 38 Control 6 = vv B0h 63h 37h B0h 62h 26h B0h 06h vvh Low band gain vv = 0 to 127, linear scale in dB: 0h = -12dB, 20h = -6dB, 40h = 0dB, 60h = +6dB, 7Fh = +12dB 3727h Control 99 = 55 Control 98 = 39 Control 6 = vv B0h 63h 37h B0h 62h 27h B0h 06h vvh Medium 1 band gain vv = 0 to 127, linear scale in dB: 0h = -12dB, 20h = -6dB, 40h = 0dB, 60h = +6dB, 7Fh = +12dB 3728h Control 99 = 55 Control 98 = 40 Control 6 = vv B0h 63h 37h B0h 62h 28h B0h 06h vvh Medium 2
3731h Control 99 = 55 Control 98 = 49 Control 6 = vv B0h 63h 37h B0h 62h 31h B0h 06h vvh Low band gain vv = 0 to 127, linear scale in dB: 0h = -12dB, 20h = -6dB, 40h = 0dB, 60h = +6dB, 7Fh = +12dB 3732h Control 99 = 55 Control 98 = 50 Control 6 = vv B0h 63h 37h B0h 62h 32h B0h 06h vvh Medium 1 band gain vv = 0 to 127, linear scale in dB: 0h = -12dB, 20h = -6dB, 40h = 0dB, 60h = +6dB, 7Fh = +12dB 3733h Control 99 = 55 Control 98 = 51 Control 6 = vv B0h 63h 37h B0h 62h 33h B0h 06h vvh Medium 2
Table 5 Input Delay Nrpn # High|Low Midi Message MIdi Code (Hexadecimal) Description 371Ch Control 99 = 55 Control 98 = 28 Control 6 = vv B0h 63h 37h B0h 62h 1Ch B0h 06h vvh Input 1 send to delay vv = 0 to 127 371Dh Control 99 = 55 Control 98 = 29 Control 6 = vv B0h 63h 37h B0h 62h 1Dh B0h 06h vvh Input 2 send to delay vv = 0 to 127 3743h Control 99 = 55 Control 98 = 67 Control 6 = vv B0h 63h 37h B0h 62h 43h B0h 06h vvh Delay presets vv = 0: Mono Delay vv = 1: Stereo Delay vv = 2: Triple
374Dh Control 99 = 55 Control 98 = 77 Control 6 = vv B0h 63h 37h B0h 62h 4Dh B0h 06h vvh Master Delay right volume vv = 0 to 127 374Eh Control 99 = 55 Control 98 = 78 Control 6 = vv B0h 63h 37h B0h 62h 4Eh B0h 06h vvh Master Delay left volume vv = 0 to 127 374Fh Control 99 = 55 Control 98 = 79 Control 6 = vv B0h 63h 37h B0h 62h 4Fh B0h 06h vvh Delay send to Reverb vv = 0 to 127 Delay presets Preset # Preset NAME Level Time Feedback Filter Slave1 Left Right Slave2 Left Right Master Le
Table 6 MIDI Equalizer Nrpn # High|Low Midi Message MIdi Code (Hexadecimal) Description 3708h Control 99 = 55 Control 98 = 8 Control 6 = vv B0h 63h 37h B0h 62h 08h B0h 06h vvh Low band gain vv = 0 to 127, linear scale in dB: 0h = -12dB, 20h = -6dB, 40h = 0dB, 60h = +6dB, 7Fh = +12dB 3709h Control 99 = 55 Control 98 = 9 Control 6 = vv B0h 63h 37h B0h 62h 09h B0h 06h vvh Medium 1 band gain vv = 0 to 127, linear scale in dB: 0h = -12dB, 20h = -6dB, 40h = 0dB, 60h = +6dB, 7Fh = +12dB 370Ah Cont
1-4 MIDI SPATIALIZER Before using these Nrpn’s, be sure spatializer has been set ON with Nrpn 3755h (see paragraph 1.11). Table 7 MIDI Spatializer Nrpn # High|Low Midi Message MIdi Code (Hexadecimal) Description 3714h Control 99 = 55 Control 98 = 20 Control 6 = vv B0h 63h 37h B0h 62h 14h B0h 06h vvh Spatializer volume vv = 0 to 127 3715h Control 99 = 55 Control 98 = 21 Control 6 = vv B0h 63h 37h B0h 62h 15h B0h 06h vvh Spatializer delay vv = 0 ( = 0ms) to 127 ( = 13.
2- DETAILED MIDI IMPLEMENTATION NOTE for system exclusive: code F0 41 00 42 12 … can be also changed to F0 00 20 4F 00 02 12 … MIDI Message Hex code Description Compatibility NOTE ON 9nH kk vv Midi channel n(0-15) note ON #kk(1-127), velocity vv(1-127). vv = 0 means NOTE OFF MIDI NOTE OFF 8nH kk vv Midi channel n(0-15) note OFF #kk(1-127), vv is don’t care. MIDI PITCH BEND EnH bl bh Pitch bend as specified by bh|bl (14 bits) Maximum swing is +/- 1 tone (power-up).
