Recording Equipment User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Precautions Regarding the Hard Disk
- Before Using CD-R/RW Discs
- About the CD-ROM “Discrete Drums”
- Contents
- Introduction to the BR-1600CD
- Panel Descriptions
- Extra information on jacks and connectors
- Common operations and display items
- Section 1 Advanced Use
- Re-recording only the portion that is mistaken (Punch In/Out)
- Using V-Tracks
- Placing markers in your song (Marker)
- Registering and recalling mixer settings (Scene)
- Recalling scenes automatically during recording or playback (Auto Scene)
- Finding the start or end of a section of audio (Scrub/Preview)
- Editing a recorded performance (Track Edit)
- Maximizing the volume levels of data recorded to the tracks (Normalize)
- Organizing your songs
- Section 2 Using Effects
- Makeup of BR-1600CD effects
- Using insert effects
- Effect patches and banks
- Makeup of effect patches
- Modifying insert effect settings
- Switching compressors, equalizers, and low-cut filters between stereo and mono
- Saving insert effect settings (Effect Patch Write)
- Copying insert effect settings (Effect Patch Copy)
- Changing insert effect connections
- Using an expression pedal
- Insert effect algorithm list
- Insert effect parameter functions
- Acoustic Guitar Simulator
- Acoustic Processor
- 3 Band Equalizer
- 4 Band Equalizer
- Bass Simulator
- Bass Cut Filter
- Chorus
- 2x2 Chorus
- Compressor
- COSM Comp/Limiter (COSM Compressor/Limiter)
- COSM Overdrive/Distortion
- COSM PreAmp&Speaker
- De-esser
- Defretter
- Delay
- Distance
- Doubling
- Enhancer
- Flanger
- Foot Volume
- Humanizer
- Limiter
- Low Cut Filter
- Lo-Fi Box
- Mic Converter
- Noise Suppressor
- Octave
- Pan
- Phaser
- Pickup Simulator
- Pitch Shifter
- Preamp
- Ring Modulator
- Short Delay
- Slow Gear
- Speaker Simulator
- Sub Equalizer
- Tremolo
- Tremolo/Pan
- Uni-V
- Vibrato
- Voice Transformer
- Wah
- Using track-specific compressors and equalizers
- Using loop effects
- Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box)
- The Vocal Tool Box
- Makeup of the Vocal Tool Box
- Vocal Tool Box patches
- Fixing the pitch of vocals (Pitch Correction)
- Setting the correction method for vocal pitch (Pitch Correction Edit)
- Applying a backing chorus to vocals (Harmony Sequence)
- Inserting rests in a backing chorus
- Setting the application method for backing choruses (Harmony Sequence Edit)
- Saving Vocal Tool Box settings (Patch Write)
- Copying Vocal Tool Box settings (Patch Copy)
- Recreating the characteristics of different monitor speakers (Speaker Modeling)
- Speaker Modeling parameter functions
- Using the Mastering Tool Kit
- Mastering Tool Kit parameter functions
- Effect parameters assigned to VALUE knobs
- Section 3 Using Rhythm
- Makeup of Drum/Bass/Loop Phrase
- Rhythm arrangements
- Using drums
- Creating drum patterns
- Preparing for recording
- Creating drum patterns using real-time recording
- Creating drum patterns using step recording
- Correcting drum patterns (Microscope)
- Changing the drum pattern’s groove (Swing)
- Changing a drum pattern’s name
- Copying drum patterns
- Deleting drum patterns
- Loading drum patterns from the CD-R/RW drive (SMF Import)
- Using bass
- Creating bass patterns
- Preparing for recording
- Creating bass patterns using real-time recording
- Creating bass patterns using step recording
- Correcting bass patterns (Microscope)
- Changing the bass pattern’s groove (Swing)
- Changing a bass pattern’s name
- Copying bass patterns
- Deleting bass patterns
- Loading bass patterns from the CD-R/RW drive (SMF Import)
- Using Loop Phrases
- Creating Loop Phrases
- Setting the Universal Beat for Drums, Bass, and Loop Phrases
- Using rhythm arrangements
- Creating rhythm arrangements
- Assembling drum and bass patterns
- Canceling pattern allocations
- Inserting patterns
- Inputting chords
- Changing and moving chords
- Deleting chords
- Inserting chords
- Assembling Loop Phrases
- Canceling Loop Phrase allocations
- Inserting Loop Phrases
- Copying a Loop Phrase from a rhythm arrangement to an audio track
