Recording Equipment User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Precautions Regarding the Hard Disk
- Before Using CD-R/RW Discs
- About the CD-ROM “Discrete Drums”
- Contents
- Introduction to the BR-1600CD
- Panel Descriptions
- Extra information on jacks and connectors
- Common operations and display items
- Section 1 Advanced Use
- Re-recording only the portion that is mistaken (Punch In/Out)
- Using V-Tracks
- Placing markers in your song (Marker)
- Registering and recalling mixer settings (Scene)
- Recalling scenes automatically during recording or playback (Auto Scene)
- Finding the start or end of a section of audio (Scrub/Preview)
- Editing a recorded performance (Track Edit)
- Maximizing the volume levels of data recorded to the tracks (Normalize)
- Organizing your songs
- Section 2 Using Effects
- Makeup of BR-1600CD effects
- Using insert effects
- Effect patches and banks
- Makeup of effect patches
- Modifying insert effect settings
- Switching compressors, equalizers, and low-cut filters between stereo and mono
- Saving insert effect settings (Effect Patch Write)
- Copying insert effect settings (Effect Patch Copy)
- Changing insert effect connections
- Using an expression pedal
- Insert effect algorithm list
- Insert effect parameter functions
- Acoustic Guitar Simulator
- Acoustic Processor
- 3 Band Equalizer
- 4 Band Equalizer
- Bass Simulator
- Bass Cut Filter
- Chorus
- 2x2 Chorus
- Compressor
- COSM Comp/Limiter (COSM Compressor/Limiter)
- COSM Overdrive/Distortion
- COSM PreAmp&Speaker
- De-esser
- Defretter
- Delay
- Distance
- Doubling
- Enhancer
- Flanger
- Foot Volume
- Humanizer
- Limiter
- Low Cut Filter
- Lo-Fi Box
- Mic Converter
- Noise Suppressor
- Octave
- Pan
- Phaser
- Pickup Simulator
- Pitch Shifter
- Preamp
- Ring Modulator
- Short Delay
- Slow Gear
- Speaker Simulator
- Sub Equalizer
- Tremolo
- Tremolo/Pan
- Uni-V
- Vibrato
- Voice Transformer
- Wah
- Using track-specific compressors and equalizers
- Using loop effects
- Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box)
- The Vocal Tool Box
- Makeup of the Vocal Tool Box
- Vocal Tool Box patches
- Fixing the pitch of vocals (Pitch Correction)
- Setting the correction method for vocal pitch (Pitch Correction Edit)
- Applying a backing chorus to vocals (Harmony Sequence)
- Inserting rests in a backing chorus
- Setting the application method for backing choruses (Harmony Sequence Edit)
- Saving Vocal Tool Box settings (Patch Write)
- Copying Vocal Tool Box settings (Patch Copy)
- Recreating the characteristics of different monitor speakers (Speaker Modeling)
- Speaker Modeling parameter functions
- Using the Mastering Tool Kit
- Mastering Tool Kit parameter functions
- Effect parameters assigned to VALUE knobs
- Section 3 Using Rhythm
- Makeup of Drum/Bass/Loop Phrase
- Rhythm arrangements
- Using drums
- Creating drum patterns
- Preparing for recording
- Creating drum patterns using real-time recording
- Creating drum patterns using step recording
- Correcting drum patterns (Microscope)
- Changing the drum pattern’s groove (Swing)
- Changing a drum pattern’s name
- Copying drum patterns
- Deleting drum patterns
- Loading drum patterns from the CD-R/RW drive (SMF Import)
- Using bass
- Creating bass patterns
- Preparing for recording
- Creating bass patterns using real-time recording
- Creating bass patterns using step recording
- Correcting bass patterns (Microscope)
- Changing the bass pattern’s groove (Swing)
- Changing a bass pattern’s name
- Copying bass patterns
- Deleting bass patterns
- Loading bass patterns from the CD-R/RW drive (SMF Import)
- Using Loop Phrases
- Creating Loop Phrases
- Setting the Universal Beat for Drums, Bass, and Loop Phrases
- Using rhythm arrangements
- Creating rhythm arrangements
- Assembling drum and bass patterns
- Canceling pattern allocations
- Inserting patterns
- Inputting chords
- Changing and moving chords
- Deleting chords
- Inserting chords
- Assembling Loop Phrases
- Canceling Loop Phrase allocations
- Inserting Loop Phrases
- Copying a Loop Phrase from a rhythm arrangement to an audio track
- Modifying all of the loop phrases in the current rhythm arrangement (Arrangement Modify)
- Naming and saving rhythm arrangements
- Copying a rhythm arrangement
- Deleting a rhythm arrangement
- Setting tempos and beats for individual measures (Tempo Map/Beat Map)
- Using a metronome
- Section 4 Using the CD-R/RW Drive
- Section 5 Using MIDI
- MIDI fundamentals
