Professional Range EOS 5D Mark ii EOS-1d mark iv eos-1ds mark iii you can
Canon’s professional EOS system has been built on the feedback and experiences of photographers from all over the world. Made up of superbly precision-engineered cameras, lenses and accessories, the EOS system is completely compatible with Canon’s professional print and display solutions, giving professional photographers the freedom to shoot what they choose wherever they are, and to control the quality of the final results.
EOS 5D Mark II EOS-1D Mark IV EOS-1Ds Mark III Extend the boundaries of your photography. More than a number Maximum quality. Total control. • • • • • • • • 21.1MP full frame CMOS sensor DIGIC 4 processor ISO range expandable to 25600 Full HD (1080p) movies with manual control High-res 7.6cm/ 3” VGA LCD with Live View 3.9fps JPEG shooting up to card capacity 9-point AF + 6 Assist AF points Magnesium alloy body • • • • • • • • 16.
Self cleaning CMOS senor unit EOS 5D Mark II CMOS sensor Core Canon technologies that make the difference. CMOS sensor technology Robust design and manufacture Each EOS camera contains a CMOS sensor, designed to capture noise-free, high resolution images packed with detail and outstanding colour. Canon controls every aspect of the sensor-production process, from research and development to final production, meaning that each sensor is bespoke; custom-designed for a particular EOS model.
A constant flow of ideas and innovation has kept Canon at the forefront of imaging technology. As the needs of Canon photographers have changed and diversified, our development teams continue to produce reliable, leading-edge solutions in line with the evolving demands of the photographic world. DIGIC image processor High ISO sensitivity At the heart of each EOS camera is a DIGIC image processor.
EOS-1Ds Mark III AF sensor Exploring new ways of expression through constant innovation EOS-1D Mark IV / EOS 1Ds Mark III AF points EOS 5D Mark II AF points 6 Precise, wide-area AF Movies Multiple autofocus points, spread across the frame, enable accurate, off-centre focusing in all conditions. Cross-type AF points are sensitive to both horizontal and vertical lines for highly accurate focus, while assist AF points enable accurate tracking of moving objects around the frame.
Versatility and ease-of-use are two keys reasons why the EOS system is so popular with users of all levels, from amateur to professional. By retaining the best features (lenses from the very first EOS cameras still work with the latest models), improving others and regularly introducing new functions, photographers can continue to explore new ways to express themselves through the power of image. Picture styles Different situations call for different styles of shooting.
Fashion Photography This image of an eccentric tea party was shot for Annabel’s, a night club in west London. We wanted to celebrate everything that is eccentric about Englishness, and pick-out traits from English culture. With that in mind, we chose English clothes designers and found a really beautiful, stereotypically English location near an old Georgian house near Luton. Shoots like this are the result of a lot of forward planning and a massive group effort.
When it comes to capturing detail, both on location and in the studio, the high-resolution sensors found in the Canon EOS-1Ds Mark III and EOS 5D Mark II deliver every time.
CANON AMBASSADOR Lorenzo Agius The Canon EOS-1Ds Mark III has become my workhorse camera. Previously I would have had to resort to medium-format photography to achieve this kind of image quality. Lorenzo Agius © Lorenzo Agius/Orchard by Getty Images. Canon Ambassador English Eccentrics Tea Party, shot for Annabel’s. 20 August 2008, Hyde House, Luton, Bedfordshire, UK. Shot on: Canon EOS-1Ds Mark III, EF 24-70mm f/2.8L USM.
It is this confidence that the EOS-1Ds Mark III gives that is reassuring: I know that often I will only get one chance of getting everything absolutely right. Eelco Keizer Commercial Photography Eelco Keizer The diversity of my work puts challenges on my crew and equipment. Although we are the largest commercial photographic studio in Europe, we shoot out on location as much as we shoot indoors and this calls for versatile, reliable equipment.
The Canon EOS-1Ds Mark III is the cornerstone of a commercial photographer’s EOS outfit. Built to withstand the most punishing of conditions and designed to deliver the ultimate in image quality whatever the subject matter – from architecture and industrial to still life and advertising photography. © Eelco Keizer, LUKKIEN BV. ASICS Europe. Shot on: Canon EOS-1Ds Mark III, EF 24-70mm f/2.8L USM.
Sports Photography CANON AMBASSADOR Frits van Eldik My first real experience of the Canon EOS-1D Mark IV was shooting Formula 1 racing at the Abu Dhabi Grand Prix. The race was in the evening, and I remember I wasn’t blessed with great light. Normally I don’t like resorting to high ISO sensitivities, but was I really impressed with the way the EOS-1D Mark IV performed in this respect.
