CTK691ES01-01_cover1-4.
CTK691ES01-01_cover1-4.
CTK691E01-01.book 1 ページ ２００３年９月２９日 月曜日 午後４時４７分 Safety Precautions Safety Precautions Congratulations on your selection of the CASIO electronic musical instrument. Before using the instrument, be sure to carefully read through the instructions contained in this manual. Alkaline Batteries Please keep all information for future reference. Perform the following steps immediately if fluid leaking from alkaline batteries ever gets into your eyes.
CTK691E01-01.book 2 ページ ２００３年９月２９日 月曜日 午後４時４７分 Safety Precautions AC Adaptor Water and Foreign Matter Misuse of the AC adaptor’s electric cord can damage or break it, creating the risk of fire and electric shock. Always make sure you observe the following precautions. Water, other liquids, and foreign matter (such as pieces of metal) getting into the product create the risk of fire and electric shock. Take the following steps immediately.
CTK691E01-01.book 3 ページ ２００３年９月２９日 月曜日 午後４時４７分 Safety Precautions Location Batteries Avoid locating the product on an unstable stand, on an uneven surface, or any other unstable location. An unstable location can cause the product to fall over, creating the risk of personal injury. Misuse of batteries can cause them to leak resulting in damage to nearby objects, or to explode, creating the risk of fire and personal injury. Always make sure you observe the following precautions.
CTK691E01-01.book 4 ページ ２００３年９月２９日 月曜日 午後４時４７分 Safety Precautions Sound Volume Do not listen to music at very loud volumes for long periods. Particular care concerning this precaution is required when using headphones. High volume settings can damage your hearing. Heavy Objects Never place heavy object on top of the product. Doing so can make the product top heavy, causing the product to tip over or the object to fall from it, creating the risk of personal injury.
CTK691E01-01.book 5 ページ ２００３年９月２９日 月曜日 午後４時４７分 Introduction Introduction Congratulations upon your selection of this CASIO musical instrument. This keyboard provides you with the following features and functions. J 516 Tones Include Rich Advanced Tones A total of 300 Advanced Tones are programmed with DSP tones to make them richer and more powerful. Advanced tones like Stereo Piano and Tremolo Electric Piano enhance the Piano and Electric Piano tones to create a totally new sound.
CTK691E01-01.book 6 ページ ２００３年９月２９日 月曜日 午後４時４７分 Introduction J Registration Memory Keyboard setups can be stored in memory for later recall and instant set up whenever you need them. Up to 32 setups (4 setups x 8 banks) can be stored in registration memory. J Data download from your computer You can use your computer to download data from the CASIO MUSIC SITE.
CTK691E01-01.book 7 ページ ２００３年９月２９日 月曜日 午後４時４７分 Contents Safety Precautions ........ E-1 Introduction ................... E-5 Selecting a DSP Type ........................ E-26 DSP Button......................................... E-28 Selecting REVERB ............................. E-28 General Guide ................ E-9 Selecting CHORUS ............................ E-29 Attaching the Score Stand ..................E-10 Using the Equalizer ............................ E-30 Playing a Demo Tune........
CTK691E01-01.book 8 ページ ２００３年９月２９日 月曜日 午後４時４７分 Contents Storing a User Tone In Memory ..........E-49 Registration Memory .. E-50 Registration Memory Features............E-50 To Save a Setup in Registration Memory ...............................................E-51 To Recall a Setup from Registration Memory ...............................................E-52 Song Memory Function ....................... E-53 Using the SMF Player .......................... E-76 Playing Back an SMF .....................
CTK691E01-01.
CTK691E01-01.
CTK691E01-01.book 11 ページ ２００３年９月２９日 月曜日 午後４時４７分 General Guide *2 dt Number buttons For input of numbers to change displayed settings. ek [+]/[–] buttons (YES/NO) Negative values can be changed only by using [+] and [–] to increment and decrement the displayed value. Rear Panel el MIDI OUT terminal em MIDI IN terminal en SUSTAIN/ASSIGNABLE JACK terminal eo PHONES/OUTPUT terminal ep DC 9V jack J Playing a Demo Tune (*3) Pressing the DEMO button starts demo tune play.
CTK691E01-01.book 12 ページ ２００３年９月２９日 月曜日 午後４時４７分 General Guide About the display 1. 2. 3. Pointers appear here to show when Transpose, the Keyboard Setting Mode, the Mixer Mode, Synthesizer, Effect, Song Memory, or SMF player is being used. The TONE indicator appears when you are selecting or viewing the TONE setting, while RHYTHM appears for the RHYTHM setting.
CTK691E01-01.book 13 ページ ２００３年９月２９日 月曜日 午後４時４７分 General Guide 12. 13. 14. You can turn on the metronome to provide a reference beat for your keyboard play. This display shows the note played on the keyboard, notes being played back from Song Memory, chord forms, and received MIDI data*. The name of the chord being played is shown on the display while Auto Accompaniment is being used. * These items do not appear when a note outside the display range (C2 to C7) is received.
CTK691E01-01.book 14 ページ ２００３年９月２９日 月曜日 午後４時４７分 Power Supply Power Supply This keyboard can be powered by current from a standard household wall outlet (using the specified AC adaptor) or by batteries. Always make sure you turn the keyboard off whenever you are not using it. Using batteries Always make sure you turn off the keyboard before loading or replacing batteries. To load batteries 1. Important Battery Information The following shows the approximate battery life.
