Recording Equipment User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Precautions Regarding the Hard Disk
- Before Using CD-R/RW Discs
- About the CD-ROM “Discrete Drums”
- Contents
- Introduction to the BR-1600CD
- Panel Descriptions
- Extra information on jacks and connectors
- Common operations and display items
- Section 1 Advanced Use
- Re-recording only the portion that is mistaken (Punch In/Out)
- Using V-Tracks
- Placing markers in your song (Marker)
- Registering and recalling mixer settings (Scene)
- Recalling scenes automatically during recording or playback (Auto Scene)
- Finding the start or end of a section of audio (Scrub/Preview)
- Editing a recorded performance (Track Edit)
- Maximizing the volume levels of data recorded to the tracks (Normalize)
- Organizing your songs
- Section 2 Using Effects
- Makeup of BR-1600CD effects
- Using insert effects
- Effect patches and banks
- Makeup of effect patches
- Modifying insert effect settings
- Switching compressors, equalizers, and low-cut filters between stereo and mono
- Saving insert effect settings (Effect Patch Write)
- Copying insert effect settings (Effect Patch Copy)
- Changing insert effect connections
- Using an expression pedal
- Insert effect algorithm list
- Insert effect parameter functions
- Acoustic Guitar Simulator
- Acoustic Processor
- 3 Band Equalizer
- 4 Band Equalizer
- Bass Simulator
- Bass Cut Filter
- Chorus
- 2x2 Chorus
- Compressor
- COSM Comp/Limiter (COSM Compressor/Limiter)
- COSM Overdrive/Distortion
- COSM PreAmp&Speaker
- De-esser
- Defretter
- Delay
- Distance
- Doubling
- Enhancer
- Flanger
- Foot Volume
- Humanizer
- Limiter
- Low Cut Filter
- Lo-Fi Box
- Mic Converter
- Noise Suppressor
- Octave
- Pan
- Phaser
- Pickup Simulator
- Pitch Shifter
- Preamp
- Ring Modulator
- Short Delay
- Slow Gear
- Speaker Simulator
- Sub Equalizer
- Tremolo
- Tremolo/Pan
- Uni-V
- Vibrato
- Voice Transformer
- Wah
- Using track-specific compressors and equalizers
- Using loop effects
- Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box)
- The Vocal Tool Box
- Makeup of the Vocal Tool Box
- Vocal Tool Box patches
- Fixing the pitch of vocals (Pitch Correction)
- Setting the correction method for vocal pitch (Pitch Correction Edit)
- Applying a backing chorus to vocals (Harmony Sequence)
- Inserting rests in a backing chorus
- Setting the application method for backing choruses (Harmony Sequence Edit)
- Saving Vocal Tool Box settings (Patch Write)
- Copying Vocal Tool Box settings (Patch Copy)
- Recreating the characteristics of different monitor speakers (Speaker Modeling)
- Speaker Modeling parameter functions
- Using the Mastering Tool Kit
- Mastering Tool Kit parameter functions
- Effect parameters assigned to VALUE knobs
- Section 3 Using Rhythm
- Makeup of Drum/Bass/Loop Phrase
- Rhythm arrangements
- Using drums
- Creating drum patterns
- Preparing for recording
- Creating drum patterns using real-time recording
- Creating drum patterns using step recording
- Correcting drum patterns (Microscope)
- Changing the drum pattern’s groove (Swing)
- Changing a drum pattern’s name
- Copying drum patterns
- Deleting drum patterns
- Loading drum patterns from the CD-R/RW drive (SMF Import)
- Using bass
- Creating bass patterns
- Preparing for recording
- Creating bass patterns using real-time recording
- Creating bass patterns using step recording
- Correcting bass patterns (Microscope)
- Changing the bass pattern’s groove (Swing)
- Changing a bass pattern’s name
- Copying bass patterns
- Deleting bass patterns
- Loading bass patterns from the CD-R/RW drive (SMF Import)
- Using Loop Phrases
- Creating Loop Phrases
- Setting the Universal Beat for Drums, Bass, and Loop Phrases
- Using rhythm arrangements
- Creating rhythm arrangements
- Assembling drum and bass patterns
- Canceling pattern allocations
- Inserting patterns
- Inputting chords
- Changing and moving chords
- Deleting chords
- Inserting chords
