User Manual

32
Appendices
COMP/LIMITER
This is an eect that produces a long sustain by evening out the
volume level of the input signal. You can switch it to a limiter to
suppress only the sound peaks and prevent distortion.
Parameter/
Range
Explanation
ON/OFF
OFF, ON Turns the COMP/LIMITER eect on/o.
TYPE
COMP The eect operates as a compressor.
LIMITER The eect operates as a limiter.
SUSTAIN *1
0–100
Adjusts the range (time) over which low-level signals are
boosted. Larger values will result in longer sustain.
ATTACK *1
0–100
Adjusts the strength of the picking attack when the
strings are played. Higher values result in sharper attack,
creating a more clearly dened sound.
THRESHOLD *2
0–100
Adjust this as appropriate for the input signal from
your guitar. When the input signal level exceeds this
threshold level, limiting will be applied.
RELEASE *2
0–100
Adjusts the time from when the signal level drops below
the threshold until when limiting is removed.
TONE
-50–+50 Adjusts the tone.
LEVEL
0–100 Adjusts the volume.
*1. Setting available when TYPE is set to COMP.
*2. Setting available when TYPE is set to LIMITER.
OD/DS (Overdrive/Distortion)
This eect distorts the sound to create long sustain.
Parameter/
Range
Explanation
ON/OFF
OFF, ON Turns the OD/DS eect on/o.
TYPE
Selects the type of distortion.
CLN BOOST
This not only functions as a booster, but also produces a
clean tone that has punch even when used alone.
BLUES OD
This is a crunch sound of the BOSS BD-2.
This produces distortion that faithfully reproduces the
nuances of picking.
OD-1
This is the sound of the BOSS OD-1.
This produces sweet, mild distortion.
T-SCREAM This models an Ibanez TS-808.
DISTORTION This gives a basic, traditional distortion sound.
RAT This models a Proco RAT.
GUV DS This models a Marshall GUV’ NOR.
DST+ This models a MXR DISTORTION+.
METAL ZONE
This is the sound of the BOSS MT-2.
It produces a wide range of metal sounds, from old style
to slash metal.
‘60s FUZZ
This models a FUZZFACE.
It produces a fat fuzz sound.
OCT FUZZ This models an ACETONE FUZZ.
MUFF FUZZ This models an Electro-Harmonix big Mu π
DRIVE
0–120 Adjusts the depth of distortion.
BOTTOM
-50–+50
Adjusts the tone for the low frequency range. Turning
this to the left (counterclockwise) produces a sound
with the low end cut; turning it to the right boosts the
low end in the sound.
TONE
-50–+50 Adjusts the tone.
EFFECT LEVEL
0–100 Adjusts the volume of the eect sound.