CTK691E01-01.book 15 ページ ２００３年９月２９日 月曜日 午後４時４７分 Power Supply Misuse of batteries can cause them to leak resulting in damage to nearby objects, or to explode, creating the risk of fire and personal injury. Always make sure you observe the following precautions Use only batteries that are specified for use with this product. Remove batteries from the product if you do not plan to use it for a long time. Misuse of the AC adaptor creates the risk of fire and electric shock.
CTK691E01-01.book 16 ページ ２００３年９月２９日 月曜日 午後４時４７分 Power Supply Auto Power Off When you are using battery power, keyboard power turns off automatically whenever you leave it on without performing any operation for about 6 minutes. When this happens, press the POWER button to turn power back on. Auto Power Off is disabled (it does not function) when you are using the AC adaptor to power the keyboard.
CTK691E01-01.book 17 ページ ２００３年９月２９日 月曜日 午後４時４７分 Connections Connections Phones/Output Terminal Connection Example Before connecting phones or other external equipment, be sure to first turn down the volume settings of the keyboard and the connected equipment. You can then adjust volume to the desired level after connections are complete. Rear Panel You can also connect the keyboard to a computer or sequencer. See “MIDI” on page E-80 for details.
CTK691E01-01.book 18 ページ ２００３年９月２９日 月曜日 午後４時４７分 Connections J Soft Pedal Depressing the pedal softens the sound of the notes being played. J Rhythm Start/Stop Pedal In this case, the pedal performs the same functions as the START/STOP button. Accessories and Options Use only the accessories and options specified for this keyboard. Use of non-authorized items creates the danger of fire, electrical shock, and personal injury.
CTK691E01-01.book 19 ページ ２００３年９月２９日 月曜日 午後４時４７分 Basic Operations Basic Operations 1 VOLUME 2 POWER 3 TONE 4 7 DSP 5 8 PIANO SETTING 6 START/STOP Number buttons [+]/[–] This section provides information on performing basic keyboard operations. To play the keyboard 1. 2. 3. Press the POWER button to turn the keyboard on. Use the VOLUME knob to set the volume to a relatively low level. Play something on the keyboard.
CTK691E01-01.book 20 ページ ２００３年９月２９日 月曜日 午後４時４７分 Basic Operations Drawbar Organ Tones: 50 Preset Tones + 100 User Tones To select a tone Number Number of Tones 000-049 50 Preset Tones On/Off (*5) 100-199 100 User Tones (*6) On/Off (*3) Tone Type DSP Line On/Off (*1) *1: See “Changing Tones and Configuring DSP Effect Settings” on page E-21. *2: Memory area for tones created by you. See “Synthesizer Mode” on page E-44.
CTK691E01-01.book 21 ページ ２００３年９月２９日 月曜日 午後４時４７分 Basic Operations J Digital Sampling A number of the tones that are available with this keyboard have been recorded and processed using a technique called digital sampling. To ensure a high level of tonal quality, samples are taken in the low, mid, and high ranges and then combined to provide you with sounds that are amazingly close to the originals.
CTK691E01-01.book 22 ページ ２００３年９月２９日 月曜日 午後４時４７分 Using the Drawbar Organ Mode Using the Drawbar Organ Mode 1 DRAWBAR ORGAN 2 [ 4 Number buttons 5 [+]/[–] ]/[ ]/[ ]/[ ] CURSOR 3 EXIT Your keyboard has built-in “drawbar organ tones” that can be altered using nine digital drawbars whose operations are similar to the controls on a drawbar organ. You can also select percussion or key click. There is room in memory for storage of up to 100 usercreated drawbar tone variations.
CTK691E01-01.book 23 ページ ２００３年９月２９日 月曜日 午後４時４７分 Using the Drawbar Organ Mode There are a total of 13 parameters. You can use the [ ] and [ ] CURSOR buttons to cycle through them. See “Parameter Details” on page E-24 for more information. To select a drawbar organ tone 1. 2. Find the drawbar organ tone you want to use in the tone list and note its tone number.
CTK691E01-01.book 24 ページ ２００３年９月２９日 月曜日 午後４時４７分 Using the Drawbar Organ Mode Parameter Details The following provides details about the parameters you can configure using the drawbar organ tone editing screen. Drawbar Position This parameter defines the position of each drawbar, and the volume of each overtone. The larger the value, the greater the corresponding overtone’s volume.
CTK691E01-01.book 25 ページ ２００３年９月２９日 月曜日 午後４時４７分 Using the Drawbar Organ Mode To save an edited drawbar organ tone 1. 2. 3. After editing parameters, use the [ ] and [ CURSOR buttons to display “More?”. ] Press the [ ] CURSOR button three times to display the screen for inputting a tone name and assigning a tone number. Use the [+] and [–] buttons to select a tone number. You can select a tone number in the range of 100 to 199. 4.
CTK691E01-01.book 26 ページ ２００３年９月２９日 月曜日 午後４時４７分 Applying Effects to Tones Applying Effects to Tones 1 EFFECT 4 [ ]/[ ]/[ ]/[ ] CURSOR 2 EXIT 3 DSP 5 Number buttons 6 [+]/[–] This keyboard provides you with a selection of effects that you can apply to tones. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects. Effect Blocks The following shows how the effects of this keyboard are organized.
CTK691E01-01.book 27 ページ ２００３年９月２９日 月曜日 午後４時４７分 Applying Effects to Tones 2. Press the [ ] CURSOR button. The DSP type setting screen will appear automatically about fives seconds after you press the button. 3. Use the [+] and [–] buttons or the number buttons to select the type of DSP you want. See the “Effect List” on page A-18 for information about the DSP types that can be selected. Here you could also change the parameters of the effect you selected, if you want.
