Installation and Operation Manual HyperDeck Shuttle HyperDeck Studio HyperDeck Studio Pro Mac OS X™ Windows™ December 2012
Welcome Welcome to HyperDeck! Welcome to HyperDeck! We hope you share our dream for the television industry to become a truly creative industry by allowing anyone to have access to the highest quality video. Our range of HyperDeck disk recorders have made it easier and more affordable than ever to record and play back full 10-bit uncompressed video. HyperDeck records directly to removable 2.5” Solid State Disks (SSDs) that are getting bigger, faster and more affordable every day.
Contents HyperDeck 5 Using HyperDeck as a Disk Recorder Introducing HyperDeck 5 Using HyperDeck 14 About SSDs 6 Disk Check 14 6 Recording 14 7 Playback 17 Selecting Your Video Format 9 RS-422 Control 19 Recording and Playing Clips 10 Choosing a Fast SSD Preparing SSDs for HyperDeck 25 Using HyperDeck Shuttle Recording Video with HyperDeck Shuttle 10 Recording Video with HyperDeck Studio Models 10 HyperDeck Shuttle Controls 25 Playing Video 11 HyperDeck Shuttle Connections
Contents HyperDeck 33 39 48 59 62 Using your Favourite Editing Software Help Editing with HyperDeck Studio Pro 33 Using Blackmagic System Preferences 33 Blackmagic Design Online Support Pages 62 Avid Media Composer 6.
Getting Started Introducing HyperDeck HyperDeck disk recorders record uncompressed SD and HD video quality directly to low cost solid state disks. Video playback can be viewed on an SDI or HDMI monitor or you can connect the SSD to a computer and edit directly from the SSD media itself. HyperDeck disk recorders have internal 3 Gb/s SATA ports which are used with standard 2.5" SSDs.
Getting Started About SSDs Choosing a Fast SSD When working with uncompressed video it's important to carefully check the SSD you would like to use. This is because some SSDs can have up to 50% lower write speed than the manufacturer’s claimed speed, so even though the disk specifications claim an SSD is fast enough to handle video, in reality the disk is not fast enough for real time video data recording.
Getting Started Preparing SSDs for HyperDeck SSDs used by HyperDeck must be formatted as either HFS+ or exFAT. These disk formats allow long clips to be recorded in a single file per clip. Simply connect the SSD to your computer with an external dock or cable adapter and format it as you would a regular disk. Make sure you back up anything important from your SSD as you will lose everything on it when you format it. HFS+ is also known as Mac OS Extended.
Getting Started The Format dialog box can format a drive in the exFAT format on a Windows PC. Step 1. Connect the SSD to your computer. Step 2. Choose Start>Computer and right-click on your SSD. Step 3. From the contextual menu, choose Format. Step 4. Set the file system to "exFAT" and the allocation unit size to 128 kilobytes. Step 5. Type a volume label, select "Quick Format" and click "Start". Step 6. Your SSD will quickly be formatted and made ready for use with HyperDeck.
Getting Started Selecting Your Video Format All current HyperDeck models let you select from a choice of uncompressed and compressed video formats. The original HyperDeck Shuttle exclusively records uncompressed video. HyperDeck can play back 10 bit uncompressed QuickTime files on a fast SSD, or to a compressed format if you have a slower SSD or want to fit longer high definition recordings on a single SSD.
Getting Started Recording and Playing Clips HyperDeck ships ready to record and play back with uncompressed SD and HD video quality. You can start recording immediately without having to configure any settings and all you need is a recommended SSD formatted in the HFS+ or exFAT format. The Using HyperDeck section in this manual provides information about changing settings for recording and playback as well as more detailed steps for recording, playback and using RS-422 control.
Getting Started Playing Video Playing back a clip is simple and instantaneous. HyperDeck Shuttle playing back video. If you’re recording with HyperDeck Shuttle, press the Stop button once to stop recording. Press it again to switch to playback. Then simply press Play and you'll see your video on any displays connected to the SDI and HDMI outputs.
