USER’S GUIDE GUÍA DEL USUARIO P CTK671-ES-1 CTK671_es_cover.p65 Page 1 01.8.1, 3:53 PM Adobe PageMaker 6.
GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
Welcome... To the happy family of satisfied CASIO electronic musical instrument owners! To get the most out of the many features and functions of the keyboard, be sure to carefully read this manual and keep it on hand for future reference. Important! Please note the following important information before using this product. • Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptor for any damage first.
Introduction Congratulations upon your selection of this CASIO musical instrument. This keyboard provides you with the following features and functions. ❐ 348 tones, including 100 “Advanced Tones” A total of 238 standard tones including piano, organ, brass, and other presets provide you with the sounds you need, while memory for 10 user tones lets you store your own original creations.
❐ General MIDI compatibility The General MIDI tones of this keyboard let you connect to a personal computer to enjoy “desktop music” capabilities. This keyboard can be used as a desktop music input device or sound source, and it's just the thing for playback of commercially available pre-recorded General MIDI music software. ❐ Powerful effects A collection of powerful effects, such as reverb, chorus, and more, give you total control over the type of sound you want.
Safety Precautions Symbols Various symbols are used in this user’s guide and on the product itself to ensure that the product is used safely and correctly, and to prevent injury to the user and other persons as well as damage to property. Those symbols along with their meanings are shown below. DANGER This symbol indicates information that, if ignored or applied incorrectly, creates the danger of death or serious personal injury.
DANGER Alkaline Batteries Perform the following steps immediately if fluid leaking from alkaline batteries ever gets into your eyes. 1. Do not rub your eyes! Rinse them with water. 2. Contact your physician immediately. Leaving alkaline battery fluid in your eyes can lead to loss of sight. WARNING Smoke, Strange Odor, Overheating Continued use of the product while it is emitting smoke, a strange odor, or heat creates the risk of fire and electric shock. Take the following steps immediately. 1.
Do not incinerate the product. Never throw the product into fire. Doing so can cause it to explode, creating the risk of fire and personal injury. Water and Foreign Matter Water, other liquids, and foreign matter (such as pieces of metal) getting into the product create the risk of fire and electric shock. Take the following steps immediately. 1. Turn off power. 2. If you are using the AC adaptor for power, unplug it from the wall outlet. 3.
CAUTION AC Adaptor Misuse of the AC adaptor creates the risk of fire and electric shock. Always make sure you observe the following precautions. • Do not locate the electric cord near a stove or other sources of heat. • Never pull on the cord when unplugging from the electrical outlet. Always grasp the AC adaptor when unplugging. AC Adaptor Misuse of the AC adaptor creates the risk of fire and electric shock. Always make sure you observe the following precautions.
Display Screen • Never push on the display screen’s LCD panel or subject it to strong impact. Doing so can cause the LCD panel’s glass to crack, creating the risk of personal injury. • Should the LCD panel ever crack or break, never touch the liquid inside of the panel. LCD panel liquid can cause skin irritation. • Should LCD panel liquid ever get inside your mouth, immediately wash out your mouth with water and contact your physician.
Care of your Instrument Avoid heat, humidity or direct sunlight. Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place. Do not use near a TV or radio. This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away from the TV or radio. Do not use lacquer, thinner or similar chemicals for cleaning.
Contents Welcome... .............................. E-1 Introduction ........................... E-2 Safety Precautions ................ E-4 Auto Accompaniment ......... E-28 Selecting a Rhythm ..................................E-28 Playing a Rhythm .....................................E-28 Adjusting the Tempo ................................E-28 Using Auto Accompaniment ..................... E-29 Care of your keyboard .......... E-9 Using an Intro Pattern ..............................
Song Memory Function ...... E-46 Appendix ............................... A-1 Tracks ......................................................E-46 Tone list ...................................................... A-1 Basic Song Memory operations ............... E-46 Drum Assignment List ................................ A-8 Using Real-time Recording ......................E-47 Fingered Chord Chart ................................ A-9 Mixer Mode Settings ................................E-48 Effect List ..
General Guide 8 9 PLAY RECORD STEP RECORD A B a a b b c a b c d d e c e f 2 4 6 8 3 5 7 9 1 b a 0 B C A * PLAY RECORD STEP RECORD (TIE) 1 3 MAX FULL RANGE CHORD FINGERED CASIO CHORD NORMAL MIN REST BANK /NO /YES STORE G E H H F D a G D (TIE) REST a b c d e /NO 3 /YES f b E a b BANK c F STORE a b c d d E-12 703A-E-014A
b • Key, button, and other names are indicated in the text of this manual using bold type.
About the display 1 2 3 4 5 6 7 Gr andPno 15 14 13 12 11 10 9 8 1. Indicators appear here to show when reverb, chorus, DSP, the Mixer Mode, Song Memory, or Touch Response is being used. 2. The TONE indicator appears when you are selecting or viewing the TONE setting, while RHYTHM appears for the RHYTHM setting. The AD and TONE indicators both appear when you are selecting or viewing an Advanced Tone. • “AD TONE” stands for “ADVANCED TONE.” 3.