CTK691E01-01.book 28 ページ ２００３年９月２９日 月曜日 午後４時４７分 Applying Effects to Tones Saving the Settings of DSP Parameters You can save up to 100 modified DSPs in the user area for later recall when you need them. User DSP areas 100 through 199 initially contain the same data as DSP types 000 through 099. 1. To turn DSP line on and off 1. Selecting REVERB Perform the following steps to select REVERB. After making the DSP parameter settings you want, press the [ ] CURSOR button. 1.
CTK691E01-01.book 29 ページ ２００３年９月２９日 月曜日 午後４時４７分 Applying Effects to Tones 1. After selecting the reverb type you want, use the [ ] and [ ] CURSOR buttons to display the parameter whose setting you want to change. This displays the parameter setting screen. Example: To set the Reverb Time parameter 2. 3. Use the [+] and [–] buttons or the number buttons to input the parameter setting you want. Press the EFFECT or EXIT button. This returns to the tone or rhythm selection screen.
CTK691E01-01.book 30 ページ ２００３年９月２９日 月曜日 午後４時４７分 Applying Effects to Tones 3. Press the EFFECT or EXIT button. 4. This returns to the tone or rhythm selection screen. Use the [+] and [–] buttons or the number buttons to select the equalizer type you want. See the list on page A-18 for information about the equalizer types that are available. Example: CHORUS Parameters To select Jazz Chorus Level (Range: 000 to 127) Specifies the size of the chorus sound.
CTK691E01-01.book 31 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment Auto Accompaniment 1 MODE 2 ONE TOUCH PRESET 3 ACCOMP VOLUME 4 7 RHYTHM EXIT 6 9 INTRO/ENDING 1/2 VARIATION/FILL-IN 1/2 5 8 bk bn TEMPO bl AUTO HARMONIZE bm Number buttons SYNCHRO/FILL-IN NEXT START/STOP [+]/[–] This keyboard automatically plays bass and chord parts in accordance with the chords you finger.
CTK691E01-01.book 32 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment Selecting a Rhythm This keyboard provides you with 140 exciting rhythms that you can select using the following procedure. You can also transfer accompaniment data from your computer and store up to 16 of them as user rhythms in keyboard memory. See “Using the Data Download Service” on page E-82 for more information. Playing a Rhythm To play a rhythm 1. Press VARIATION/FILL-IN button 1 or 2.
CTK691E01-01.book 33 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment Using Auto Accompaniment J CASIO CHORD Accompaniment Keyboard and Melody Keyboard The following procedure describes how to use the keyboard’s Auto Accompaniment feature. Before starting, you should first select the rhythm you want to use and set the tempo of the rhythm to the value you want. To use Auto Accompaniment 1. 2. 3. Use the MODE button to select FULL RANGE CHORD, FINGERED, or CASIO CHORD as the accompaniment mode.
CTK691E01-01.book 34 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment FINGERED FINGERED provides you with a total of 15 different chord types. The following describes the FINGERED “accompaniment keyboard” and “melody keyboard”, and tells you how to play a C-root chord using FINGERED. J FINGERED Accompaniment Keyboard and Melody Keyboard Except for the chords specified in note*1above, inverted fingerings (i.e.
CTK691E01-01.book 35 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment Example: To play the chord C major. Any of the fingerings shown in the illustration below will produce C major. Using a Fill-in Pattern Fill-in patterns let you momentarily change the rhythm pattern to add some interesting variation to your performances. The following procedure describes how to use the Fill-in feature. To insert a fill-in 1.
CTK691E01-01.book 36 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment Using a Rhythm Variation In addition to the standard rhythm pattern, you can also switch to a secondary “variation” rhythm pattern for a bit of variety. To insert the variation rhythm pattern 1. 2. Press the START/STOP button to start rhythm play. Press the SYNCHRO/FILL-IN NEXT button. If a Variation 1 rhythm is currently playing, this plays Fill-in 1, followed by Fill-in 2, and then switches to the Variation 2 rhythm.
CTK691E01-01.book 37 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment Using One-touch Preset One-touch preset automatically makes the main settings listed below in accordance with the rhythm pattern you are using. Keyboard tone Using Auto Harmonize When you are using Auto Accompaniment, Auto Harmonize automatically adds additional notes to your melody in accordance with the chord that is being played. The result is a harmony effect that makes your melody line richer and fuller.
CTK691E01-01.book 38 ページ ２００３年９月２９日 月曜日 午後４時４７分 Auto Accompaniment Auto Harmonize Types Auto Harmonize lets you select from among the 10 Auto Harmonize types. Type changing is performed by the setting item using the TRANSPOSE/FUNCTION button. See “Changing Other Settings” on page E-71 for more information. Adjusting the Accompaniment Volume You can adjust the volume of the accompaniment parts as a value in the range of 000 (minimum) to 127 (maximum). 1. Press the ACCOMP VOLUME button.
CTK691E01-01.book 39 ページ ２００３年９月２９日 月曜日 午後４時４７分 Mixer Function Mixer Function 1 MIXER 2 DRAWBAR ORGAN 3 TONE 4 7 EXIT 5 [ 6 Number buttons ]/[ ]/[ ]/[ ]/ CURSOR [+]/[–] What you can do with the Mixer This keyboard lets you play multiple different musical instrument parts at the same time during auto-accompaniment play, song memory playback, receipt of data through the MIDI terminal, etc.