Getting Started Externally Controlling Your HyperDeck There are several ways you can remotely control your HyperDeck and more detailed instructions are provided in the "Using HyperDeck" section of this manual. SDI Start/Stop Recording Start/stop recording means that when you press the record button on an HD-SDI camera, HyperDeck will start recording without also having to press the record button on your HyperDeck disk recorder.
Updating the HyperDeck Software HyperDeck Utility Blackmagic HyperDeck Utility is used to change settings and update the internal software in your HyperDeck. In addition to installing HyperDeck Utility, uncompressed 10 bit codecs are installed for Mac and Windows. If you use Avid Media Composer 6.x, you'll also find a HyperDeck Studio deck preset is installed to help with RS-422 deck control.
Using HyperDeck as a Disk Recorder Using HyperDeck Disk Check When you first switch on HyperDeck, or any time you insert an SSD, the SSD indicator will light up while checking the SSD and then switch off. If the SSD has not been formatted correctly, or fails to work, the SSD indicator will illuminate solid red until the SSD is removed. Refer to the previous section "Preparing SSDs for HyperDeck" to check if the SSD is formatted correctly and also check that it works with a computer.
Using HyperDeck as a Disk Recorder Recording Clips with HyperDeck Studio Models Before recording, format a recommended SSD in the HFS+ or exFAT format and use HyperDeck Utility to choose your recording format. Step 1. Insert a recommended and correctly formatted SSD into either SSD slot. Step 2. Connect your video source to an input on your HyperDeck Studio. Press the INPUT button once, while the stop button is illuminated, to preview the video source on the LCD before recording.
Using HyperDeck as a Disk Recorder Timecode Run Recording HyperDeck Shuttle and HyperDeck Studio models also support timecode run recording, which is similar to start/stop recording, but is only used if your HD-SDI camera does not support trigger recording via HD-SDI. To set up timecode run recording: Step 1. Go into your camera's timecode settings and change them from "free run timecode" to "record run timecode". Step 2. In HyperDeck Utility, set Trigger recording to "When SDI timecode runs".
Using HyperDeck as a Disk Recorder Playback Playing Back Clips Playing back a clip is simple and instantaneous. If you’re recording with HyperDeck Shuttle, press the Stop button once to stop recording. Press it again to switch to playback. Then simply press Play. If you’re recording with a HyperDeck Studio model, press the play button once for instant playback. The controls of HyperDeck work just like a CD player so pressing next clip will skip to the start of the next clip and continue playing.
Using HyperDeck as a Disk Recorder Playing Back RP 188 Embedded Timecode If you use HyperDeck Utility to switch on the option to "Play back media timecode track to SDI output" when playing back high definition video, your HyperDeck will embed SMPTE RP 188 metadata allowing other video equipment to display or record the timecode. Timecode is also commonly displayed on HD-SDI monitors but you will often need to find a menu setting to turn it on.
Using HyperDeck as a Disk Recorder 5 4 3 2 RS-422 Control 1 What is RS-422 Control? The RS-422 standard is commonly supported by NLE hardware and software and allows video players and recorders to be remotely controlled by an external RS-422 controller or capture device. 9 8 7 6 Receive (–) Receive (+) Transmit (–) Transmit (+) Ground Pins 2 7 8 3 1, 4, 6, 9 RS-422 remote pin connections.