11. The number of beats per minute are indicated while a rhythm, Auto-accompaniment, or Song Memory Mode is being used. • The tempo area is also used to indicate the Song Memory function’s clock. 12. REC flashes on the display during Song Memory record standby. REC remains on the display without flashing while recording is in progress. STEP is displayed during step recording. 13. You can turn on the metronome to provide a reference beat for your keyboard play. 14.
Power Supply This keyboard can be powered by current from a standard household wall outlet (using the specified AC adaptor) or by batteries. Always make sure you turn the keyboard off whenever you are not using it. Using batteries Always make sure you turn off the keyboard before loading or replacing batteries. To load batteries 1. 2. Remove the battery compartment cover. Load six D-size batteries into the battery compartment.
Using the AC Adaptor Auto Power Off Make sure that you use only the AC adaptor specified for this keyboard. When you are using battery power, keyboard power turns off automatically whenever you leave it on without performing any operation for about 6 minutes. When this happens, press the POWER button to turn power back on.
Memory Contents In addition to the above settings, data stored in the Registration Mode and Song Memory Mode is also retained when keyboard power is turned off. Electrical Power The settings and memory data described above are retained as long as the keyboard is being supplied with electrical power. Unplugging the AC adaptor when batteries are not loaded or when loaded batteries are dead cuts off the keyboard’s electrical power supply.
Connections Phones/Output Terminal Before connecting phones or other external equipment, be sure to first turn down the volume settings of the keyboard and the connected equipment. You can then adjust volume to the desired level after connections are complete. When connected to a musical instrument amplifier, set the volume of the keyboard to a relatively low level and make output volume adjustments using the amplifier’s controls.
Sustain/Assignable jack Terminal Accessories and Options You can connect an optional sustain pedal (SP-2 or SP-10) to the SUSTAIN/ASSIGNABLE JACK terminal to enable the capabilities described below. Use only the accessories and options specified for this keyboard. Use of non-authorized items creates the danger of fire, electrical shock, and personal injury. For details on how to select the pedal function you want, see “Changing Other Settings” on page E-63.
Basic Operations VOLUME TONE MODE POWER Number buttons This section provides information on performing basic keyboard operations. To play the keyboard 1. 2. 3. 4. 3. Use the number buttons to input the three digit tone number for the tone you want to select. Example: To select “039 ACOUSTIC BASS”, input 0, 3 and then 9. Ac o . Ba s s Press the POWER button to turn the keyboard on. Set the MODE switch to NORMAL. Use the VOLUME slider to set the volume to a relatively low level.
TONE ADVANCED TONE Using an Advanced Tone Polyphony 100 of the preset tones are “Advanced Tones,” which are variations of standard tones created by programming in effects (DSP) and other settings. For example, PIANO is modified into STEREO PIANO, ORGAN becomes ROTARY SPEAKER ORGAN, and so on. The term polyphony refers to the maximum number of notes you can play at the same time.
Applying Effects to Tones REVERB CHORUS Number buttons [+]/[–] DSP This keyboard provides you with a selection of effects that you can apply to tones. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects. Selecting REVERB and CHORUS Perform the following steps to select REVERB or CHORUS. 1. Effect Blocks Press the button (REVERB or CHORUS) for the effect you want to select, so the button’s indicator is shown on the display screen.
REVERB [왗] / [왘] CURSOR CHORUS [왖] EXIT Number buttons [+]/[–] [왔] ENTER DSP Changing the Settings of REVERB and CHORUS Parameters You can control the relative strength of an effect and how it is applied. The parameters you can control depend on the effect. See the following section titled “REVERB and CHORUS Parameters” for more information. 1. After selecting the effect you want, press the [왔] (ENTER) button. • This displays the parameter setting screen. 2.
Selecting a DSP Type 4. • This exits the tone or rhythm setting screen. Perform the following steps to select a DSP type. 1. 2. Press the DSP button so the indicator appears next to DSP on the display. Use the [+] and [–] buttons or number buttons to select the type of DSP you want. • See the “Effect List” on page A-10 for information about the DSP types that can be selected. • Here you could also change the parameters of the effect you selected, if you want.
[+]/[–] [왔] ENTER ❚ NOTE • Whether or not an effect is applied to the parts that are sounding also depends on Mixer Mode Reverb Send, Chorus Send, and DSP on/off settings. See “Mixer Function” on page E-35 for more information. • Playing a demo tune (page E-15) automatically changes the effect to the one that is assigned to the tune. You cannot change or cancel a demo tune effect.
Using the Equalizer EQUALIZER [왗] / [왘] CURSOR Number buttons [+]/[–] [왔] ENTER The equalizer is another type of effect that you can use to make adjustments in tone quality. Frequencies are divided among a number of bands, and raising and lowering the level of each frequency band alters the sound. You can reproduce the optimal acoustics for the type of music you are playing (classics, for example) by selecting the applicable equalizer setting.
Auto Accompaniment RHYTHM MODE VARIATION/FILL-IN 1/2 TEMPO Number buttons START/STOP This keyboard automatically plays bass and chord parts in accordance with the chords you finger. The bass and chord parts are played using sounds and tones that are automatically selected to select the rhythm you are using. All of this means that you get full, realistic accompaniments for the melody notes you play with your right hand, creating the mood of a one-person ensemble.