Keeping pace with the action is what the Canon EOS-1D Mark IV does best. With ground-breaking 45-point autofocus, and continuous shooting at up to 10 frames per second, there isn’t much it can’t cope with. © Frits van Eldik. Canon Ambassador F1 Abu Dhabi Grand Prix Shot on: Canon EOS-1D Mark IV, EF 500mm f/4L IS USM and EF 1.4x II Extender.
The Canon EOS 5D Mark II and Canon EOS-1Ds Mark III are the perfect tools for capturing portraits. High-resolution, full-frame sensors give superlative image quality and tight control over depth of field. The EOS-1Ds Mark III is great for my documentary style of photography. I work in low light a lot, and this camera’s speed and quality really makes my job so much easier.
I found myself working in some pretty miserable conditions… despite this I was able to pick out some details with my Canon EOS 5D Mark II and EF 85mm f/1.2L II USM. Jeff Ascough Wedding Photography CANON AMBASSADOR Jeff Ascough When shooting at a wedding just before Christmas in Lancashire, I found myself working in some pretty miserable conditions. It was cold, wet and dark, so the bride and groom decided to greet their guests inside the church, not outdoors as planned.
Designed and built for the seasoned professional, yet affordable enough for those starting out in business, the EOS 5D Mark II is the foundation of wedding photography businesses the world over. High-resolution, 21-megapixel image files of stunning quality, from a lightweight body that won’t weigh you down. © Jeff Ascough. Canon Ambassador Christmas wedding in Lancashire, U.K Shot on: EOS 5D Mark II, EF 85mm f/1.2L II USM.
CANON AMBASSADOR Brutus Östling Wildlife Photography I photographed these magnificent Dalmatian Pelicans – the largest known to man possibly – in northern Greece while working on a book all about the birds. There are only about 10,000 left in the world. The images were actually taken from a tourist boat that stayed near the pelicans’ nesting site for 15 minutes – long enough to get some great shots of the birds landing. I used the Canon EOS-1D Mark IV with EF 800mm f/5.6 IS and EF 400mm f/2.8 IS lenses.
Capturing 16-megapixel images at 10 frames per second, and tracking fast-moving objects with its 45-point AF system, the Canon EOS-1D Mark IV is an accomplished tool for wildlife photographers. Sealed against dust and moisture, it’s designed to withstand the harshest of conditions. The EOS-1D Mark IV’s autofocus system copes brilliantly with subjects like this. Afterwards I noticed I had more images that were sharp than ever before, even with the fastest moving birds.
Landscape Photography As a nature photographer, the Canon EOS-1Ds Mark III is the perfect camera for me. The full-frame sensor lets me use wide-angle lenses to good effect, capturing the landscapes in front of me from a special perspective. The 100 per cent viewfinder lets me see exactly what I am shooting too. I need high quality image files for fine-art projects and book publishing, and the EOS-1Ds Mark III delivers these with its 21.1-megapixel resolution.
The full-frame sensors in the Canon EOS-1Ds Mark III and EOS 5D Mark II make working with wide-angle lenses a pleasure, and capture every drop of detail from a landscape. Large pixel sites mean detail is preserved in bright highlights, as well as dark shadows.
The full-frame sensors in the Canon EOS-1Ds Mark III and EOS 5D Mark II make working with wide-angle lenses a pleasure, and capture every drop of detail from a landscape. Large pixel sites mean detail is preserved in bright highlights, as well as dark shadows. CANON AMBASSADOR Thorsten Milse The full-frame sensor lets me use wide-angle lenses to good effect, capturing the landscapes in front of me from a special perspective. The 100 per cent viewfinder lets me see exactly what I am shooting.
The image files have unbelievable latitude too, so I know the information is there for me to make dramatic images when processing. I miss far fewer opportunities while waiting for the buffer to clear too. Brent Stirton Photojournalism Photography CANON AMBASSADOR Brent Stirton This image of Masaai Tribesmen leaping through the air in a traditional dance was captured in Kenya, Africa, as part of a project documenting pastoralism in transition.
At the heart of the Canon EOS-1D Mark IV and EOS 5D Mark II are high-resolution CMOS sensors and DIGIC 4 image processors, working together to deliver incredible image quality, even in low light. Digital noise is reduced while fine detail is preserved, even at high ISO sensitivities. © Brent Stirton/Reportage by Getty Images. Canon Ambassador A portrait of a Rendile tribal elder in North-West Kenya, Africa Shot on: Canon EOS-1D Mark IV, EF 16-35mm f/2.8 L II USM. © Brent Stirton/Reportage by Getty Images.
