Recording Equipment User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Precautions Regarding the Hard Disk
- Before Using CD-R/RW Discs
- About the CD-ROM “Discrete Drums”
- Contents
- Introduction to the BR-1600CD
- Panel Descriptions
- Extra information on jacks and connectors
- Common operations and display items
- Section 1 Advanced Use
- Re-recording only the portion that is mistaken (Punch In/Out)
- Using V-Tracks
- Placing markers in your song (Marker)
- Registering and recalling mixer settings (Scene)
- Recalling scenes automatically during recording or playback (Auto Scene)
- Finding the start or end of a section of audio (Scrub/Preview)
- Editing a recorded performance (Track Edit)
- Maximizing the volume levels of data recorded to the tracks (Normalize)
- Organizing your songs
- Section 2 Using Effects
- Makeup of BR-1600CD effects
- Using insert effects
- Effect patches and banks
- Makeup of effect patches
- Modifying insert effect settings
- Switching compressors, equalizers, and low-cut filters between stereo and mono
- Saving insert effect settings (Effect Patch Write)
- Copying insert effect settings (Effect Patch Copy)
- Changing insert effect connections
- Using an expression pedal
- Insert effect algorithm list
- Insert effect parameter functions
- Acoustic Guitar Simulator
- Acoustic Processor
- 3 Band Equalizer
- 4 Band Equalizer
- Bass Simulator
- Bass Cut Filter
- Chorus
- 2x2 Chorus
- Compressor
- COSM Comp/Limiter (COSM Compressor/Limiter)
- COSM Overdrive/Distortion
- COSM PreAmp&Speaker
- De-esser
- Defretter
- Delay
- Distance
- Doubling
- Enhancer
- Flanger
- Foot Volume
- Humanizer
- Limiter
- Low Cut Filter
- Lo-Fi Box
- Mic Converter
- Noise Suppressor
- Octave
- Pan
- Phaser
- Pickup Simulator
- Pitch Shifter
- Preamp
- Ring Modulator
- Short Delay
- Slow Gear
- Speaker Simulator
- Sub Equalizer
- Tremolo
- Tremolo/Pan
- Uni-V
- Vibrato
- Voice Transformer
- Wah
- Using track-specific compressors and equalizers
- Using loop effects
- Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box)
- The Vocal Tool Box
- Makeup of the Vocal Tool Box
- Vocal Tool Box patches
- Fixing the pitch of vocals (Pitch Correction)
- Setting the correction method for vocal pitch (Pitch Correction Edit)
- Applying a backing chorus to vocals (Harmony Sequence)
- Inserting rests in a backing chorus
- Setting the application method for backing choruses (Harmony Sequence Edit)
- Saving Vocal Tool Box settings (Patch Write)
- Copying Vocal Tool Box settings (Patch Copy)
- Recreating the characteristics of different monitor speakers (Speaker Modeling)
- Speaker Modeling parameter functions
- Using the Mastering Tool Kit
- Mastering Tool Kit parameter functions
- Effect parameters assigned to VALUE knobs
- Section 3 Using Rhythm
- Makeup of Drum/Bass/Loop Phrase
- Rhythm arrangements
- Using drums
- Creating drum patterns
- Preparing for recording
- Creating drum patterns using real-time recording
- Creating drum patterns using step recording
- Correcting drum patterns (Microscope)
- Changing the drum pattern’s groove (Swing)
- Changing a drum pattern’s name
- Copying drum patterns
- Deleting drum patterns
- Loading drum patterns from the CD-R/RW drive (SMF Import)
- Using bass
- Creating bass patterns
- Preparing for recording
- Creating bass patterns using real-time recording
- Creating bass patterns using step recording
- Correcting bass patterns (Microscope)
- Changing the bass pattern’s groove (Swing)
- Changing a bass pattern’s name
- Copying bass patterns
- Deleting bass patterns
- Loading bass patterns from the CD-R/RW drive (SMF Import)
- Using Loop Phrases
- Creating Loop Phrases
- Setting the Universal Beat for Drums, Bass, and Loop Phrases
- Using rhythm arrangements
- Creating rhythm arrangements
- Assembling drum and bass patterns
- Canceling pattern allocations
- Inserting patterns
- Inputting chords
- Changing and moving chords
- Deleting chords
- Inserting chords
- Assembling Loop Phrases
- Canceling Loop Phrase allocations
- Inserting Loop Phrases
- Copying a Loop Phrase from a rhythm arrangement to an audio track
- Modifying all of the loop phrases in the current rhythm arrangement (Arrangement Modify)
- Naming and saving rhythm arrangements
- Copying a rhythm arrangement
- Deleting a rhythm arrangement
- Setting tempos and beats for individual measures (Tempo Map/Beat Map)
- Using a metronome
- Section 4 Using the CD-R/RW Drive
- Section 5 Using MIDI
- MIDI fundamentals
- Playing drum and bass patterns on external MIDI sound module
- Synchronizing external MIDI sequencers and rhythm machines
- Controlling MMC-compatible devices from the BR-1600CD
- Controlling track volumes via MIDI (MIDI Fader)
- Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording)
- Using MIDI to Control the Switching of the Insert Effects (Effects Program Change)
- Controlling external video devices from the BR-1600CD (V-LINK)
- Section 6 Using USB
- Section 7 Other Convenient Functions
- Tuning instruments (Tuner)
- Automatically adjusting the input volume balance (Level Calibration)
- Muting individual inputs
- Inputting audio with no loss of quality (Digital In Assign)
- Creating a master tape protected from digital copying
- Changing the content of the level meter display (Pre/Post Fader)
- Using condenser microphones (Phantom Power)
- Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix)
- Initializing all BR-1600CD settings (Initialize)
- Performing hard disk operations
- Appendices
95
Insert effect parameter functions
Section 2
Treble -50–+50
Adjusts the tone for the high frequency range.