❚ NOTE • Pressing both TEMPO buttons (왖 and 왔) at the same time resets the tempo to the default value of the currently selected rhythm. CASIO CHORD This method of chord play makes it possible for anyone to easily play chords, regardless of previous musical knowledge and experience. The following describes the CASIO CHORD “accompaniment keyboard” and “melody keyboard,” and tells you how to play CASIO CHORDs.
INTRO/ENDING 1/2 ❚ NOTE • It makes no difference whether you press black or white keys to the right of a major chord key when playing minor and seventh chords. FINGERED FINGERED provides you with a total of 15 different chord types. The following describes the FINGERED “accompaniment keyboard” and “melody keyboard”, and tells you how to play a C-root chord using FINGERED.
FULL RANGE CHORD Example: To play the chord C major. This accompaniment method provides a total of 38 different chord types: the 15 chord types available with FINGERED plus 23 additional types. The keyboard interprets any input of three or more keys that matches a FULL RANGE CHORD pattern to be a chord. Any other input (that is not a FULL RANGE CHORD pattern) is interpreted as melody play.
Number buttons ONE TOUCH PRESET MODE INTRO/ENDING 1/2 Using a Fill-in Pattern Fill-in patterns let you momentarily change the rhythm pattern to add some interesting variation to your performances. The following procedure describes how to use the Fill-in feature. To insert a fill-in 1. 2. [+]/[–] AUTO HARMONIZE START/STOP SYNCHRO/FILL-IN NEXT Press the START/STOP button to start rhythm play. Select the fill-in variation you want.
Finishing with an Ending Pattern Using Auto Harmonize You can end your performances with an ending pattern that brings the rhythm pattern you are using to a natural-sounding conclusion. The following procedure describes how to insert an ending pattern. Note that the actual ending pattern played depends on the rhythm pattern you are using. When you are using Auto Accompaniment, Auto Harmonize automatically adds three additional notes to your melody in accordance with the chord that is being played.
ACCOMP VOLUME Number buttons [+]/[–] About Auto Harmonize notes and tones The notes you play on the keyboard are called “melody notes,” while the notes added to the melody by Auto Harmonize is called the “harmonize notes.” Auto Harmonize normally uses the tone you selected for the melody notes as the tone for the harmonize notes, but you can use the Mixer (page E-35) to specify a different tone for the harmonize notes.
Mixer Function MIXER [왗]/[왘] CURSOR Number buttons [+]/[–] [왔] ENTER What you can do with the Mixer This keyboard lets you play multiple different musical instrument parts at the same time during auto-accompaniment play, song memory playback, receipt of data through the MIDI terminal, etc. The Mixer assigns each part to a separate channel (1 through 16) and lets you control the channel on/off, volume, and pan pot parameters of each channel. ❚ NOTE • Normally, keyboard play is assigned to Channel 1.
MIXER SYNTH [왗]/[왘] CURSOR [왔] ENTER 4. [+]/[–] Use the [+]/[–] buttons to select on or off. Using the Parameter Edit Mode Example: To turn the channel off. In the Parameter Edit Mode, you can change the settings of ten different parameters (including tone, volume, and pan pot) for the channel you selected on the Mixer screen. Ch a n n e l • Press [왖] (EXIT) to return to the channel selection screen. • Pressing the MIXER button returns to the Tone Screen. To change parameters 1.
How Parameters Work Tuning Parameters The following are the parameters whose settings can be changed in the Parameter Edit Mode. You can use these parameters to tune each of the parts individually. Tone Parameters ■ Tone (Range: 000 to 247) ■ Coarse Tune (Range: –24 to 00 to +24) This parameter controls the coarse tuning of the selected channel’s pitch in semitone units. This parameter controls the tones assigned to each part. C . Tune To n e No .
Synthesizer Mode The Synthesizer Mode of this keyboard provides the tools for creating your own original tones. Simply select one of the built-in tones and change its parameters to create your own original sound. You can even store your sounds in memory and select it using the same procedure as that used to select a preset tone. (1) Tone Characteristic Waveform ■ Tone Setting Specifies which of the preset tones should be used as the original tone.
■ Resonance Saving User Tones Resonance enhances the harmonic components in the vicinity of the cutoff frequency, which creates a distinctive sound. A larger resonance value enhances the sound as shown in the figure. Level Frequency Cut off frequency Small Value The group of tone numbers from 238 through 247 (User 01 through User 10) is called the “user area” because they are reserved for storage of user tones.
SYNTH [왗]/[왘] CURSOR [+]/[–] Creating a User Tone Parameters and Their Settings Use the following procedure to select a preset tone and change its parameters to create a user tone. The following describes the function of each parameter and provides it’s set range. 1. ■ Attack Time (Range: –64 to 00 to +63) 2. First, select the preset tone you want to use as a basis for your user tone. Time it takes before the tone sounds after a key is pressed A t k T i me Press the SYNTH button.
■ Vib.Depth (Vibrato Depth) (Range: –64 to 00 to +63) ■ Touch Sensitivity (Range: –64 to 00 to +63) Depth of the vibrato effect This parameter controls changes in the volume of the tone in accordance with the pressure applied to the keyboard keys. A greater positive value increases the volume of the output as pressure increases, while a negative value decreases volume with increased keyboard pressure. A setting of zero specifies no change in output volume in accordance with keyboard pressure.