- Modifying all of the loop phrases in the current rhythm arrangement (Arrangement Modify)
- Naming and saving rhythm arrangements
- Copying a rhythm arrangement
- Deleting a rhythm arrangement
- Setting tempos and beats for individual measures (Tempo Map/Beat Map)
- Using a metronome
- Section 4 Using the CD-R/RW Drive
- Section 5 Using MIDI
- MIDI fundamentals
- Playing drum and bass patterns on external MIDI sound module
- Synchronizing external MIDI sequencers and rhythm machines
- Controlling MMC-compatible devices from the BR-1600CD
- Controlling track volumes via MIDI (MIDI Fader)
- Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording)
- Using MIDI to Control the Switching of the Insert Effects (Effects Program Change)
- Controlling external video devices from the BR-1600CD (V-LINK)
- Section 6 Using USB
- Section 7 Other Convenient Functions
- Tuning instruments (Tuner)
- Automatically adjusting the input volume balance (Level Calibration)
- Muting individual inputs
- Inputting audio with no loss of quality (Digital In Assign)
- Creating a master tape protected from digital copying
- Changing the content of the level meter display (Pre/Post Fader)
- Using condenser microphones (Phantom Power)
- Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix)
- Initializing all BR-1600CD settings (Initialize)
- Performing hard disk operations
- Appendices

196
Creating rhythm arrangements
Naming and saving rhythm
arrangements
The following section describes how to name and save the
rhythm arrangements that you create.
Unless the song is saved, all rhythm arrangement data
will be lost when a different rhythm arrangement is
selected or a new song is loaded. In addition, this data
will also be lost if you turn off the BR-1600CD before
saving your data. It is a good idea, therefore, to regularly
save rhythm arrangements that you intend to use again.
1.
Make sure that PROGRAMMABLE RHYTHM
[ARRANGEMENT/PATTERN] is lighted (you’re in
Arrangement mode).
If this button’s indicator is off (meaning that you’re in
Pattern mode), press PROGRAMMABLE RHYTHM
[ARRANGEMENT/PATTERN] so it is lighted.
2.
Press PROGRAMMABLE RHYTHM [EDIT].
The Rhythm Arrangement Selection screen will appear.
fig.21-33d
3.
Press [F1] (EDIT).
The Rhythm Arrangement Edit screen will appear.
fig.21-26d
4.
Move the cursor to the rhythm arrangement name field
and use [CURSOR] and the TIME/VALUE dial to
change the name character by character.
5.
Once you’ve made all the desired modifications, press
[F4] (WRITE/COPY/DEL).
The Write/Copy/Delete screen for rhythm
arrangements will appear.
fig.21-28d
6.
Use the TIME/VALUE dial to select the rhythm
arrangement to which the data is to be saved.
Only user rhythm arrangements and song rhythm
arrangements may be selected for saving rhythm
arrangement data. You will not be able to select a preset
rhythm arrangement at this time.
7.
Press [F4] (GO).
The rhythm arrangement will be saved. When the
message “Complete!” appears, it indicates that saving
has been completed.
Copying a rhythm arrangement
1.
Press [F4] (WRITE/COPY/DEL) on the Rhythm
Arrangement Edit screen.
2.
Press [F2] (COPY).
The Write/Copy/Delete screen for rhythm
arrangements will appear.
fig.21-29d
3.
Move the cursor to the “FROM:” field and select the
rhythm arrangement to be copied using the TIME/
VALUE dial.
4.
Move the cursor to “TO:” and use the TIME/VALUE
dial to select the rhythm arrangement to which the data
is to be copied.
Only user rhythm arrangements and song rhythm
arrangements may be selected as copy destinations. In
other words, you will not be able to select a preset
rhythm arrangement at this time.
5.
Press [F4] (GO).
Copying of the rhythm arrangement will begin. When
the message “Complete!” appears, it indicates that
copying has been completed.
The rhythm arrangement selected as the copy
destination will be overwritten in this process. As it
will not be possible to restore the corresponding
data, care should be taken to ensure that important
rhythm arrangements are not accidentally
overwritten in this way.
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