Using HyperDeck as a Disk Recorder Supported RS-422 Commands Command Reply No Remote Notes 0x11 DeviceTypeRequest NTSC: 0xF0E0 PAL: 0xF1E0 24P: 0xF2E0 Enabled 0x20 0x00 Stop Acknowledge Disabled 0x20 0x01 Play Acknowledge Disabled 0x20 0x02 Record Acknowledge Disabled 0x20 0x10 FastFwd Acknowledge Disabled 0x21 0x11 JogFwd1 Acknowledge Disabled 0x22 0x11 JogFwd2 Acknowledge Disabled Treated as N=1; Same as JogFwd1 0x21 0x12 VarFwd1 Acknowledge Disabled Uses Sh
Using HyperDeck as a Disk Recorder Supported RS-422 Commands Command Reply No Remote Notes 0x21 0x38 ProgSpeedPlayPlus Acknowledge Disabled 0x21 0x39 ProgSpeedPlayMinus Acknowledge Disabled 0x20 0x40 Preview Acknowledge Disabled Status bits are set 0x20 0x41 Review Acknowledge Disabled Status bits are set 0x20 0x43 OutpointPreview Acknowledge Disabled 0x22 0x5C DMCSetFwd Acknowledge Disabled 0x22 0x5D DMCSetRev Acknowledge Disabled 0x20 0x60 FullEEOff Acknowle
Using HyperDeck as a Disk Recorder Supported RS-422 Commands Command Reply No Remote Notes 0x40 0x23 AOutReset Acknowledge Disabled 0x44 0x31 PrerollPreset Acknowledge Disabled 0x40 0x40 AutoModeOff Acknowledge Disabled ignored, Status bit remembered 0x40 0x41 AutoModeOn Acknowledge Disabled ignored, Status bit remembered 0x0A TimeCodeGenSense Request for Gen TC GenTCData Enabled Timer1Sense Timer1Data Enabled UserBitsVITCTimeSense UserBitsVITCTimeData Enabled LTCUser
Using HyperDeck as a Disk Recorder Supported RS-422 Commands Command Reply No Remote Notes 7 - Sense Reply 0x78 0x00 Timer1Data - - Current Time and 00:00:00:00 0x78 0x04 LTCUserBitsTimeData - - Current Time and 00:00:00:00 0x78 0x06 VITCUserBitsTimeData - - Current Time and 00:00:00:00 0x74 0x06 VITCTimeData - - Current Time 0x74 0x07 UserBitsVITCTimeData - - 00:00:00:00 0x74 0x08 GenTCData - - Current Time 0x78 0x08 GenTCUBData - - Current Time and 00:00:00
Using HyperDeck as a Disk Recorder RS-422 Developer Information Bit 7 Bit 6 Bit 5 Bit 4 Bit 3 Bit 2 Bit 1 Bit 0 Byte 0 0 0 Cassette out 0 0 0 0 Local Byte 1 Standby 0 Stop 0 Rewind Forward Record Play Byte 2 Servo Lock 0 Shuttle Jog Var Direction Still 1 Byte 3 Auto Mode 0 0 0 Aout Set Ain Set Out Set In Set Byte 4 Select EE Full EE 0 0 0 0 0 0 Byte 5 0 0 0 0 0 0 0 0 Byte 6 0 Lamp Still Lamp Fwd Lamp Rev 0 0 0 0 Byte 7 0 0 0 0 0
Using HyperDeck Shuttle HyperDeck Shuttle Controls 1 2 3 4 5 6 DISP 7 8 9 VIDEO Buttons Status Indicators 1. Record HyperDeck Shuttle will instantly record the moment you press the Record button, even if you’re playing back a clip. This means you’ll never miss a good take that’s happening. If the button flashes red, the SSD is too slow and cannot keep up with recording. 5. Next Clip If you hold down Next Clip, the clip will fast forward at 2x speed.
Using HyperDeck Shuttle HyperDeck Shuttle Connections 11 12 13 14 +12V POWER HDMI IN HDMI OUT SDI IN 15 16 18 SDI OUT 17 Connections Mounts 11. +12V POWER You can use the power adapter supplied with HyperDeck Shuttle or power it off an external camera battery as the connector supports an input range of 12V to 18V. When a power source is connected, the built-in internal battery will also be charged. 14.