CTK691E01-01.book 40 ページ ２００３年９月２９日 月曜日 午後４時４７分 Mixer Function Turning Channels On and Off Turning a channel off mutes any instrument recorded in the channel. To turn channels on and off 1. Press the MIXER button. This causes a pointer to appear on the display next to MIXER. 2. Use the [ channel. ]/[ How Channel On/Off Works The following describes what happens and what appears on the display when you turn a channel on or off.
main10.fm 41 ページ ２００３年１０月２９日 水曜日 午後２時１２分 Mixer Function 3. Use the [ ] and [ ] CURSOR buttons to select the parameter whose setting you want to change. Example: Select volume setting by displaying “Volume”. Each press of the [ ] or [ ] CURSOR buttons cycles through the parameters. You can use the [ ] and [ ] CURSOR buttons to change to another channel at any time during this procedure. How Parameters Work The following are the parameters whose settings can be changed in the Parameter Edit Mode.
CTK691E01-01.book 42 ページ ２００３年９月２９日 月曜日 午後４時４７分 Mixer Function z Octave Shift (Range: –2 to 0 to +2) You can use octave shift to shift the range of the tone up or down. When using the piccolo tone, there may be cases when very high notes you want to play are not included within the range of the keyboard. When this happens, you can use octave shift to shift the keyboard range one octave up.
CTK691E01-01.book 43 ページ ２００３年９月２９日 月曜日 午後４時４７分 Mixer Function z DSP System Reverb Send (Range: 000 to 127) This parameter adjusts how much reverb is applied to all parts. z DSP System Chorus Send (Range: 000 to 127) This parameter adjusts chorus. Changing the tone, volume, pan pot, coarse tune, fine tune, reverb send, or chorus send setting causes the corresponding MIDI message to be output from the MIDI terminal.
CTK691E01-01.book 44 ページ ２００３年９月２９日 月曜日 午後４時４７分 Synthesizer Mode Synthesizer Mode 1 SYNTH 2 EXIT 4 Number buttons 5 [+]/[–] 3 [ ]/[ ]/[ ]/[ ] CURSOR The Synthesizer Mode of this keyboard provides the tools for creating your own original tones. Simply select one of the built-in tones and change its parameters to create your own original sound. You can even store your sounds in memory and select it using the same procedure as that used to select a preset tone.
CTK691E01-01.book 45 ページ ２００３年９月２９日 月曜日 午後４時４７分 Synthesizer Mode J Tone Characteristic Waveform z Tone Setting Specifies which of the preset tones should be used as the original tone. z Resonance Resonance enhances the harmonic components in the vicinity of the cutoff frequency, which creates a distinctive sound. A larger resonance value enhances the sound as shown in the figure.
CTK691E01-01.book 46 ページ ２００３年９月２９日 月曜日 午後４時４７分 Synthesizer Mode Saving User Tones The group of tone numbers from 600 through 699 (User 001 through User 100) is called the “user area” because they are reserved for storage of user tones. After you recall a preset tone and change its parameters to create your own user tone, you can store it in the user area for later recall. You can recall your tones using the same procedure that you use when selecting a preset tone.
CTK691E01-01.book 47 ページ ２００３年９月２９日 月曜日 午後４時４７分 Synthesizer Mode Creating a User Tone Use the following procedure to select a preset tone and change its parameters to create a user tone. 1. 2. First, select the preset tone you want to use as a basis for your user tone. Parameters and Their Settings The following describes the function of each parameter and provides its setting range.
CTK691E01-01.book 48 ページ ２００３年９月２９日 月曜日 午後４時４７分 Synthesizer Mode z Vibrato Delay (Range: –64 to 00 to +63) Specifies the amount of time before vibrato starts. z Vibrato Rate (Range: –64 to 00 to +63) Rate (speed) of the vibrato effect z Vibrato Depth (Range: –64 to 00 to +63) Depth of the vibrato effect z Reverb Send (Range: 000 to 127) This parameter adjusts reverb. z Chorus Send (Range: 000 to 127) This parameter adjusts chorus.
CTK691E01-01.book 49 ページ ２００３年９月２９日 月曜日 午後４時４７分 Synthesizer Mode User Tone Creation Hints The following hints provide helpful advice on making user tone creation a bit quicker and easier. Use a preset tone that is similar to the one you are trying to create. Whenever you already have a rough idea of the tone you are trying to create, it is always a good idea to start with a preset tone that is similar. z Experiment with various different settings.
CTK691E01-01.book 50 ページ ２００３年９月２９日 月曜日 午後４時４７分 Registration Memory Registration Memory 1 MODE 2 BANK 4 STORE 5 Number buttons Registration Memory Features Registration memory lets you store up to 32 keyboard setups (4 sets x 8 banks) for instant recall whenever you need them. The following is a list of settings that are saved in registration memory. 3 REGISTRATION Each bank of registration memory initially contains data when you first use the keyboard.
CTK691E01-01.book 51 ページ ２００３年９月２９日 月曜日 午後４時４７分 Registration Memory Setup Names You can assign setups into one of 32 areas, which you can select using BANK buttons 1 through 4 and the four REGISTRATION buttons. Area names range from 1-1 through 8-4 as shown below. To Save a Setup in Registration Memory 1. Select a tone and rhythm, and otherwise set up the keyboard the way you want it. See “Registration Memory Settings” on page E-50 for details on what data is stored in the registration memory.
