Reference Guide

637
AudioSnap (Producer and Studio only)
Why would I use it?
Here are some common uses for AudioSnap:
• Aligning measure lines and tempo to audio or MIDI tracks that were recorded without a
metronome (see “Synchronizing audio and the project tempo” on page 656).
• Fixing timing errors (see “Fixing timing problems in audio clips” on page 663).
• Synchronizing the rhythms of out-of-sync tracks (see “Making multiple clips/tracks groove
together” on page 670).
• Doubling existing sounds with other sounds (see “Extracting MIDI timing information from audio”
on page 679).
• Changing the tempo of existing projects (see “Changing a project’s tempo” on page 662).
• Snapping both audio and MIDI edits to audio beats (see “Snapping edits to audio beats” on page
681).
• Fixing timing errors in multi-track recordings while maintaining phase relationships (see “Adjusting
the timing of a multi-track performance while maintaining phase relationships” on page 665).
If you want to edit audio right away with AudioSnap, see “Synchronizing audio and the project
tempo” on page 656 and “Fixing timing problems in audio clips” on page 663. If you want to learn
more about all the AudioSnap tools and options, see the following links.
See:
“Using global tools on AudioSnap transient markers” on page 638
“Editing transient markers” on page 643
“Using the AudioSnap palette” on page 652
“Synchronizing audio and the project tempo” on page 656
“Fixing timing problems in audio clips” on page 663
“Extracting MIDI timing information from audio” on page 679
“General editing” on page 681
“Using the Pool” on page 689
“Algorithms and rendering” on page 692