Using HyperDeck Shuttle Installing the HyperDeck Shuttle Mounting Plate The contents of the box includes: x1 HyperDeck Shuttle x4 Socket Head Screws Mounting Plate M3 x 10mm Step 1. Peel back the rubber mat from all four corners of the base so you can just see the screws. Remove all four screws. You will need: x1 Hex Allen Key 2.5mm Step 2. Remove the base. Step 3. Attach your HyperDeck Shuttle Mounting Plate using the supplied socket head screws.
Using HyperDeck Studio HyperDeck Studio Controls 1 2 3 4 5 6 7 INPUT DISP SET 9 IN LOOP OUT OUT 1 OUT 2 MON OUT +12V POWER REMOTE ETHERNET SD/HD/3GHD-SDI 1. SSD Slot 1 2. SSD Slot 2 Insert a 2.5" SSD into an SSD slot until you feel the SSD press into place. The surround of the SSD slot lights in green when it is accessing a correctly formatted SSD. If the SSD has not been formatted correctly, or fails to work, the SSD slot light will illuminate solid red until the SSD is removed.
Using HyperDeck Studio HyperDeck Studio Connections DISP SET IN LOOP OUT OUT 1 OUT 2 MON OUT REMOTE ETHERNET 17 18 19 SD/HD/3GHD-SDI 20 21 22 REM JOG REF IN IN +12V POWER INPUT OUT HDMI 23 24 25 26 27 28 Connections 17. +12V POWER You can use the universal power adapter supplied with HyperDeck Studio or power it off any DC power source, from 12V to 18V, allowing for portable battery packs and on set use. 21.
Using HyperDeck Studio Pro HyperDeck Studio Pro Controls 1 2 3 4 5 6 7 INPUT DISP SET 9 8 REM JOG 10 11 12 13 14 15 16 SSD Slots 1. SSD Slot 1 2. SSD Slot 2 Insert a 2.5" SSD into an SSD slot until you feel the SSD press into place. The surround of the SSD slot lights in green when it is accessing a correctly formatted SSD. If the SSD has not been formatted correctly, or fails to work, the SSD slot light will illuminate solid red until the SSD is removed.
Using HyperDeck Studio Pro HyperDeck Studio Pro Connections 17 18 19 POWER 20 REMOTE Y IN 21 B-Y IN R-Y IN Y OUT 22 B-Y OUT R-Y OUT 23 REF IN STEREO IN PUSH PUSH PUSH L IN A ETHERNET IN 25 26 IN C IN D OUT A OUT B OUT C OUT D MON OUT R IN HDMI 24 IN B OUT 27 SD/HD/3G-SDI IN SD/HD/3G-SDI OUT 28 29 OUT TIMECODE 30 31 CH 1 CH 2 ANALOG AUDIO IN CH 1 CH 2 ANALOG AUDIO OUT 32 Connections 17. AC POWER Connect an IEC power cord with a C13 connector.
Using HyperDeck Studio Pro Capturing video via Thunderbolt HyperDeck Studio Pro features Thunderbolt connectivity for the easy capture of uncompressed video to your computer with Thunderbolt technology. Thunderbolt offers a blazingly fast 10 Gb/s connection, which is enough bandwidth to handle the highest resolution video formats easily! If you want to dub a video that you've already recorded to SSD, you can capture via Thunderbolt using the video software and codec of your choice. Step 1.
Using your Favourite Editing Software Editing with HyperDeck Studio Pro When connected to a computer with Thunderbolt technology, HyperDeck Studio Pro can be used as a powerful capture solution for your editing workflow. The HyperDeck Installer software installs Blackmagic System Preferences which allow your favorite video editing software to perform live capture from HyperDeck Studio Pro via Thunderbolt.