CTK691E01-01.book 52 ページ ２００３年９月２９日 月曜日 午後４時４７分 Registration Memory To Recall a Setup from Registration Memory 1. Use the BANK button or the number buttons to select the bank. If you do not perform any operation for about five seconds after pressing the BANK button, the keyboard automatically clears the registration memory recall screen. 2. Press the REGISTRATION button (1 to 4) for the area whose setup you want to recall. The setup name along with the message “Recall” appears on the display.
CTK691E01-01.book 53 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function Song Memory Function 1 MODE 2 SONG MEMORY 4 7 DRAWBAR ORGAN [ VARIATION/FILL-IN 1/2 5 8 3 TONE INTRO/ENDING 1/2 SYNCHRO/FILL-IN NEXT 6 9 bk bn TEMPO bl SONG MEMORY TRACK bm Number buttons ]/[ ]/[ ]/[ ] CURSOR START/STOP [+]/[–], YES/NO This keyboard lets you record up to five separate songs in song memory for later playback.
CTK691E01-01.book 54 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function Selecting a Track Use the SONG MEMORY TRACK buttons marked CHORD/ TR1 through TR6 to select the track you want. Using Real-time Recording With real-time recording, the notes you play on the keyboard are recorded as you play them. J SONG MEMORY TRACK Buttons To record with real-time recording 1. 1 2 3 4 5 6 Press the SONG MEMORY button twice to enter real-time record standby.
CTK691E01-01.book 55 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function 5. Play something on the keyboard. You can also record Auto Accompaniment chords by selecting the applicable mode with the MODE button. Optional pedal operation is also recorded. See “Track 1 Contents After Real-time Recording”. 6. Press the START/STOP button to end recording when you are finish playing.
CTK691E01-01.book 56 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function J To synchro start Auto Accompaniment with an intro pattern In place of step 4, press the SYNCHRO/FILL-IN NEXT button and then INTRO/ENDING 1 or INTRO/ENDING 2 button. Auto-accompaniment will start with the intro pattern when you play a chord on the accompaniment keyboard. J To start Auto Accompaniment part way into a You can play along on the keyboard using layer (page E-66) and split (page E-67) during playback.
CTK691E01-01.book 57 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function To record chords with step recording 1. 6. Input the length of the chord (how long it should be played until the next chord is played). Use the number buttons to specify the length of the chord. See “Specifying the Length of a Note” on page E-58 for details. Press the SONG MEMORY button three times to enter step recording standby, and then use the number buttons to select the song number (0 to 4).
CTK691E01-01.book 58 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function Specifying Chords in the Normal Mode When the accompaniment mode is set to NORMAL during step recording, you can specify chords using a method that is different from CASIO CHORD and FINGERED fingerings. This chord specification method can be used to input 18 different chord types using only two keyboard keys, so chords can be specified even if you don’t know how to actually play them.
CTK691E01-01.book 59 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function Track 1 Step Recording Variations The following describes a number of different variations you can use when recording to Track 1 using step recording. All of these variations are based upon the procedure described under “To record chords with step recording” on page E-57. J To start accompaniment with an intro pattern In step 4, press INTRO/ENDING 1 or INTRO/ENDING 2 button after the SYNCHRO/FILL-IN NEXT button.
CTK691E01-01.book 60 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function Track Contents After Real-time Recording 3. Pressing a TONE button or the DRAWBAR ORGAN button displays the tone number and name on the display. You can then use the number buttons, or the [+] (increase) and [–] (decrease) buttons to change the tone. In addition to keyboard notes, the following data is also recorded to the selected track during real-time recording. This data is applied whenever the track is played back.
CTK691E01-01.book 61 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function Level Meter Contents During Record/Edit Standby To correct mistakes while step recording 1. Channels 11 through 16 correspond to Tracks 1 through 6. Whenever the keyboard is in record or edit (page E-62) standby, the level meter display shows which tracks already contain recorded data and which are still empty. Tracks with four lit segments already contained recorded data, while tracks with one lit segment are not yet recorded.
CTK691E01-01.book 62 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function 3. Press the [ ] CURSOR button. The following types of data can be edited. Note intensity Notes Chords Tone numbers 4. Rhythm number Press the YES button. This deletes all data from the location you specified and enters step record standby. Pressing the [ ] CURSOR button or the NO button cancels deleting the data.
CTK691E01-01.book 63 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function 5. Make any changes in the value that you want. The actual procedures you use to change a parameter depend on the type of data it contains. See “Editing Techniques and Display Contents” on page E-63 for details. Repeat steps 4 and 5 to edit other parameters. 6. Press the START/STOP button to end editing when you are finished. The only parameters that can be editted for Tracks 2 through 6 are notes and tone numbers.
CTK691E01-01.book 64 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function J To change a rhythm controller operation * 3. * INTRO/ENDING 1 button, INTRO/ENDING 2 button, VARIATION/FILL IN 1 button, VARIATION/FILL IN 2 button, SYNCHRO/FILL IN NEXT button operations Press the [ ] CURSOR button. If there is no song number on the display, press the [ ] CURSOR button three times. This displays the song delete screen. Press the rhythm controller button you want to change to. 1 Editing a Song 2 4.
CTK691E01-01.book 65 ページ ２００３年９月２９日 月曜日 午後４時４７分 Song Memory Function To rewrite song header data (Panel Record) You can use a procedure called “Panel Record” to change the initial Mixer, tempo and other settings stored in the song header. 1. 2. 3. 4. Press the SONG MEMORY button once to enter playback standby. Use the [+] and [–] buttons to select the number of the song that contains the header data you want to rewrite. Make the changes you want to the header data.
