Recording Equipment User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Precautions Regarding the Hard Disk
- Before Using CD-R/RW Discs
- About the CD-ROM “Discrete Drums”
- Contents
- Introduction to the BR-1600CD
- Panel Descriptions
- Extra information on jacks and connectors
- Common operations and display items
- Section 1 Advanced Use
- Re-recording only the portion that is mistaken (Punch In/Out)
- Using V-Tracks
- Placing markers in your song (Marker)
- Registering and recalling mixer settings (Scene)
- Recalling scenes automatically during recording or playback (Auto Scene)
- Finding the start or end of a section of audio (Scrub/Preview)
- Editing a recorded performance (Track Edit)
- Maximizing the volume levels of data recorded to the tracks (Normalize)
- Organizing your songs
- Section 2 Using Effects
- Makeup of BR-1600CD effects
- Using insert effects
- Effect patches and banks
- Makeup of effect patches
- Modifying insert effect settings
- Switching compressors, equalizers, and low-cut filters between stereo and mono
- Saving insert effect settings (Effect Patch Write)
- Copying insert effect settings (Effect Patch Copy)
- Changing insert effect connections
- Using an expression pedal
- Insert effect algorithm list
- Insert effect parameter functions
- Acoustic Guitar Simulator
- Acoustic Processor
- 3 Band Equalizer
- 4 Band Equalizer
- Bass Simulator
- Bass Cut Filter
- Chorus
- 2x2 Chorus
- Compressor
- COSM Comp/Limiter (COSM Compressor/Limiter)
- COSM Overdrive/Distortion
- COSM PreAmp&Speaker
- De-esser
- Defretter
- Delay
- Distance
- Doubling
- Enhancer
- Flanger
- Foot Volume
- Humanizer
- Limiter
- Low Cut Filter
- Lo-Fi Box
- Mic Converter
- Noise Suppressor
- Octave
- Pan
- Phaser
- Pickup Simulator
- Pitch Shifter
- Preamp
- Ring Modulator
- Short Delay
- Slow Gear
- Speaker Simulator
- Sub Equalizer
- Tremolo
- Tremolo/Pan
- Uni-V
- Vibrato
- Voice Transformer
- Wah
- Using track-specific compressors and equalizers
- Using loop effects
- Fixing the pitch of vocals/Adding a backing chorus to vocals (Vocal Tool Box)
- The Vocal Tool Box
- Makeup of the Vocal Tool Box
- Vocal Tool Box patches
- Fixing the pitch of vocals (Pitch Correction)
- Setting the correction method for vocal pitch (Pitch Correction Edit)
- Applying a backing chorus to vocals (Harmony Sequence)
- Inserting rests in a backing chorus
- Setting the application method for backing choruses (Harmony Sequence Edit)
- Saving Vocal Tool Box settings (Patch Write)
- Copying Vocal Tool Box settings (Patch Copy)
- Recreating the characteristics of different monitor speakers (Speaker Modeling)
- Speaker Modeling parameter functions
- Using the Mastering Tool Kit
- Mastering Tool Kit parameter functions
- Effect parameters assigned to VALUE knobs
- Section 3 Using Rhythm
- Makeup of Drum/Bass/Loop Phrase
- Rhythm arrangements
- Using drums
- Creating drum patterns
- Preparing for recording
- Creating drum patterns using real-time recording
- Creating drum patterns using step recording
- Correcting drum patterns (Microscope)
- Changing the drum pattern’s groove (Swing)
- Changing a drum pattern’s name
- Copying drum patterns
- Deleting drum patterns
- Loading drum patterns from the CD-R/RW drive (SMF Import)
- Using bass
- Creating bass patterns
- Preparing for recording
- Creating bass patterns using real-time recording
- Creating bass patterns using step recording
- Correcting bass patterns (Microscope)
- Changing the bass pattern’s groove (Swing)
- Changing a bass pattern’s name
- Copying bass patterns
- Deleting bass patterns
- Loading bass patterns from the CD-R/RW drive (SMF Import)
- Using Loop Phrases
- Creating Loop Phrases
- Setting the Universal Beat for Drums, Bass, and Loop Phrases
- Using rhythm arrangements
- Creating rhythm arrangements
- Assembling drum and bass patterns
- Canceling pattern allocations
- Inserting patterns
- Inputting chords
- Changing and moving chords
- Deleting chords
- Inserting chords
- Assembling Loop Phrases
- Canceling Loop Phrase allocations
- Inserting Loop Phrases
- Copying a Loop Phrase from a rhythm arrangement to an audio track
- Modifying all of the loop phrases in the current rhythm arrangement (Arrangement Modify)
- Naming and saving rhythm arrangements