EOS Movie © Richard Walch Video - Chamonix, France. Shot on: EOS 5D Mark II and EF lenses. For me Canon’s HD DSLR technology opened a complete new world. Within one year I was able – coming from no video experience – to shoot my first TV Ad.
The HD movie capabilities of the EOS-1D Mark IV and EOS 5D Mark II, combined with Canon’s range of EF lenses, provide new creative possibilities for those working with video. The cameras’ superb image quality, excellent low-light capabilities and selection of manual controls open up new ways of working. Richard Walch I am a Photographer; video was not on my agenda. But the first time I had a chance to work with the 5D mark II, I decided instantly to shoot motion instead of stills.
Exceptional lens technology Magnet Compensation optics lens barrel hold pin Yoke Compensation optics movement IRED PSD Magnet Insulation sheet Circuit board Compensation optics lock mechanism Guide axis Magnet Compensation optics lens barrel Compensation optics lens barrel hold pin Magnet PSD Yoke (magnetic plate) IRED Compensation optics Image Stabilizer Unit Diffractive Optical cut through Image Stabilizer and Hybrid IS Ultrasonic Motor (USM) Diffractive Optical lens elements Camera shake ca
Canon L-series optics represent the very best in EF lens design and construction. Superior image quality, combined with superlative handling and construction, results in optics that are trusted by professionals the world over.
EF Professional Lenses range EF 800mm f/5.6L IS USM EF 600mm f/4L IS USM EF 500mm f/4L IS USM EF 400mm f/2.8L IS II USM EF 16-35mm f/2.8L II USM EF 17-40mm f/4L USM EF 24-70mm f/2.8L USM EF 400mm f/4 DO IS USM EF 400mm f/5.6L USM EF 300mm f/2.8L IS II USM EF 300mm f/4L IS USM Prime EF 8-15mm f/4L Fisheye USM EF 24-105mm f/4L IS USM EF 70-200mm f/2.8L IS II USM ZOOM EF 50mm f/2.5 Compact Macro MACRO 32 EF 100mm f/2.8 Macro USM EF 100mm f/2.8L Macro IS USM EF 180mm f/3.
Meet the world’s most comprehensive system of interchangeable lenses. From 14mm ultra wide angle to 800mm super telephoto, there is a Canon lens to cover all possible shooting requirements. Capture your vision through the eyes of EOS. Professional photographers using Canon EF lenses EF 200mm f/2L IS USM EF 200mm f/2.8L II USM EF 70-200mm f/4L USM TS-E17mm f/4L Tilt and shift EF 135mm f/2L USM EF 70-200mm f/4L IS USM TS-E 24mm f/3.5L EF 85mm f/1.2L II USM EF 70-300mm f/4.5-5.
Advanced flash photography Flash: Speedlite 430EX II on camera back E-TTL II represents Canon’s most advanced flash metering system. Whether you are using a Speedlite flashgun on-camera, bouncing flash off a wall or ceiling, or using flash remotely off-camera, E-TTL II ensures that flash and ambient light are mixed together perfectly for a natural result. From the moment a Speedlite is mounted on an EOS camera, intelligent electronics begin to take the hard work out of flash photography.
Professional photographers using Canon EF lenses at the 2009 Cannes Film Festival Wireless off-camera flash E-TTL II metering makes using Speedlite flashes off camera as easy as using them in the hot shoe. Multiple 580EX II or 430EX II units can be positioned off-camera and triggered wirelessly using a Speedlite Transmitter ST-E2 infrared trigger, or a camera-mounted Speedlite 580EX II.
The EOS digital workflow Wireless File Transmitter WFT-E2 II Wireless Shooting Tethered Shooting A variety of wireless connection methods is available. For instance, an EOS camera and computer can be paired wirelessly (using the supplied EOS utility software) enabling remote control of camera functions, wireless live view and wireless image transfer. WFT server technology also enables shooting and Live View over a network or from a WiFi enabled handheld device, such as a smart phone.
There is more to EOS photography than a camera. Canon is unique in being able to provide photographers with an integrated, start-to-finish digital workflow. Professional cameras and lenses ensure high-quality capture. Innovative software and accessories allow editing and control. While professional printers and projectors provide high quality output. This is our Professional Photographic Solution.
The EOS digital workflow Digital Photo Professional Advanced Raw file processing Digital Photo Professional (DPP) is an image editing application designed to bring the most out of EOS Raw files and streamline professional photographic workflow. Images can adjusted in numerous ways, such as for white balance, colour saturation and exposure.
