Reference Guide

412 Arranging and editing
Comping
Figure 111. The flattened comp is mixed down to a new soloed Take lane
See:
“Basic comping workflow” on page 393
“Recording takes” on page 394
“Auditioning takes” on page 396
“Comping methods” on page 397
“Comping with the Smart tool and Comping tool” on page 400
“Speed comping” on page 404
“Adjusting crossfades” on page 407
“Editing Comp clips” on page 408
“Removing all unused takes and empty Take lanes” on page 413
“Comping” on page 391
See also:
“Take lanes” on page 381
“Bouncing tracks” on page 958
“Bouncing to clips” on page 835
“Splitting and combining clips” on page 379
“Preparing audio for distribution” on page 963
“Locking Clips” on page 359