- Copying a rhythm arrangement
- Deleting a rhythm arrangement
- Setting tempos and beats for individual measures (Tempo Map/Beat Map)
- Using a metronome
- Section 4 Using the CD-R/RW Drive
- Section 5 Using MIDI
- MIDI fundamentals
- Playing drum and bass patterns on external MIDI sound module
- Synchronizing external MIDI sequencers and rhythm machines
- Controlling MMC-compatible devices from the BR-1600CD
- Controlling track volumes via MIDI (MIDI Fader)
- Inputting drum and bass patterns from a MIDI keyboard (MIDI Recording)
- Using MIDI to Control the Switching of the Insert Effects (Effects Program Change)
- Controlling external video devices from the BR-1600CD (V-LINK)
- Section 6 Using USB
- Section 7 Other Convenient Functions
- Tuning instruments (Tuner)
- Automatically adjusting the input volume balance (Level Calibration)
- Muting individual inputs
- Inputting audio with no loss of quality (Digital In Assign)
- Creating a master tape protected from digital copying
- Changing the content of the level meter display (Pre/Post Fader)
- Using condenser microphones (Phantom Power)
- Mixing audio-device output with the BR-1600CD’s output (Audio Sub Mix)
- Initializing all BR-1600CD settings (Initialize)
- Performing hard disk operations
- Appendices

166
Creating bass patterns
When you cannot find a suitable bass pattern for your song
among the BR-1600CD’s preset bass patterns, you can easily
create an original pattern as described below. Either one of
the following two methods can be used to do this.
●
Real-time recording
Real-time recording allows you to tap the track buttons in
time with a metronome and to record the performance data
produced. The bass pattern will be repeated over and over,
with new performance data being constantly mixed into it.
Furthermore, a quantize function can be used to fix any
slight deviations in the timing of your performance.
●
Step recording
Use step recording to enter bass notes one by one while the
pattern is not being played back. If you find it difficult to
create satisfactory patterns using real-time recording, use this
function to easily and conveniently produce the desired
results.
Preparing for recording
When a MIDI keyboard is connected to the MIDI IN
port, you will be able to use this keyboard to perform
real-time recording. Note that there is no need to set a
MIDI channel for the MIDI keyboard in such a case (p.
234).
Before you use either real-time recording or step recording,
you will need to select the bass pattern to be recorded.
1.
Make sure that PROGRAMMABLE RHYTHM
[ARRANGEMENT/PATTERN] is extinguished (you’re
in Pattern mode).
If this button’s indicator is lit (which means you’re in
Arrangement mode), press PROGRAMMABLE
RHYTHM [ARRANGEMENT/PATTERN] to turn it off.
2.
Press PROGRAMMABLE RHYTHM [EDIT].
The Pattern Selection screen will appear.
fig.20-005d
3.
Press [F3] (EDIT).
The Bass Pattern Edit screen will appear.
fig.20-051d
4.
Move the cursor to the pattern number and select the
number of the bass pattern to be recorded using the
TIME/VALUE dial.
fig.20-051ad
If you press [PLAY] at this time, you will be able to hear
the selected bass pattern.
The user bass patterns and song bass patterns contained
in the BR-1600CD at the time of purchase are empty; you
won’t hear anything if you select one of them.
5.
Use [CURSOR] and the TIME/VALUE dial to set the
number of beats and measures in the bass pattern.
The display for the bass pattern will change to “*TMP.”
• “*TMP” appears for the bass pattern immediately
after its data is recorded or edited. If you try to select
a different bass pattern with the TIME/VALUE dial
while the cursor is positioned above this, the cursor
turns white. If you press [ENTER/YES] at this point,
the cursor reverts to black, and the bass pattern
number is confirmed. If you do not want to confirm
it, press [EXIT/NO]; “*TMP” is indicated again, and
the bass pattern reverts to the state it was in
immediately after editing. This allows you to avoid
inadvertently erasing data you have edited.
• From now on, you cannot use the Undo function
(Basic Operation; p. 42) for creating or editing bass
patterns. Please make sure to crate or edit data with
a special care.
BR-1600_R_e.book 166 ページ 2007年12月6日 木曜日 午前9時52分