SYNTH [왔] ENTER [+]/[–] User Tone Creation Hints Storing a User Tone In Memory The following hints provide helpful advice on making user tone creation a bit quicker and easier. Use a preset tone that is similar to the one you are trying to create. Whenever you already have a rough idea of the tone you are trying to create, it is always a good idea to start with a preset tone that is similar. The following procedure shows how to store a user tone in memory.
703A-E-045A E-43
Registration Memory REGISTRATION BANK Registration Memory Features Registration memory lets you store up to 16 keyboard setups (4 sets x 4 banks) for instant recall whenever you need them. The following is a list of settings that are saved in registration memory.
3. Setup Names You can assign setups into one of 16 areas, which you can select using BANK buttons 1 through 4 and the four REGISTRATION buttons. Area names range from 0-1 through 3-4 as shown below. BANK While holding down the STORE button, press a REGISTRATION button (1 to 4). • The following display appears when you press the 2 button. Store STORE 4. 1 Release the STORE and REGISTRATION buttons.
Song Memory Function SONG MEMORY [+]/[–] SONG MEMORY TRACK START/STOP This keyboard lets you record up to two separate songs in song memory for later playback. There are two methods you can use to record a song: real-time recording where you record the notes as you play them on the keyboard, and step recording where you input chords and notes one-by-one. Selecting a Track Use the SONG MEMORY TRACK buttons marked CHORD/ TR1 through TR6 to select the track you want.
Using Real-time Recording With real-time recording, the notes you play on the keyboard are recorded as you play them. To record with real-time recording 1. Press the SONG MEMORY button twice to enter real-time record standby. • Perform step 2, below, within five seconds after entering record standby. 2. Use the [+] and [–] buttons to select a song number. Song number (0 or 1) Re c o r d • The above song number screen remains on the display for about five seconds.
SONG MEMORY SYNCHRO/FILL-IN NEXT START/STOP [+]/[–] SONG MEMORY TRACK Mixer Mode Settings Track 1 Real-time Recording Variations Channel 1 Mixer parameters (page E-36) are automatically recorded to Track 1. You can use the Mixer to change each of the parameters. The following describes a number of different variations you can use when recording to Track 1 using real-time recording. All of these variations are based upon the procedure described under “To record with real-time recording” on page E-47.
Playing Back from Song Memory Once you record tracks to song memory, you can play them back to see what they sound like. To play back from song memory 1. Use the SONG MEMORY button to enter playback standby, and then use the [+] and [–] buttons to select a song number (0/1). Song number Recording Melody and Chords with Step Recording With step recording, you can record Auto-Accompaniment chords and notes, and even specify note lengths one by one.
START/STOP 5. Play a chord. Track 1 Contents After Step Recording • Use the chord play method that is specified by the current MODE switch setting (FINGERED, CASIO CHORD, etc.). • When the MODE switch is set to NORMAL, specify the chord using the root input keyboard and chord type input keyboard. See “Specifying Chords in the Normal Mode” on this page for details. In addition to chords, the following data is also recorded to Track 1 during step recording.
Example 1: To input Gm7, hold down G on the root input keyboard and press the m7 key on the chord type input keyboard. Track 1 Step Recording Variations The following describes a number of different variations you can use when recording to Track 1 using step recording. All of these variations are based upon the procedure described under “To record chords with step recording” on page E-49. ● To start accompaniment with an intro pattern (G) (m7) Press key to specify chord type.
Number buttons SONG MEMORY [+]/[–] START/STOP SONG MEMORY TRACK Recording Multiple Tracks Track 1 of the keyboard’s song memory records Auto Accompaniment and keyboard play. In addition, there are five other melody tracks that you can use to record melody parts only. You can record different tones to the melody tracks and build a full ensemble of instruments for your recordings. The procedure you use for recording to Tracks 2 through 6 is identical to the one you use when recording to Track 1. 5. 6.
2. Use the SONG MEMORY TRACK buttons to select the track you want to record to (2 through 6). Example: Select Track 2. Flash Track Contents After Step Recording In addition to notes and rests, the following data is also recorded to the track during step recording. This data is applied whenever the track is played back. • Tone number 3. Specify a tone number. • After changing the tone number, press any keyboard key to clear the tone number and name screen, and return to the note input screen. 4.
[왗]/[왘] CURSOR SONG MEMORY YES [+]/[–] [왔] ENTER SONG MEMORY TRACK Correcting Mistakes While Step Recording No t e A3 Memory data can be thought of as a musical score that progresses from left to right, with the input point normally at the far right of the recorded data. The procedure described here lets you move the input point to the left in order to make changes in data you have already input.
To delete specific note data 1. 2. 3. Perform steps 1 and 2 under “To correct mistakes while step recording” above to display the note you want to delete. Use the [왗] and [왘] (CURSOR) buttons to move to the location in track where the note or parameter you want to change is located. Note editing example Velocity Pitch Press the [왔] (ENTER) button. After you record to keyboard memory, you can recall individual notes and parameter settings (such as tone number) and make any changes you want.