CTK691E01-01.book 66 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings Keyboard Settings 1 MODE 2 TRANSPOSE/FUNCTION 3 TONE 4 7 EXIT 5 8 DSP 6 9 SPLIT bk [+]/[–], YES/NO LAYER [ ]/[ Parts Up to four parts (numbered 1 through 4) can be used simultaneously during keyboard play. These parts can be used by the layer and split functions explained below. ]/[ ]/[ ] CURSOR Number buttons To layer tones 1. First select the main tone.
CTK691E01-01.book 67 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings 5. Press the LAYER button again to unlayer the tones and return the keyboard to normal. To split the keyboard 1. Turning on layering switches the currently selected part from Part 1 to Part 2, and displays the layered tone. At that time, you can use the [ ] and [ ] CURSOR buttons to switch between parts. Turning off layering returns to Part 1. The main tone sounds over Channel 1, while the layered tone sounds over Channel 2.
CTK691E01-01.book 68 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings 2. Turning on split switches the currently selected part to Part 3, and displays the split tone. At that time, you can use the [ ] and [ ] CURSOR buttons to switch between parts. Turning off split returns to Part 1. The main tone sounds over Channel 1, while the split tone sounds over Channel 3. You can also use the Mixer to change the tone and volume settings for these channels.
CTK691E01-01.book 69 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings Transposing the Keyboard Transpose lets you raise and lower the overall key of the keyboard in semitone units. If you want to play an accompaniment for a vocalist who sings in a key that’s different from the keyboard, for example, simply use transpose to change the key of the keyboard.
CTK691E01-01.book 70 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings Tuning the Keyboard The tuning feature lets you fine tune the keyboard to match the tuning of another musical instrument. To tune the keyboard 1. 2. 3. Press the TRANSPOSE/FUNCTION button. Use the [ ] and [ ] CURSOR buttons to display the tuning screen. Use [+] and [–] to change the tuning setting of the keyboard. Example: To lower the tuning by 20. Pressing the TRANSPOSE/FUNCTION button exits the transpose screen.
main14.fm 71 ページ ２００３年１０月２９日 水曜日 午後２時３６分 Keyboard Settings Changing Other Settings Setting Types The table below shows the parameters whose settings you can change. Setting menu Description Page Transpose (Trans.) Adjusts overall keyboard tuning by semitone units. E-69 Auto Harmonize (AutoHarm) Selects the Auto Harmonize Type. E-74 Touch Response (Touch) Specifies how sound should change with keyboard pressure. E-69 Tune (Tune) Fine adjustment of overall keyboard tuning.
CTK691E01-01.book 72 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings To use the keyboard settings menu 1. Press the TRANSPOSE/FUNCTION button. This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION. 2. E-72 Use the [ ] and [ ] CURSOR buttons, and the [ settings you want to change.
CTK691E01-01.book 73 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings 3. Use the [+] and [–] buttons or the number buttons to change the values. Settings you make are applied even if you do not press the EXIT button. See the following section titled “Setting Menu Items” for details on each setting. After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the tone or rhythm selection screen. z In case of a delete or initialize procedure 4.
CTK691E01-01.book 74 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings Setting Menu Items J Auto Harmonize Types You can select from among the 10 different types of auto harmonize listed below. No. Type Description 0 Duet1 Adds a 1-part harmony to keyboard play. 1 Duet2 Adds a 1-part harmony to keyboard play. Duet2 harmony is more open than Duet1. 2 Country Adds a country-flavor harmony to keyboard play. 3 Octave Adds notes one octave below notes played on the keyboard.
CTK691E01-01.book 75 ページ ２００３年９月２９日 月曜日 午後４時４７分 Keyboard Settings J MIDI Settings Setting menu Range Default Description Keyboard Channel (Keybd Ch) 01 to 16 01 MIDI In Chord Judge (Chord) on/oFF oFF Specifies whether accompaniment range MIDI Note On messages received from an external device should be interpreted as auto accompaniment chords. Accomp/Song MIDI Out (Ac/sg Out) on/oFF oFF Specifies whether this keyboard’s auto accompaniment or song memory is sent as MIDI messages.
CTK691E01-01.book 76 ページ ２００３年９月２９日 月曜日 午後４時４７分 Using the SMF Player Using the SMF Player 1 SMF PLAYER 2 MIXER 3 EXIT 4 7 ACCOMP VOLUME 5 8 START/STOP 6 [ Number buttons ]/[ ]/[ ]/[ ] CURSOR [+]/[–] The letters “SMF” stand for Standard MIDI File, which is a file format that allows MIDI data to be shared between different software and sequencers. There are actually three SMF formats, named SMF 0, SMF 1, and SMF 2.
CTK691E01-01.
CTK691E01-01.book 78 ページ ２００３年９月２９日 月曜日 午後４時４７分 Using the SMF Player Playing Back an SMF 2. Use the [+] and [–] buttons or the number buttons to adjust the SMF volume. You can specify a setting in the range of 000 (minimum) to 127 (maximum). Pressing [+] and [–] at the same time returns the SMF volume setting to 100. To play back an SMF 1. This causes the SMF player pointer to appear on the display. SMF are those whose file names end with the extension “MID”.
CTK691E01-01.book 79 ページ ２００３年９月２９日 月曜日 午後４時４７分 Using the SMF Player 4. Press the [ ] CURSOR button to display the output mode selection screen. Use the [ ] and [ ] CURSOR buttons or the [+] and [–] buttons to select the output mode. You can select from among the following two output types. int: Keyboard’s built-in speakers out: MIDI OUT Layer, split, and Auto Harmonize are automatically turned off in the SMF Player Mode.