Canon’s EOS Digital Solution Disk and Digital Photo Professional – supplied with every camera – provide powerful, easy to use tools for managing and processing captured images. 1 Transfer/Storage 2 Processing 3 Print & Display Picture Style Editor ImageBrowser (Mac) (ZoomBrowser EX available for PC) EOS Solution Disk As well as Digital Photo Professional, The EOS Solutions disk contains other applications that enhance the performance and functionality of your EOS camera.
The EOS digital workflow XEED professional projectors Canon’s range of high-performance XEED projectors has the resolution, brightness and performance to do your work justice – helping you to sell large prints or show a complete portfolio with total confidence. Accurate colour reproduction Projectors can vary immensely in their ability to accurately reproduce colour.
Image capture is just one part of the photographic process. As a leader in the development of both input and output technologies, Canon is uniquely positioned to help professionals show their work to its fullest. 1 Transfer/Storage 2 Processing PIXMA Pro desktop printers Take complete creative control of your imaging workflow with a PIXMA Pro series printer.
EOS Professional Range Step-up Chart SENSOR EOS PROFESSIONAL RANGE Effective Pixels / Resolution Approx. 18MP for prints up to A2 Approx. 21.10MP for prints up to A2 Approx. 16.10MP for prints up to A2 Approx. 21.10MP for prints up to A2 Sensor Size APS-C sized Canon CMOS sensor Full frame (24 x 36mm) CMOS sensor APS-H Canon CMOS sensor Full frame (24 x 36mm) CMOS sensor Focal Length Multiplier 1.6x 1.0x 1.3x 1.0x Continuous shooting 8fps 3.
Specification: IMAGE SENSOR Type Effective Pixels Total Pixels Aspect Ratio Low-Pass Filter Sensor Cleaning Colour Filter Type LCD MONITOR 36 x 24 mm CMOS Approx. 21.10 megapixels Approx. 22 megapixels 3:2 Built-in/Fixed EOS integrated cleaning system with fluorine coating Primary Colour IMAGE PROCESSOR Type DIGIC 4 LENS Lens Mount Focal Length EF (excludes EF-S lenses) Equivalent to 1.0x the focal length of the lens TTL-CT-SIR with a CMOS sensor 9 cross-type AF points (f/2.8 at centre) EV -0.
Specification: IMAGE SENSOR Type Effective Pixels Total Pixels Aspect Ratio Low-Pass Filter Sensor Cleaning Colour Filter Type LCD MONITOR 27.9mm x 18.6mm CMOS Approx. 16.10 megapixels Approx. 17.00 megapixels 3:2 Built-in/Fixed EOS integrated cleaning system with fluorine coating Primary Colour IMAGE PROCESSOR Type Dual “DIGIC 4” LENS Lens Mount Focal Length EF (excludes EF-S lenses) Equivalent to 1.
Specification: IMAGE SENSOR Type Effective Pixels Total Pixels Aspect Ratio Low-Pass Filter Sensor Cleaning Colour Filter Type LCD MONITOR 36 x 24 mm CMOS Approx. 21.1M Approx. 21.9M 3:2 Built-in/Fixed EOS integrated cleaning system Primary Colour IMAGE PROCESSOR Type 2 x DIGIC III EF (excludes EF-S lenses) Equivalent to 1.
EOS Professional Range Accessories Compatibility SPEEDLITES Speedlite 580EX II/430EX II/270EX n n n Macro Ring Lite MR-14EX n n n Macro Twin Lite MT-24EX n n n Speedlite Transmitter ST-E2 n n n SPEEDLITE ACCESSORIES Off-camera Shoe Cord OC-E3 n n n Speedlite Bracket SB-E2 n n n n n n n n n n n n n n n BATTERIES LP-E4 LP-E6 n AC ADAPTERS ACK-E4 ACK-E6 n BATTERY GRIPS Battery Grip BG-E6 n BATTERY CHARGERS Charger LC-E4 Charger LC-E6 n Car Charger Cable CB-570 Car C
Other Accessories Extender Compatibility Magnification with Extension Tube EF25 II Magnification with Extension Tube EF12 II Lens Case/Pouch Lens Hood Lens Cap Name Weight (g) Filter diameter (mm) Maximum diameter x length (mm) EOS Professional Range Lens Accessories FIXED FOCAL LENGTH EF 15mm f/2.8 Fisheye EF 14mm f/2.8L II USM EF 20mm f/2.8 USM EF 24mm f/1.4L II USM EF 24mm f/2.8 EF 28mm f/1.8 USM EF 28mm f/2.8 EF 35mm f/1.4L USM EF 35mm f/2 EF 50mm f/1.2L USM EF 50mm f/1.4 USM EF 50mm f/1.
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