[왗]/[왘] CURSOR SONG MEMORY YES [+]/[–] [왔] ENTER SONG MEMORY TRACK Editing Techniques and Display Contents ● To change a tone number The following describes the editing techniques you can use to change the various parameters stored in memory. Use the number buttons or [+] and [–] buttons to change a tone number. Gr andPno ● To change the key pressure (velocity) of a note Use the number buttons or [+] and [–] to adjust the key pressure.
Editing a Song 4. You can perform the following operations in the song editing mode. Press the [왗] or [왘] (CURSOR) button to display the track delete screen. Number of the song that contains the track (cannot be changed) Track delete standby • Delete a song • Delete a track • Song header data rewrite (Panel Record) T r . De l . ? To delete a song 1. 2. 3. Press the SONG MEMORY button once to enter playback standby. 5. Use the [+] and [–] buttons to select the number of the song you want to delete.
[왗]/[왘] CURSOR SONG MEMORY YES [+]/[–] [왔] ENTER To rewrite song header data (Panel Record) You can use a procedure called “Panel Record” to change the initial Mixer, tempo and other settings stored in the song header. 1. 2. Press the SONG MEMORY button once to enter playback standby. Use the [+] and [–] buttons to select the number of the song that contains the header data you want to rewrite. 3. Make the changes you want to the header data. 4. Press the [왔] (ENTER) button.
Keyboard Settings LAYER This section describes how to use layer (to play two tones with a single key) and split (to assign different tones to either end of the keyboard), and how to make touch response, transpose, and tuning settings. 3. Select the layered tone. Example: To select “064 FRENCH HORN” as the layered tone, use the number buttons to input 0, 6 and then 4. F r .
TONE [+]/[–] TOUCH/TRANSPOSE/SETTING LAYER SPLIT 4. SPLIT Specify the split point. While holding down the SPLIT button, press the keyboard key where you want the leftmost key of the high end range to be. Example: To specify G3 as the split point, press the G3 key. Split Tone (PIZZICATO STRINGS) Main Tone (STRINGS) G3 Split point To split the keyboard 1. 5. First select the main tone.
To split the keyboard and then layer tones ❚ NOTE 1. • The main tone sounds over Channel 1, the layer tone over Channel 2, the split tone over Channel 3, and the layer/split tone over Channel 4. You can also use the Mixer to change the tone and volume settings for these channels. Press the TONE button and then input the tone number of the main tone. Example: To set “065 BRASS SECTION” as the main tone. B r s Se c t 2.
[왗]/[왘] CURSOR [+]/[–] TOUCH/TRANSPOSE/SETTING Transposing the Keyboard Tuning the Keyboard Transpose lets you raise and lower the overall key of the keyboard in semitone units. If you want to play an accompaniment for a vocalist who sings in a key that’s different from the keyboard, for example, simply use transpose to change the key of the keyboard. The tuning feature lets you fine tune the keyboard to match the tuning of another musical instrument. To transpose the keyboard 1. 2.
Changing Other Settings Setting Types The table below shows the parameters whose settings you can change. Setting menu Touch Response Description Page Specifies of how sound should change with keyboard pressure. E-61 Transpose (Trans.) Adjusts of overall keyboard tuning by semitone units. E-62 Tune (Tune) Fine adjustment of overall keyboard tuning. E-62 Display/Pedal (LCD/Jack) Adjusts display brightness and assigns of effects to pedals.
[왖] EXIT [왗]/[왘] CURSOR Number buttons YES [+]/[–] TOUCH/TRANSPOSE/SETTING [왔] ENTER To use the keyboard settings menu 1. 2. Press the TOUCH/TRANSPOSE/SETTING button. Use the [왗] and [왘] (CURSOR) buttons, and the [왖] (EXIT) and [왔] (ENTER) buttons to recall the items whose settings you want to change. MAIN MENU Touch T r ans .
Setting Menu Items Main menu Sub menu Contrast (Contrast) Display/ Pedal (LCD/Jack) Assignable Jack (Jack) Keyboard Channel (Keybd Ch) MIDI (MIDI) Initialize/ Delete (Init/Del) 703A-E-067B MIDI In Chord Judge (Chord) Accomp MIDI Out (AccompOut) Local Control Setting (Local) Mixer Reset (InitMix?) Parameter Reset (InitPar?) User Rhythm No. 100 Delete (rHy 100 Del?) User Rhythm No. 101 Delete (rHy 101 Del?) User Rhythm No. 102 Delete (rHy 102 Del?) User Rhythm No.
MIDI What is MIDI? MIDI Channels The letters MIDI stand for Musical Instrument Digital Interface, which is the name of a worldwide standard for digital signals and connectors that make it possible to exchange musical data between musical instruments and computers (devices) produced by different manufacturers. MIDI compatible equipment can exchange keyboard key press, key release, tone change, and other data as messages.
Sending and Receiving MIDI Messages This keyboard can send notes you play on the keyboard, as well as auto accompaniment patterns and Song Memory playback as MIDI messages to another device. MIDI Send Data ■ Keyboard Play Each keyboard part (Channels 1 through 4) is sent over its own individual MIDI channel. When Auto Harmonize is turned on, harmonize notes are also sent over each individual MIDI channel. ■ Auto Accompaniment Play Each accompaniment part is sent over its own individual MIDI channel.
