User Manual

eBand Song List Editor Convenient Functions Appendices
Panel Descriptions Play the Guitar with Songs
as Your Backing
NlPtEsItFrDeEnglish
31
Appendices
Eect Parameter List
The product names mentioned in this document are registered
trademarks or trademarks of their respective owners. In this manual,
these names are used because it is the most practical way of
describing the sounds that are simulated using COSM technology.
AMP
COSM technology simulates dierent preamp characteristics,
speaker sizes, and cabinet shapes.
Parameter/
Range
Explanation
ON/OFF
OFF, ON Turns the AMP eect on/o.
TYPE
This sets the type of the preamp.
NATURAL CLEAN
An unembellished, clean sound that minimizes the
amp’s idiosyncrasies, such as its trebly character and
boomy low end.
FULL RANGE
An amp with a broad frequency range and an extremely
at response.
Good for acoustic guitar.
COMBO CRUNCH
Crunch sound that allows the nuances of your picking to
be expressed even more faithfully than on conventional
combo amps.
STACK CRUNCH
Great-feeling crunch sound that responds well to
picking dynamics while retaining all the dening
characteristics of a 4 x 12” speaker cabinet.
HiGAIN STACK
High-gain sound of a vintage Marshall specially
revamped in a way that is possible only with COSM
modeling technology.
POWER DRIVE
A straight drive sound that works well in a broad range
of situations, from backing to lead. A sound like this
cannot be obtained from any existing combo amp or
stack amp.
EXTREME LEAD
A new type of sound that smoothes out the uneven
frequency response that is typical of existing large stack
amps.
CORE METAL
A large stack sound that has been tweaked extensively
in the pursuit of the ultimate metal sound.
JC-120 This models the sound of the Roland JC-120.
CLEAN TWIN This models a Fender Twin Reverb.
PRO CRUNCH This models a Fender Pro Reverb.
TWEED This models a Fender Bassman 4 x 10” Combo.
DELUXE CRUNCH This models a Fender Deluxe Reverb.
VO DRIVE
This models the drive sound of a VOX AC-30TB.
This is a sound that it suited to sixties-style British rock.
VO LEAD This models the lead sound of the VOX AC-30TB.
MATCH DRIVE
This models the sound input to left input on a Matchless
D/C-30. A simulation of the tube amp widely used in
styles from blues rock to fusion.
BG LEAD
This models the lead sound of a MESA/Boogie combo
amp.
The sound of a tube amp typical of the late ‘70s to ‘80s.
BG DRIVE
This models a MESA/Boogie combo amp with TREBLE
SHIFT SW on.
MS1959 I
This models the sound input to Input I on a Marshall
1959.
This is a trebly sound suited to hard rock.
MS1959 I+II
The sound of connecting inputs I and II of the guitar
amp in parallel, creating a sound with a stronger low
end than I.
R-FIER VINTAGE
Models the sound of the Channel 2 VINTAGE Mode on
the MESA/Boogie DUAL Rectier.
Parameter/
Range
Explanation
R-FIER MODERN
Models the sound of the Channel 2 MODERN Mode on
the MESA/Boogie DUAL Rectier.
T-AMP LEAD This models a Hughes & Kettner Triamp AMP3.
SLDN
This models a Soldano SLO-100. This is the typical sound
of the eighties.
5150 DRIVE This models the lead channel of a Peavey EVH 5150.
BASS CLEAN Clean sound that is great for use with bass guitars.
BASS CRUNCH
Crunch sound with natural distortion that sounds great
with bass guitars.
BASS HIGAIN A high-gain sound suitable for use with bass guitars.
GAIN
0–120 Adjusts the distortion of the amp.
LEVEL
0–100
Adjusts the volume of the entire preamp.
* Be careful not to raise the Level setting too high.
BASS
0–100 Adjusts the tone for the low frequency range.
MIDDLE
0–100 Adjusts the tone for the middle frequency range.
TREBLE
0–100 Adjusts the tone for the high frequency range.
PRESENCE
0–100 Adjusts the tone for the ultra high frequency range.
BRIGHT
Turns the bright setting on/o.
* The BRIGHT parameter setting is available only with certain PREAMP
TYPEs.
OFF Bright is not used.
ON Bright is switched on to create a lighter and crisper tone.
T-COMP
-10–+10 Adjusts the sense of tube compression of the amp.