CTRL 73 BnH 49H cc Env attack time modify (same as nrpn 0163h) GM/GS CTRL 74 BnH 4AH cc TVF cutoff freq modify (same as nrpn 0120h) GM/GS CTRL 75 BnH 4BH cc Env decay time modify (same as nrpn 0164h) GM/GS CTRL 76 BnH 4CH cc Vibrato rate modify (same as nrpn 0108h) GM/GS CTRL 77 BnH 4DH cc Vibrato depth modify (same as nrpn 0109h) GM/GS CTRL 78 BnH 4EH cc Vibrato delay modify (same as nrpn 010Ah) GM/GS CTRL 84 BnH 54H vv Portamento control GS CTRL 91 BnH 5BH vv Reverb send
NRPN 0120H Bnh 63H 01H 62H 20H 06H vv TVF cutoff freq modify(vv = 40H -> no modif ) GS NRPN 0121H BnH 63H 01H 62H 21H 06H vv TVF resonance modify (vv = 40H -> no modif ) GS NRPN 0163H Bnh 63H 01H 62H 63H 06H vv Env. attack time modify(vv = 40H ->no modif ) GS NRPN 0164H BnH 63H 01H 62H 64H 06H vv Env. decay time modify(vv = 40H -> no modif ) GS NRPN 0166H BnH 63H 01H 62H 66H 06H vv Env.
SYSEX F0H 41H 00H 42H 12H 40 01H 10H vv1 vv2 vv3 vv4 vv5 vv6 vv7 vv8 vv9 vv10 vv11 vv12 vv13 vv14 vv15 vv16 xx F7h Voice reserve: vv1 = Part 10 (Default vv = 2) vv2 to vv10 = Part 1 to 9 (Default vv = 2) vv11 to vv16 = Part 11 to 16 (Default vv = 0) GS SYSEX F0H 41H 00H 42H 12H 40H 01H Reverb type (vv = 0 to 7), default = 04H 30H vv xx F7H 00H: Room 1; 01H: Room 2 02H: Room 3; 03H: Hall 1 04H: Hall 2; 05H: Plate 06H: Delay; 07H: Pan delay GS SYSEX F0H 41H 00H 42H 12H 40H 01H Reverb character, de
SYSEX F0H 41H 00H 42H 12H 40H 01H Chorus send level to reverb, default = 0 3FH vv xx F7H GS SYSEX F0H 41H 00H 42H 12H 40H 1pH MIDI channel to part assign, p is part (0 to 15), nn is MIDI GS 02H nn xx F7Hchannel (0 to 15, 16 = OFF). This SYSEX allows to assign several parts to a single MIDI channel or to mute a part.
SYSEX F0H 41H 00H 42H 12H 40H 2nH Mod lfo1 rate control (default = 40H). n is don’t care.
SYSEX F0H 41H 00H 42H 12H 40H 2nH CC1 tvf cutoff control (default = 40H) 41H vv xx F7H GS SYSEX F0H 41H 00H 42H 12H 40H 2nH CC1 Amplitude control (-100%-+100%) (default = 40H) 42H vv xx F7H GS SYSEX F0H 41H 00H 42H 12H 40H 2nH CC1 lfo1 pitch depth (0-600 cents) (default = 00H) 44H vv xx F7H GS SYSEX F0H 41H 00H 42H 12H 40H 2nH CC1 lfo1 tvf depth (default = 0H) 45H vv xx F7H GS SYSEX F0H 41H 00H 42H 12H 40H 2nH CC1 lfo1 tva depth (0-100%) (default = 0H) 46H vv xx F7H GS SYSEX F0H 41H 00H
14h 15h 16h 17h 18h 19h 1Ah 1Bh 1Ch 1Dh 1Eh 1Fh 20h 21h 22h 23h 25h 26h 27h 28h 29h 2Ah 2Bh 2Ch 2Dh 2Eh 2Fh 30h 31h 32h 33h 34h 35h 36h 37h 38h 39h 3Ah 3Bh 3Ch 3Dh 3Eh 3Fh 40h 41h 43h 44h 45h 46h 47h 49h Spatializer effect volume Spatializer effect delay Input mono/stereo select for spatializer 2 or 4 outputs output select for spatializer General Midi volume General Midi pan General Midi Reverb Send General Midi Chorus Send Input1 Delay Send Input2 Delay Send Input1 Reverb Send Input2 Reverb Send Input
4Ah 4Bh 4Ch 4Dh 4Eh 50h 51h 55h 56h 57h 58h 59h 5Ah 5Bh 5Ch 5Dh 5Eh 60h 61h 62h 63h 64h 68h 69h 6Ah 6Bh 6Ch 6Dh 6Eh BEh FFh Slave1 Delay left volume Slave2 Delay right volume Slave2 Delay left volume Master Delay right volume Master Delay left volume Input module mixing to Main Outputs Input module mixing to Auxiliary output Input Reverb On/Off Input1 Level/Key Detection On/Off Input2 Level/Key Detection On/Off Midi Equalizer On/Off Spatializer On/Off Reverb On/Off Chorus On/Off Input On/Off Delay On/O