Using the Data Download Service To connect to a computer Accompaniment, song, tone, DSP, and registration data, as well as application software for transferring data between your computer and the keyboard are all available for download at the CASIO MUSIC SITE*. Be sure to turn off the keyboard and your computer before connecting them. You should also set the volume controller of the keyboard to a relatively low volume. ■ Data and Application Software 1.
Troubleshooting Problem No keyboard Sound Possible Cause 1. Power supply problem. 2. Power is not turned on. 3. Volume setting is too low. 4. The MODE switch is in the CASIO CHORD or FINGERED position. 5. Local Control is off. 6. Mixer channel 1 is turned off. 7. Mixer channel 1 volume setting is too low. Action See page 1. Correctly attach the AC adaptor, make sure that batteries poles (+/–) are facing correctly, and check to make sure that batteries are not dead. 2.
Problem Possible Cause Action See page The key or tuning does not match when playing along with another MIDI machine. 1. The tuning or transpose parameter is set to a value other than 00. 2. Mixer coarse tune, fine tune, and/ or octave shift settings are values other than 00. 1. Change the transpose or tuning parameter value to 00. 2. Use the Mixer to change the coarse tune, fine tune, and/or octave shift settings to 00. Page E-62 Parts suddenly drop out during song memory playback.
Specifications Model: CTK-671 Keyboard: 61 standard-size keys, 5 octaves with touch response (Off / Light / Normal / Heavy) Tones: 348 total (100 panel tones + 128 GM tones + 10 drum sounds + 10 user tones + 100 Advanced Tones); layer/split Rhythm Instrument Tones: 61 Polyphony: 32 notes maximum (16 for certain tones) Effects: DSP (110 types: internal, 10 user areas) + Reverb (16 types) + Chorus (16 types) Equalizer: 10 types, 4 bands Auto Accompaniment Rhythm Patterns: 104 (internal, 4 user
Mixer Function Channels: 16 Parameters: Channel on/off; tone; part on/off; volume; pan pot; octave shift; coarse tune; fine tune; reverb send; chorus send; DSP line MIDI: 16 multi-timbre receive, GM Level 1 standard Other Functions Transpose: 49 steps (–24 semitones to +24 semitones) Tuning: Variable (A4 = approximately 440Hz ±100 cents) LCD: Adjustable contrast Terminals MIDI Terminals: IN, OUT Sustain/Assignable Terminal: Standard jack (sustain, sostenuto, soft, rhythm start/stop) Headphon
703A-E-147A 6 CHURCH ORGAN 24 HARMONICA ROCK ORGAN 27 JAZZ ORGAN 22 23 ACCORDION ELEC.ORGAN 21 BANDONEON PERC.ORGAN 2 20 25 PERC.ORGAN 1 19 26 DRAWBAR ORGAN 1 DRAWBAR ORGAN 2 17 ORGAN MARIMBA 18 11 VIBRAPHONE 15 16 22 23 21 19 18 17 16 17 17 16 16 12 8 9 GLOCKENSPIEL 7 13 CHROMATIC PERC CELESTA HARPSICHORD CLAVI 11 12 5 4 5 4 2 3 1 1 0 0 14 GLASS E.PIANO SOFT E.PIANO MODERN E.PIANO 9 ELEC.PIANO 7 8 10 HONKY-TONK ELEC.
A-2 703A-E-148A 62 63 65 66 TUBA MUTE TRUMPET FRENCH HORN BRASS SECTION OCTAVE BRASS BRASS+SYNTH ANALOG SYNTH-BRASS VINTAGE SYNTH-BRASS SOPRANO SAX ALTO SAX BREATHY A.SAX TENOR SAX BREATHY T.
703A-E-149A A-3 23 22 NEO BANDONEON SLOW HARMONICA MELLOW NYLON GUITAR ENHANCED STEEL GUITAR CHORUS STEEL GUITAR 26 27 28 GUITAR 29 30 19 25 25 24 21 PURE CHURCH ORGAN OCTAVE ACCORDION 24 18 17 16 17 17 16 16 12 11 25 JAZZ DRAWBAR OVD ROCK ORGAN 22 23 ROTARY PERC.ORGAN 2 ROTARY ELEC.ORGAN 20 ROTARY PERC.
A-4 703A-E-150A 62 63 66 66 BRASS SFZ DEEP SYNTH-BRASS SLOW SYNTH-BRASS MELLOW S.SAX A.SAXYS VELO.ALTO SAX T.SAXYS VELO.TENOR SAX STACK BARITONE SAX SYNTH-OBOE VELO.CLARINET 67 68 69 70 REED 71 72 73 74 75 76 77 61 WARM VOX POLY SAW BOWED PAD SPACE VOX MOVIE SOUND NEW GOBLIN 91 92 93 94 95 96 NEW FANTASY 90 SYNTH-PAD ADVANCED CALLIOPE FRET LEAD MELLOW SAW.