Level 0–100
Adjusts the overall volume of the overdrive/distortion sound.
COSM PreAmp&Speaker
COSM technology plays an indispensable role in simulating
the distinguishing characteristics of various guitar amps in
the “Preamp” section, and is also used to simulate various
speaker sizes and cabinet constructions in the “Speaker
Simulator.”
Effect On/Off OFF, ON
Turns the Preamp/Speaker Simulator effect on or off.
Type
This sets the type of the guitar preamp. The distortion and tone
characteristics of each amp are as shown below:
Gain 0 –100
Adjusts the distortion of the amp.
Bass 0 –100
Adjusts the tone for the low frequency range.
Middle 0–100
Adjusts the tone for the middle frequency range.
Treble 0–100
Adjusts the tone for the high frequency range.
Presence 0–100
Adjusts the tone for the ultra high frequency range.
* If you have selected “VO DRV,” “VO LEAD,” “VO CLEAN,” “MCH
DRV,” “MCH LEAD,” or “FAT MCH” as the type, raising the
presence will cut the high range (the value will change from 0 to -100).
Level 0 –100
Adjusts the overall volume of the entire preamp.
* Be careful not to raise the Level setting too high.
Bright OFF, ON
Turns the bright setting on or off.
OFF:
No brightness is added.
ON:
Brightness is added to create a lighter, crisper tone.
* This will not be displayed for certain Type settings.
Gain SW LOW, MIDDLE, HIGH
Adjusts the distortion generated by the amp, with the level
increasing in sequence for LOW, MIDDLE, and HIGH.
* The sound of each type is created with the assumption that gain is set to
MIDDLE. It is normal, therefore, to use this setting.
Speaker SW OFF, ON
Turns the speaker simulator on or off.
JC-120
The sound of the Roland JC-120.
JAZZCMB
The sound suited to jazz.
FULLRNG
This is a sound with flat response.
CLEANTW
This models a Fender Twin Reverb.
PROCRNC
This models a Fender Pro Reverb.
TWEED
This models a Fender Bassman 4 x 10” Combo.
CRUNCH
This is a crunch sound that can produce
natural distortion.
BLUES
This is a sound suited to blues.
STKCRNC
This is a crunch sound with high gain.
VO DRV
This models the drive sound of a VOX AC-
30TB.
VO LEAD
This models the lead sound of the VOX AC-
30TB.
VO CLEAN
This models the clean sound of the VOX AC-
30TB.
MCH DRV
This models the sound input to left input on a
Matchless D/C-30.
MCH LEAD
This models the sound input to right input on
a Matchless D/C-30.
FAT MCH
This models the sound of a MATCHLESS with
a modified high gain.
BG LEAD
This models the lead sound of the MESA/
Boogie combo amp.
BG DRV
This models a MESA/Boogie with TREBLE
SHIFT SW on.
BG RHY
This models the rhythm channel of a MESA/
Boogie.
MS (1)
This models the sound input to Input I on a
Marshall 1959.
MS (1+2)
This models the sound of a Marshall 1959 with
Inputs I and II connected in parallel.
MS HI-G
This models the sound of a Marshall with a
modified midrange boost.
RF RED
This models the lead channel of a MESA/
Boogie Dual Rectifier.
RF ORNG
This models the rhythm channel of a MESA/
Boogie Dual Rectifier.
RF VNTG
This models a MESA/Boogie Rectifier with
VINTAGE SW on.
SLDN
This models a Soldano SLO-100.
DRV STK
This is a drive sound with high gain.
LEADSTK
This is a lead sound with high gain.
5150DRV
This models the lead channel of a Peavey EVH
5150.
MTL STK
This is a drive sound suited to metal.
MTLLEAD
This is a lead sound suited to metal.
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