Datasheet

Detailed Eect Settings
7
NOISE SUPPRESSOR
This eect reduces the noise and hum picked up by guitar pickups. Since
it suppresses the noise in synchronization with the envelope of the guitar
sound (the way in which the guitar sound decays over time), it has very
little eect on the guitar sound, and does not harm the natural character
of the sound.
Parameter/Range Explanation
ON/OFF
OFF, ON Turns the NOISE SUPPRESSOR eect on/o.
THRESHOLD
0–100
Adjust this parameter as appropriate for the volume
of the noise.
If the noise level is high, a higher setting is
appropriate. If the noise level is low, a lower setting is
appropriate. Adjust this value until the decay of the
guitar sound is as natural as possible.
* High settings for the threshold parameter may result
in there being no sound when you play with your
guitar volume turned down.
RELEASE
0–100
Adjusts the time from when the noise suppressor
begins to function until the noise level reaches “0.”
MODULATION
Use TYPE to select the eect that you want to use.
Parameter/Range Explanation
ON/OFF
OFF, ON Turns the MODULATION eect on/o.
MOD TYPE (Modulation Type)
This selects the type of modulation.
* The available types will depend on the algorithm. For details on the types that
can be used with each algorithm, refer to ”Algorithm List” (p. 3).
OCTAVE Octave p. 7
PHASER Phaser p. 7
FLANGER Flanger p. 8
TREMOLO Tremolo p. 8
ROTARY Rotary p. 8
UNI-V Uni-Vibe p. 8
PAN Pan p. 8
CHORUS Chorus p. 8
OCTAVE
This adds a note one octave lower, creating a richer sound.
MEMO
Because of the need to analyze the pitch, chords (two or more
sounds played simultaneously) cannot be played.
Parameter/Range Explanation
RANGE
This selects the register to which the eect is applied.
RANGE 1
B1 (corresponds to the sound of an open 7th string)
to E6 (corresponds to the 1st string played at the 24th
fret)
RANGE 2
B1 (corresponds to the sound of an open 7th string)
to E5 (corresponds to the 1st string played at the 12th
fret)
RANGE 3
B1 (corresponds to the sound of an open 7th string) to
E4 (corresponds to the sound of an open 1st string)
RANGE 4
B1 (corresponds to the sound of an open 7th string)
to E3 (corresponds to the 4th string played at the 2nd
fret)
OCT LEVEL (Octave Level)
0–100 Adjusts the volume of the sound one octave below.
D.LEVEL (Direct Level)
0–100 Adjusts the volume of the direct sound.
PHASER
By adding varied-phase portions to the direct sound, the phaser eect
gives a whooshing, swirling character to the sound.
Parameter/Range Explanation
TYPE
Selects the number of stages that the phaser eect will use.
4 STAGE
This is a four-phase eect. A light phaser eect is
obtained.
8 STAGE
This is an eight-phase eect. It is a popular phaser
eect.
12 STAGE
This is a twelve-phase eect. A deep phase eect is
obtained.
BI-PHASE
This is the phaser with two phase shift circuits
connected in series.
RATE
0–100 This sets the rate of the phaser eect.
DEPTH
0–100 Determines the depth of the phaser eect.
MANUAL
0–100 Adjusts the center frequency of the phaser eect.
RESONANCE
0–100
Determines the amount of resonance (feedback).
Increasing the value will emphasize the eect,
creating a more unusual sound.
STEP RATE
OFF, 0–100
This sets the cycle of the step function that changes
the rate and depth.
When it is set to a higher value, the change will
be ner. Set this to “OFF” when not using the Step
function.
E.LEVEL (Eect Level)
0–100 Adjusts the volume of the phaser.
D.LEVEL (Direct Level)
0–100 Adjusts the volume of the direct sound.