703A-E-151A A-5 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 32 32 32 16 32 16 32 32 32 32 16 32 32 32 32 16 16 16 16 16 32 16 32 16 32 32 32 32 32 32 32 32 32 32 N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N N PIANO 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 Piano 1 Piano 2 Pia
A-6 703A-E-152A 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 ETHNIC SYNTH-SFX SYNTH-PAD SYNTH-LEAD PIPE OBOE GM ENGLISH HORN BASSOON CLARINET GM PICCOLO OCT FLUTE GM RECORDER GM PAN FLUTE GM BOTTLE BLOW SHAKUHACHI WHISTLE GM OCARINA SQUARE WAVE SAWTOOTH WAVE CALLIOPE LEAD CHIFF LEAD CHARANG SOLO VOX FIFTH SAW BASS LEAD NEW AGE WARM SYNTH POLYSYNTH GM SPACE CHOIR BOWED PAD METAL PAD HALO SYNTH S
703A-E-153A A-7 JAZZ SET BRUSH SET ORCHESTRA SET 235 236 237 SYNTH SET 1 SYNTH SET 2 233 ELECTRONIC SET 232 234 ROOM SET POWER SET 230 231 STANDARD SET 1 STANDARD SET 2 228 229 48 40 32 30 25 24 16 8 1 0 120 120 120 120 120 120 120 120 120 120 MSB de selección de banco Cambio de programa Nombre de sonido Nº Grupo de sonido Bank Select MSB Program Change Tone Name 247 246 245 244 243 242 241 240 239 238 Nº Grupo de sonido No.
A-8 703A-E-154A E6 88 D6 86 C6 84 B5 83 A5 81 G5 79 F5 77 E5 76 D5 74 C5 72 B4 71 A4 69 G4 67 F4 65 E4 64 D4 62 C4 60 B3 59 A3 57 G3 55 F3 53 E3 52 D3 50 C3 48 B2 47 A2 45 G2 43 F2 41 E2 40 D2 38 C2 36 B1 35 A1 33 G1 31 F1 29 E1 28 E 6 87 C#6 85 B 5 82 A 5 80 F#5 78 E 5 75 C#5 73 B 4 70 A 4 68 F#4 66 E 4 63 C#4 61 B 3 58 A 3 56 F#3 54 E 3 51 C#3 49 B 2 46 A 2 44 F#2 42 E 2 39 C#2 37 B 1 34 A 1 32 F#1 30 E 1 27 HIGH Q SLAP SCRATCH PUSH SCR
703A-E-155A A-9 Fingered Chord Chart F F /(G ) G (G )/A A (A )/B B F F /(G ) G (G )/A A (A )/B B aug sus4 7sus4 m add9 mM7 7-5 add9 : Puede cambiar la gama del teclado de los acordes dim7 para las notas fundamentales A, B y acordes aumentados (augment) para las notas fundamentales B y B mediante el ajuste del punto de división (página S-59).
A-10 703A-E-156A Type Name Nombre de tipo Room 1 Room 2 Room 3 Hall 1 Hall 2 Plate 1 Delay Pan Delay Plate 2 Plate 3 Large Room 1 Large Room 2 Stadium 1 Stadium 2 Long Delay 1 Long Delay 2 No.
703A-E-157A A-11 DSP Name [34] [35] [36] [37] [38] [39] Reverb 27 27 27 27 27 27 M02 M02 M04 M04 M00 M00 M01 M01 M19 M18 M23 M08 M03 M03 RvbRoom1 RvbRoom2 RvbRoom3 RvbHall 1 RvbHall 2 RvbPlate PhaCho 1 PhaCho 2 PhaDly 1 PhaDly 2 ChoDly 1 ChoDly 2 ChoDly 3 ChoDly 4 CmpDelay CmpEnDly CmpChoRf Cho Flan FlanDly 1 FlanDly 2 Reverb Room 1 Reverb Room 2 Reverb Room 3 Reverb Hall 1 Reverb Hall 2 Reverb Plate Phaser - Chorus 1 Phaser - Chorus 2 Phaser - Delay 1 Phaser - Delay 2 Chorus - Delay 1 Chorus - De
A-12 703A-E-158A 2 : High Frequency (Range: 0 (6.0KHz), 1 (8.0KHz), 2 (10KHz)) Adjusts the cutoff frequency of the high-band equalizer. 1 : Low Gain (Range: -12, -11, -10 to 0 to +10, +11, +12) Adjusts the gain of the low-band equalizer. 0 : Low Frequency (Range: 0 (200Hz), 1 (400Hz), 2 (800Hz)) Adjusts the cutoff frequency of the low-band equalizer. ■ Parameters ■ Function This is a two-band equalizer. 02 : 2BandEQ 1 : Depth (Range: 0 to 127) Adjusts the tremolo depth.
703A-E-159A A-13 2 : Release (Range: 0 to 127) Adjusts the time from the point when the input signal drops below a certain level until the compression operation is stopped. When an attack feeling is desired (no compression at the onset of the sound), set this parameter to as low a value as possible. To have compression applied at all times, set a high value. 1 : Attack (Range: 0 to 127) Adjusts the attack amount of the input signal.
A-14 703A-E-160A 1 : Overdrive Level (Range: 0 to 127) Adjusts the output level of the overdrive. 0 : Overdrive Gain (Range: 0 to 127) Adjusts overdrive gain. ■ Parameters ■ Function This is an overdrive - rotary speaker simulator. 12 : Drive Rotary 5 : Fast Rate (Range: 0 to 127) Adjusts speaker rotation speed of the fast speed mode. 4 : Slow Rate (Range: 0 to 127) Adjusts speaker rotation speed of the slow speed mode.