CTK691E01-01.book 80 ページ ２００３年９月２９日 月曜日 午後４時４７分 MIDI MIDI What is MIDI? The letters MIDI stand for Musical Instrument Digital Interface, which is the name of a worldwide standard for digital signals and connectors that make it possible to exchange musical data between musical instruments and computers (devices) produced by different manufacturers. MIDI compatible equipment can exchange keyboard key press, key release, tone change, and other data as messages.
CTK691E01-01.book 81 ページ ２００３年９月２９日 月曜日 午後４時４７分 MIDI Sending and Receiving MIDI Messages This keyboard can send notes you play on the keyboard, as well as auto accompaniment patterns and Song Memory playback as MIDI messages to another device. MIDI Send Data z Keyboard Play Each keyboard part (Channels 1 through 4) is sent over its own individual MIDI channel. When Auto Harmonize is turned on, harmonize notes are also sent over each individual MIDI channel.
CTK691E01-01.book 82 ページ ２００３年９月２９日 月曜日 午後４時４７分 MIDI Using the Data Download Service You can download the following type of data from CASIO MUSIC SITE (http://music.casio.com) to your computer, and then transfer it to the keyboard. To connect to a computer Be sure to turn off the keyboard and your computer before connecting them. You should also set the volume controller of the keyboard to a relatively low volume. 1. Tones Connect the keyboard’s MIDI interface to your computer’s MIDI interface.
CTK691E01-01.book 83 ページ ２００３年９月２９日 月曜日 午後４時４７分 Troubleshooting Troubleshooting Problem No keyboard Sound Any of the following symptoms while using battery power. Possible Cause Action See page 1. Power supply problem. 1. Correctly attach the AC E-14, 15 adaptor, make sure that batteries poles (+/–) are facing correctly, and check to make sure that batteries are not dead. 2. Power is not turned on. 2. Press the POWER button to turn on power. E-19 3. Volume setting is too low. 3.
CTK691E01-01.book 84 ページ ２００３年９月２９日 月曜日 午後４時４７分 Troubleshooting Problem Possible Cause Action See page Playing the keyboard sounds two tones. Layer is turned on. Press the LAYER button to turn off layering. E-66 Different tones sound when keys in Split is turned on. different keyboard ranges are pressed. Press the SPLIT button to turn off split. The key or tuning does not match when playing along with another MIDI machine. Parts suddenly drop out during song memory playback.
CTK691E01-01.
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CTK691E01-01.book 87 ページ ２００３年９月２９日 月曜日 午後４時４７分 Care of your Instrument J Avoid heat, humidity or direct sunlight. Care of your Instrument Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place. J Do not use near a TV or radio. This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away from the TV or radio. J Do not use lacquer, thinner or similar chemicals for cleaning.
CTK691E01-01.book 88 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List DSP Algorithm List J 00 :Auto Pan 0: Low Frequency (Range: 0 (200Hz), 1 (400Hz), 2 (800Hz)) Adjusts the cutoff frequency of the low-band equalizer. 1: Low Gain (Range: –12, –11, –10 to 0 to +10, +11, +12) Adjusts the gain of the low-band equalizer. 2: Mid Frequency (Range: 0 (1.0KHz), 1 (1.3KHz), 2 (1.6KHz), 3 (2.0KHz), 4 (3.0KHz), 5 (4.0KHz), 6 (6.0KHz), 7 (8.0KHz)) Adjusts the center frequency of the mid-band equalizer.
CTK691E01-01.book 89 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List Parameters 0: Input Level (Range: 0 to 127) Adjusts the input level. The input signal can become distorted when the level of the sound being input, the number of chords, or the Resonance value is large. Adjust this parameter to eliminate such distortion. 1: Resonance (Range: 0 to 127) Adjusts the resonance of the sound. 2: 3: Manual (Range: 0 to 127) Adjusts the frequency used as the basis for the wah filter.
CTK691E01-01.book 90 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List Parameters 0: Resonance (Range: 0 to 127) Adjusts the resonance of the sound. 1: Manual (Range: –64 to 0 to +63) Adjusts the phaser shift volume, which is used for reference. 2: Rate (Range: 0 to 127) Adjusts the rate of the LFO. 3: Depth (Range: 0 to 127) Adjusts the depth of the LFO. 4: Wet Level (Range: 0 to 127) Adjusts the volume level of the effect.
CTK691E01-01.book 91 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List 3: High Gain (Range: 0 to 127) Adjusts the high range enhancer gain. J 14 :Ring Modulator Function This is a ring modulator (AM modulator) that makes it possible to modulate the frequency of internal oscillator (OSC) in accordance with an internal LFO. Parameters 7: Level (Range: 0 to 127) Adjusts the output level. J 16 :1-Phase Chorus Function This is monaural chorus in accordance with a sine wave LFO.
CTK691E01-01.book 92 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List 4: Wet Level (Range: 0 to 127) Adjusts the level of the effect sound. J 19 :Tri 2-Phase Chorus Function This is stereo chorus in accordance with triangular wave LFO. 1: Wet Level (Range: 0 to 127) Adjusts the level of the effect sound. 2: Feedback (Range: 0 to 127) Adjusts the repeat of the delay. 3: High Damp (Range: 0 to 127) Adjusts damping of the high-range delay sound.