- Playing drum and bass patterns on external MIDI sound module
- Synchronizing external MIDI sequencers and rhythm machines
- Controlling MMC-compatible devices from the BR-1600CD
- Controlling track volumes via MIDI (MIDI Fader)
- Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording)
- Using MIDI to Control the Switching of the Insert Effects (Effects Program Change)
- Controlling external video devices from the BR-1600CD (V-LINK)
- Section 6 Using USB
- Section 7 Other Convenient Functions
- Tuning instruments (Tuner)
- Automatically adjusting the input volume balance (Level Calibration)
- Muting individual inputs
- Inputting audio with no loss of quality (Digital In Assign)
- Creating a master tape protected from digital copying
- Changing the content of the level meter display (Pre/Post Fader)
- Using condenser microphones (Phantom Power)
- Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix)
- Initializing all BR-1600CD settings (Initialize)
- Performing hard disk operations
- Appendices

285
Appendices
REC MODE (Recording Mode) Operations
The BR-1600CD offers three different recording modes,
which you can choose from depending on the way in which
you want to carry out recording.
●
INPUT mode:
In this mode, input sources are recorded to tracks.
●
BOUNCE mode:
In this mode, audio recorded on various tracks is mixed onto
a stereo track.
●
MASTERING mode:
In this mode, the volume and compression of songs recorded
onto stereo tracks are adjusted in order to create CDs with
higher levels of sound quality.
These three modes are referred to as Recording Modes.
By pressing [REC MODE] you can cycle through the choices
for the recording mode, in this order:
INPUT
→
BOUNCE
→
MASTERING.
The currently selected recording mode can be determined by
noticing which REC MODE indicator is lighted.
Input sources will be muted while recording modes are
being changed. Note also that the mode selection is not
possible while the BR-1600CD is playing or recording
audio.
BR-1600CD operations in the various modes are as follows:
INPUT
In INPUT mode, input sources are recorded to tracks.
Although replay from other recorded tracks will be heard
during recording, only the input sources will be recorded to
the selected tracks.
Furthermore, when an insert effect is applied to the input
sources, the mixture of the direct sound and the effected
sound will be recorded. In contrast, the effected sound is not
recorded in the case of loop effects, and only the direct sound
is recorded.
BOUNCE
In BOUNCE mode, audio recorded on various tracks is
mixed onto a stereo or mono track. (The term bounce or
ping-pong is used to describe this type of operation.)
All track playback, rhythm guide performances, and other
audio that can be heard via the LINE OUT jack or the
PHONES 1 jack will be recorded to the selected track. As a
result, moving the MASTER fader will cause the volume of
the recorded audio to also change. If a metronome is being
played, this too will be included in the recording, and the
appropriate care should be taken.
All inputs are automatically muted during recording in
BOUNCE mode. However, if an INPUT SELECT button is
pressed at this time, muting for the corresponding input
source(s) will be canceled, and its input audio will also be
recorded together with the track playback.
MASTERING
In MASTERING mode, the Mastering Tool Kit is applied to
the audio recorded on Track 9/10, the volume and
compression of this audio are adjusted, and it is re-recorded
on the same track.
All input sources are muted in MASTERING mode, and this
muting cannot be canceled. In addition, the rhythm guide
and all tracks other than Track 9/10 are also muted at this
time.
When recording is carried out, the audio from Track 9/10 is
passed through the Mastering Tool Kit, and the resultant
audio is recorded to a different V-Track on Track 9/10. This
V-Track is marked as the final mastering track so that it may
be easily recognized and selected when the mastered audio is
to be written to a music CD later on.
Note that this mode has been provided as an addition to
allow the volume and compression of audio tracks to be
adjusted before they are written to music CDs. If you want to
create music CDs that use the recorded tracks as they are, it
will be sufficient to create a mixdown of these tracks onto a
stereo track using BOUNCE mode, and there will be no need
to use MASTERING mode. Accordingly, you can choose
whether or not this mode is to be used.
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