703A-E-161A A-15 ■ Function This is 3-phase chorus in accordance with two LFOs of with different sine wave rates. 18 : 3-Phase Chorus 3 : Wet Level (Range: 0 to 127) Adjusts the level of the effect sound. 2 : Feedback (Range: -64 to 0 to +63) Adjusts the feedback of the sound. 1 : LFO Depth (Range: 0 to 127) Adjusts the depth of the LFO. 0 : LFO Rate (Range: 0 to 127) Adjusts the rate of the LFO. ■ Parameters ■ Function This is stereo chorus in accordance with a sine wave LFO.
A-16 703A-E-162A 2 : Feedback (Range: 0 to 127) Adjusts the repeat of the reverb. 1 : HPF (Range: 0 to 127) Adjusts the cutoff frequency of the high-pass filter. A larger value cuts the low range. 0 : LPF (Range: 0 to 127) Adjusts the cutoff frequency of the low-pass filter. A smaller value cuts the high range. ■ Parameters ■ Function This is a fader that creates artificial reverb that sounds like it is being cut with a gate.
703A-E-163A A-17 ★ The following “Multi” algorithms are used in combination with the algorithms described above. Parameters are shard by both types of algorithms. 5 : Ratio R (Range: 0 to 127) Adjusts the delay time of the right channel. Proportional to the value set for Delay Time. 4 : Ratio L (Range: 0 to 127) Adjusts the delay time of the left channel. Proportional to the value set for Delay Time. 3 : High Damp (Range: 0 to 127) Adjusts damping of the high-range delay sound.
A-18 703A-E-164A 2 : Enhancer High Frequency 1 : Enhancer Low Gain 0 : Enhancer Low Frequency ■ Parameters ■ Function This is a multi effector related to Enhancer Flanger. M07 : Multi07 (Enhancer – Flanger) 7 : Delay High Damp 6 : Delay Feedback 5 : Delay Wet Level 4 : Delay Time 3 : Enhancer High Gain 2 : Enhancer High Frequency 1 : Enhancer Low Gain 0 : Enhancer Low Frequency ■ Parameters ■ Function This is a multi effector that is related to Enhancer - 2-Tap Delay.
703A-E-165A A-19 2 : Distortion High 1 : Distortion Low 0 : Distortion Gain ■ Parameters ■ Function This is a multi effector related to Distortion Lo-Fi. M15 : Multi15 (Distortion – Lo-Fi) 7 : Reflection Tone 6 : Reflection Feedback 5 : Reflection Wet Level 4 : Reflection Type 3 : Lo-Fi Resonance 2 : Lo-Fi Tone 1 : Lo-Fi Noise2 0 : Lo-Fi Noise1 ■ Parameters ■ Function This is a multi effector related to Lo-Fi - Reflection.
A-20 703A-E-166A 1 : Phaser Manual 7 : Delay Feedback 6 : Delay Wet Level 5 : Delay Time 4 : Chorus LFO Depth 3 : Wah LFO Depth 2 : Wah LFO Rate 1 : Wah Manual 0 : Wah Resonance ■ Parameters ■ Function This is a multi effector that is related to LFO Wah - Tri 2-Phase Chorus - 2-Tap Delay.
703A-E-167A A-21 1 : Distortion Low 0 : Distortion Gain ■ Parameters ■ Function This is a multi effector that is related to Distortion - Sin 2-Phase Chorus. M30 : Multi30 (Distortion – Sin 2-Phase Chorus) 7 : Phaser Depth 6 : Phaser Rate 5 : Phaser Manual 4 : Phaser Resonance 3 : Distortion Level 2 : Distortion High 1 : Distortion Low 0 : Distortion Gain ■ Parameters ■ Function This is a multi effector related to Distortion Phaser.
703A-E-178A Bank select Modulation Data entry Volume Pan Expression DSP Parameter0 DSP Parameter1 DSP Parameter2 DSP Parameter3 Hold1 Sostenuto Soft pedal Resonance Release Time Attack Time Brightness Vibrato rate Vibrato depth O 9nH v = 1-127 X X O O O O O O O O O O O O O O O O O O O O O O 9nH v = 1-127 X 9nH v = 0 X X X O O O O O O O O O O O*2 O*2 O*2 O O O O O O Control Change 74 76 77 0, 32 1 6, 38 7 10 11 16 17 18 19 64 66 67 71 72 73 Key's Ch's After Touch Pitch Bender Note ON Note OFF V
703A-E-179A X X X O O X X X X X X X *2 Selected in accordance with sustain pedal setting. : Clock : Commands System Real Time : Local ON/OFF : All notes OFF Messages : Active Sense : Reset Remarks Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO *2 Seleccionado de acuerdo con el ajuste del pedal de sustain.
This recycle mark indicates that the packaging conforms to the environmental protection legislation in Germany. Esta marca de reciclaje indica que el empaquetado se ajusta a la legislación de protección ambiental en Alemania. CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome Shibuya-ku, Tokyo 151-8543, Japan CTK671_es_cover.p65 Page 3 P MA0105-B Printed in Malaysia CTK671-ES-1 01.8.1, 3:53 PM Adobe PageMaker 6.
