Recording Equipment User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Precautions Regarding the Hard Disk
- Before Using CD-R/RW Discs
- About the CD-ROM “Discrete Drums”
- Contents
- Introduction to the BR-1600CD
- Panel Descriptions
- Extra information on jacks and connectors
- Common operations and display items
- Section 1 Advanced Use
- Re-recording only the portion that is mistaken (Punch In/Out)
- Using V-Tracks
- Placing markers in your song (Marker)
- Registering and recalling mixer settings (Scene)
- Recalling scenes automatically during recording or playback (Auto Scene)
- Finding the start or end of a section of audio (Scrub/Preview)
- Editing a recorded performance (Track Edit)
- Maximizing the volume levels of data recorded to the tracks (Normalize)
- Organizing your songs
- Section 2 Using Effects
- Makeup of BR-1600CD effects
- Using insert effects
- Effect patches and banks
- Makeup of effect patches
- Modifying insert effect settings
- Switching compressors, equalizers, and low-cut filters between stereo and mono
- Saving insert effect settings (Effect Patch Write)
- Copying insert effect settings (Effect Patch Copy)
- Changing insert effect connections
- Using an expression pedal
- Insert effect algorithm list
- Insert effect parameter functions
- Acoustic Guitar Simulator
- Acoustic Processor
- 3 Band Equalizer
- 4 Band Equalizer
- Bass Simulator
- Bass Cut Filter
- Chorus
- 2x2 Chorus
- Compressor
- COSM Comp/Limiter (COSM Compressor/Limiter)
- COSM Overdrive/Distortion
- COSM PreAmp&Speaker
- De-esser
- Defretter
- Delay
- Distance
- Doubling
- Enhancer
- Flanger
- Foot Volume
- Humanizer
- Limiter
- Low Cut Filter
- Lo-Fi Box
- Mic Converter
- Noise Suppressor
- Octave
- Pan
- Phaser
- Pickup Simulator
- Pitch Shifter
- Preamp
- Ring Modulator
- Short Delay
- Slow Gear
- Speaker Simulator
- Sub Equalizer
- Tremolo
- Tremolo/Pan
- Uni-V
- Vibrato
- Voice Transformer
- Wah
- Using track-specific compressors and equalizers
- Using loop effects
- Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box)
- The Vocal Tool Box
- Makeup of the Vocal Tool Box
- Vocal Tool Box patches
- Fixing the pitch of vocals (Pitch Correction)
- Setting the correction method for vocal pitch (Pitch Correction Edit)
- Applying a backing chorus to vocals (Harmony Sequence)
- Inserting rests in a backing chorus
- Setting the application method for backing choruses (Harmony Sequence Edit)
- Saving Vocal Tool Box settings (Patch Write)
- Copying Vocal Tool Box settings (Patch Copy)
- Recreating the characteristics of different monitor speakers (Speaker Modeling)
- Speaker Modeling parameter functions
- Using the Mastering Tool Kit
- Mastering Tool Kit parameter functions
- Effect parameters assigned to VALUE knobs
- Section 3 Using Rhythm
- Makeup of Drum/Bass/Loop Phrase
- Rhythm arrangements
- Using drums
- Creating drum patterns
- Preparing for recording
- Creating drum patterns using real-time recording
- Creating drum patterns using step recording
- Correcting drum patterns (Microscope)
- Changing the drum pattern’s groove (Swing)
- Changing a drum pattern’s name
- Copying drum patterns
- Deleting drum patterns
- Loading drum patterns from the CD-R/RW drive (SMF Import)
- Using bass
- Creating bass patterns
- Preparing for recording
- Creating bass patterns using real-time recording
- Creating bass patterns using step recording
- Correcting bass patterns (Microscope)
- Changing the bass pattern’s groove (Swing)
- Changing a bass pattern’s name
- Copying bass patterns
- Deleting bass patterns
- Loading bass patterns from the CD-R/RW drive (SMF Import)
- Using Loop Phrases
- Creating Loop Phrases
- Setting the Universal Beat for Drums, Bass, and Loop Phrases
- Using rhythm arrangements
- Creating rhythm arrangements
- Assembling drum and bass patterns
- Canceling pattern allocations
- Inserting patterns
- Inputting chords
- Changing and moving chords
- Deleting chords
- Inserting chords
- Assembling Loop Phrases
- Canceling Loop Phrase allocations
- Inserting Loop Phrases
- Copying a Loop Phrase from a rhythm arrangement to an audio track
- Modifying all of the loop phrases in the current rhythm arrangement (Arrangement Modify)
- Naming and saving rhythm arrangements
- Copying a rhythm arrangement
- Deleting a rhythm arrangement
- Setting tempos and beats for individual measures (Tempo Map/Beat Map)