CTK691E01-01.book 93 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List Parameters 0: 1: LPF (Range: 0 to 127) Adjusts the cutoff frequency of the low-pass filter. A smaller value cuts the high range. HPF (Range: 0 to 127) Adjusts the cutoff frequency of the high-pass filter. A larger value cuts the low range. 2: Feedback (Range: 0 to 127) Adjusts the repeat of the reverb. 3: High Damp (Range: 0 to 127) Adjusts damping of the high-range delay sound.
CTK691E01-01.book 94 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List 3: 4: ER Level (Range: 0 to 127) Adjusts the level of the initial reflection. Wet Level (Range: 0 to 127) Adjusts the level of the effect sound. J 28 :2-Tap Delay Function J M01 :Multi01 (3-Phase Chorus – 3-Tap Delay) Function This is a multi effector that is related to 3-Phase Chorus – 3-Tap Delay.
CTK691E01-01.book 95 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List 5: Delay Wet Level 1: Enhancer Low Gain 6: Delay Feedback 2: Enhancer High Frequency 7: Delay High Damp 3: Enhancer High Gain 4: Delay Time 5: Delay Wet Level 6: Delay Feedback 7: Delay High Damp J M04 : Multi04 (Stereo Phaser – Stereo Delay 1) Function This is a multi effector that is related to Stereo Phaser – Stereo Delay 1.
CTK691E01-01.book 96 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List J M09 :Multi09 (Sin 2-Phase Chorus – Tremolo) Function This is a multi effector that is related to Sin 2-Phase Chorus – Tremolo.
CTK691E01-01.book 97 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List 5: Reflection Wet Level 3: Rotary Fast Rate 6: Reflection Feedback 4: Reflection Wet Level 7: Reflection Tone 5: Reflection Feedback 6: Reflection Tone J M15 : Multi15 (Distortion – Lo-Fi) Function This is a multi effector related to Distortion – Lo-Fi.
CTK691E01-01.book 98 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List Parameters 0: Phaser Resonance 1: Phaser Manual 2: Phaser Rate 3: Phaser Depth 4: Chorus LFO Rate 5: Chorus LFO Depth 6: Auto Pan Rate 7: Auto Pan Depth J M21 :Multi21 (Auto Wah – Tri 2-Phase Chorus – 2Tap Delay) Function This is a multi effector that is related to Auto Wah – Tri 2Phase Chorus – 2-Tap Delay.
CTK691E01-01.book 99 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List Parameters 0: Compressor Depth 1: Distortion Gain 2: Distortion Low 3: Distortion High 4: Distortion Level 5: Delay Time 6: Delay Wet Level 7: Delay Feedback J M26 :Multi26 (Auto Wah – Distortion – 2-Tap Delay) 6: Delay Wet Level 7: Delay Feedback J M28 : Multi28 (Distortion – 3-Tap Delay) Function This is a multi effector that is related to Distortion – 3-Tap Delay.
CTK691E01-01.book 100 ページ ２００３年９月２９日 月曜日 午後４時４７分 DSP Algorithm List 3: Distortion Level 4: Chorus LFO Rate 5: Chorus LFO Depth 6: Chorus Feedback 7: Chorus Wet Level J M31 : Multi31 (Distortion – Flanger) Function This is a multi effector related to Distortion – Flanger.
Appendix-ES.fm 1 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice Appendix/Apéndice Tone List/Lista de sonidos Advanced Tones/Sonidos avanzados No./ Nº 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 Tone Group/ Grupo de Sonido PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.PIANO E.
Appendix-ES.fm 2 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 3 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 4 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 5 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 6 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 7 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 8 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 9 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 10 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No./ Nº 496 497 498 499 Tone Group/ Grupo de Sonido VARIOUS VARIOUS VARIOUS VARIOUS Program Bank Select MSB/ Maximum Range Type/ DSP Type/ Polyphony/ Tipo de Tone Name/Nombre de sonido Change/Cambio MSB de selección Tipo DSP de programa de banco Polifonía máxima gama SOPRANO PAD 89 68 16 N – FAST SWEEP 95 66 16 N – WOOD PAD 96 66 16 N – SYNTH-MALLET 98 65 16 N – Drum Sets/Ajustes de batería No.
Appendix-ES.fm 11 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 12 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice Drum Assignment List/Lista de asignación de batería “ ” indicates the same sound as STANDARD SET./“ ” indica el mismo sonido que STANDARD SET.
Appendix-ES.
Appendix-ES.fm 14 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice Rhythm List/Lista de Ritmo No.
Appendix-ES.fm 15 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice No.
Appendix-ES.fm 16 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice Fingered Chord Chart/Cuadro de acordes Fingered This table shows the fingerings for commonly used chords, including inverted fingerings. Esta tabla muestra las digitaciones para los acordes usados comúnmente, incluyendo las digitaciones invertidas.
Appendix-ES.fm 17 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice * You can change the keyboard range of dim7 chords for roots A, Bb, and B, and aug chords for roots Bb and B by adjusting the split point setting (page E-67). * Puede cambiar la gama del teclado de los acordes dim7 para las notas fundamentales A, Bb y acordes aumentados (augment) para las notas fundamentales Bb y B mediante el ajuste del punto de división (página S-70).
Appendix-ES.fm 18 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice Effect List/Lista de efecto No./ Nº Display Name/Nombre de display TypeName/Nombre de tipo 14 SDelay 3 Standard 15 SDelay 4 Bass + REVERB Effect List/ Lista de efectos de reverberación (REVERB) No.
Appendix-ES.fm 19 ページ ２００３年９月２９日 月曜日 午後５時１３分 Appendix/Apéndice DSP No.
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