- Assembling Loop Phrases
- Canceling Loop Phrase allocations
- Inserting Loop Phrases
- Copying a Loop Phrase from a rhythm arrangement to an audio track
- Modifying all of the loop phrases in the current rhythm arrangement (Arrangement Modify)
- Naming and saving rhythm arrangements
- Copying a rhythm arrangement
- Deleting a rhythm arrangement
- Setting tempos and beats for individual measures (Tempo Map/Beat Map)
- Using a metronome
- Section 4 Using the CD-R/RW Drive
- Section 5 Using MIDI
- MIDI fundamentals
- Playing drum and bass patterns on external MIDI sound module
- Synchronizing external MIDI sequencers and rhythm machines
- Controlling MMC-compatible devices from the BR-1600CD
- Controlling track volumes via MIDI (MIDI Fader)
- Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording)
- Using MIDI to Control the Switching of the Insert Effects (Effects Program Change)
- Controlling external video devices from the BR-1600CD (V-LINK)
- Section 6 Using USB
- Section 7 Other Convenient Functions
- Tuning instruments (Tuner)
- Automatically adjusting the input volume balance (Level Calibration)
- Muting individual inputs
- Inputting audio with no loss of quality (Digital In Assign)
- Creating a master tape protected from digital copying
- Changing the content of the level meter display (Pre/Post Fader)
- Using condenser microphones (Phantom Power)
- Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix)
- Initializing all BR-1600CD settings (Initialize)
- Performing hard disk operations
- Appendices
295
Appendices
Specifications
BR-1600CD: Digital Recording Studio
●
Tracks
Track: 16 V-Track: 256 (16 V-Tracks per each Track)
* Up to 8 tracks can be recorded simultaneously, and up to 16
tracks can be played back simultaneously.
●
Maximum Useful Capacity/Recording Time
Internal Hard Disk:
80 G bytes (recording time; 240 hours) (conversion in one track)
* The above-listed recording time is approximate. Times may be
slightly shorter depending on the number of songs and size of
imported loop phrase that were created.
* The above-listed recording time is the total for all the tracks
that are used. If each of the sixteen tracks contain an equal
amount of data, the length of the resulting song will be
approximately 1/16 of the above.
●
Signal Processing
AD Conversion: 24 bit, AF Method (Guitar/Bass)
24 bit,
Δ∑
Modulation (VOCAL)
24 bit,
Δ∑
Modulation (MULTI-TRACK)
24 bit,
Δ∑
Modulation (STEREO TRACKS)
DA Conversion: 24 bit,
Δ∑
Modulation
Internal Processing: 24 bit (digital mixer section)
Recording Data: 16 bit linear
●
Sample Rate
44.1 kHz
●
Frequency Response
20 Hz–20 kHz (+1/-3 dB)
●
Total Distortion
0.025% or less
(INPUT SENS: CENTER, 1 kHz at nominal output level)
●
Nominal Input Level (Variable)
GUITAR/BASS jack: -10 dBu
MIC 1–8 jacks (XLR): -40 dBu
INPUT 1–8 jacks: -10 dBu
●
Input Impedance
GUITAR/BASS jack: 1 M
Ω
MIC 1–8 jacks (XLR): 12.5 k
Ω
(HOT-COLD)
6.5 k
Ω
(HOT-GND, COLD-GND)
INPUT 1–8 jacks: 22 k
Ω
●
Nominal Output Level
LINE OUT jack: -10 dBu
●
Output Impedance
LINE OUT jack: 2 k
Ω
PHONES 1, 2 jack: 100
Ω
●
Recommended Load Impedance
LINE OUT jack: 20 k
Ω
or greater
PHONES 1, 2 jack: 8–50
Ω
●
Residual Noise Level
LINE OUT jack: -90 dBu or less
(INPUT SELECT: GUITAR/BASS, input terminated with 1 k
Ω
,
INPUT SENS: CENTER, IHF-A, typ.)
●
Interface
DIGITAL IN: S/PDIF 16–24 bit (coaxial type)
DIGITAL OUT: S/PDIF 16–24 bit (coaxial type)
USB connector (B type)
●
Display
130 x 36 mm (Backlit LCD)
●
Connectors
MIDI IN connector
MIDI OUT connector
USB connector
DIGITAL IN connector (coaxial type)
DIGITAL OUT connector (coaxial type)
FOOT SW jack (1/4 inch phone type)
EXP PEDAL jack (Stereo 1/4 inch phone type)
LINE OUT jacks (RCA Phono type)
INPUT 1–8 jacks (unbalanced, 1/4 inch phone type)
MIC 1–8 jacks (balanced, XLR type)
PHONES 1 jack (Stereo 1/4 inch phone type)
PHONES 2 jack (Stereo 1/4 inch phone type)
GUITAR/BASS jack (1/4 inch phone type)
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