- Using a metronome
- Section 4 Using the CD-R/RW Drive
- Section 5 Using MIDI
- MIDI fundamentals
- Playing drum and bass patterns on external MIDI sound module
- Synchronizing external MIDI sequencers and rhythm machines
- Controlling MMC-compatible devices from the BR-1600CD
- Controlling track volumes via MIDI (MIDI Fader)
- Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording)
- Using MIDI to Control the Switching of the Insert Effects (Effects Program Change)
- Controlling external video devices from the BR-1600CD (V-LINK)
- Section 6 Using USB
- Section 7 Other Convenient Functions
- Tuning instruments (Tuner)
- Automatically adjusting the input volume balance (Level Calibration)
- Muting individual inputs
- Inputting audio with no loss of quality (Digital In Assign)
- Creating a master tape protected from digital copying
- Changing the content of the level meter display (Pre/Post Fader)
- Using condenser microphones (Phantom Power)
- Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix)
- Initializing all BR-1600CD settings (Initialize)
- Performing hard disk operations
- Appendices
189
Section 3
Creating rhythm arrangements
If you cannot find a rhythm arrangement that suits your song
among the BR-1600CD’s preset rhythm arrangements, you
can easily create an original arrangement as described below.
Assembling drum and bass patterns
1.
Make sure that PROGRAMMABLE RHYTHM
[ARRANGEMENT/PATTERN] is lighted (you’re in
Arrangement mode).
If this button’s indicator is off (meaning that you’re in
Pattern mode), press PROGRAMMABLE RHYTHM
[ARRANGEMENT/PATTERN] so it is lighted.
2.
Press PROGRAMMABLE RHYTHM [EDIT].
The Rhythm Arrangement Selection screen will appear.
fig.21-33d
3.
Press [F4] (DRUMS) when you want to assemble a
drum pattern or [F3] (BASS) when you want to
assemble a bass pattern.
The corresponding screen for assembling patterns into
rhythm arrangements will appear.
Drum pattern assembly screen
fig.21-08d
Bass pattern assembly screen
fig.21-09d
These screens allow you to assemble drum patterns and
bass patterns in units of one measure.
4.
Move the cursor to “MEASURE” and select a measure
using the TIME/VALUE dial.
5.
Move the cursor to “PATTERN” or “NAME” and select
a pattern number or name using the TIME/VALUE dial.
fig.21-10ad
The selected pattern will now be assigned to the selected
measure.
6.
Move the cursor to “LENGTH” and set the length of the
selected pattern as a number of measures.
Note that when the length is changed in this way, the
position of all patterns assigned to subsequent measures
will also change accordingly.
7.
When you have assembled patterns as required, press
[EXIT/NO] to return to the Rhythm Arrangement
Selection screen.
8.
To save your pattern allocations, carry out the
procedure described below in “Modifying all of the
loop phrases in the current rhythm arrangement
(Arrangement Modify)” (p. 195).
Canceling pattern allocations
If you want to cancel the pattern allocations that you have
made, return to the screen for assembling drum or bass
patterns into rhythm arrangements, and then carry out the
following procedure.
1.
Move to the measure containing the pattern to be
removed, and then press either [F2] (DELETE), [F3]
(ERASE), or [F4] (CLEAR ALL).
[F2] (DELETE):
The pattern allocation will be canceled and all subsequent
pattern allocations will be shifted forward by one measure.
[F3] (ERASE):
The pattern allocation will be canceled, leaving an empty
measure where the pattern had been.
[F4] (CLEAR ALL):
Pattern allocations for all measures will be canceled.
• “*TMP” appears for the rhythm arrangement
immediately after its data is recorded or edited. If
you try to select a different rhythm arrangement
with the TIME/VALUE dial while the cursor is
positioned above this, the cursor turns white. If you
press [ENTER/YES] at this point, the cursor reverts
to black, and the rhythm arrangement number is
confirmed. If you do not want to confirm it, press
[EXIT/NO]; “*TMP” is indicated again, and the
rhythm arrangement reverts to the state it was in
immediately after editing. This allows you to avoid
inadvertently erasing data you have edited.
• From now on, you cannot use the Undo function
(Basic Operation; p. 42) for creating or editing
rhythm arrangements. Please make sure to crate or
edit data with a special care.
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