Using your Favourite Editing Software Avid Media Composer 6.x Avid Media Composer captures standard and high definition video live from HyperDeck Studio Pro via a Thunderbolt cable. Blackmagic plug-ins for Media Composer are automatically installed if Media Composer is installed before the Desktop Video software. You can use the INPUT button on HyperDeck Studio Pro to select your video and audio connections including SDI, analog and HDMI. Setting up Step 1.
Using your Favourite Editing Software Capturing live via Thunderbolt To capture video live via Thunderbolt from HyperDeck Studio Pro: Step 1. Choose Tools > Capture to open the Capture Tool. Step 2. Set the Video and Audio input menus to "Blackmagic". Step 3. Select the video source track (V) and the audio source tracks (A1, A2, ...) you wish to capture. Step 4. Use the Bin menu to select a Target Bin from the list of open bins. Step 5.
Using your Favourite Editing Software Apple Final Cut Pro 7 Easy Setups for Final Cut Pro 7 are automatically installed if Final Cut Pro is installed before the HyperDeck software. Setting up Step 1. Launch Final Cut Pro 7 and the Easy Setup window will appear. Step 2. Click on the popup menu and select the desired Blackmagic Easy Setup. For each video format (NTSC, PAL and HDTV) you will find a range of Blackmagic compressed and uncompressed file formats you can choose. Final Cut Pro 7 Step 3.
Using your Favourite Editing Software Adobe Premiere Pro CS6 Setting up a Blackmagic Design project Step 1. Launch Premiere Pro. Step 2. Create a New Project and click on the Scratch Disks tab. Step 3. Set the desired Location and Name for your project at the bottom of this window. Step 4. Set the locations for your captured video, captured audio, video previews and audio previews. Adobe Premiere Pro Step 5.
Using your Favourite Editing Software Adobe Photoshop CS6 How to grab video frames Import an image into Photoshop Step 1. From Photoshop select File > Import > Blackmagic Image Capture Step 2. Select the “Video Input Format” and the “Image Bit Depth” and then click Capture Image Adobe Photoshop Image Capture Once you have set the options in the Import window, each subsequent import will not display the window, so you can grab frames much faster.
Using Blackmagic Media Express What is Media Express? Blackmagic Media Express 3 software is included with every HyperDeck Studio Pro to perform video and audio capture to files. Blackmagic Media Express 3 is a great tool when you don’t need the complexity of NLE software, but simply want to capture video from HyperDeck Studio Pro's Thunderbolt port. The User Interface Media Express can easily be scaled for different sizes of monitors or even small notebook screens.
Using Blackmagic Media Express Capturing Video and Audio files Selecting HyperDeck Studio Pro If you have more than one Blackmagic Design capture product installed or connected to your computer, go to the Device menu in Media Express and select HyperDeck Studio Pro. In the example pictured on this page, an Intensity Extreme and a HyperDeck Studio Pro are both connected to the same computer. Selecting your HyperDeck Studio Pro will allow you to choose suitable video settings for your project.
Using Blackmagic Media Express Media List Project name, video format and frame rate Timecode List, Thumbnail and Favorites view Clip Bins Mark In / Mark Out Search Field Grab Still Frame Logging Information VTR / deck timecode Capture options Transport Controls Audio channel enable/disable Video Preview Audio Meters Remote indicator
Using Blackmagic Media Express Capture Capturing video is easy. All you need to do is connect HyperDeck Studio Pro via a Thunderbolt cable, set the Media Express preferences and press the Capture button. Start by connecting your video source to an input of your HyperDeck Studio Pro and check that the video input is set to the same video input, e.g. SDI, HDMI or analog. Open Media Express and set its preferences to the project video format and capture file format.
Using Blackmagic Media Express DPX Capture If you want to capture a DPX image sequence rather than a movie file, open the Media Express preferences and set the Capture File Format to DPX 10-Bit RGB. You will need a fast disk array to cope with the uncompressed, 10-bit RGB format. Create a DPX project by setting the capture file format to DPX. Capture. DPX capture preferences When the capture has been completed, a single thumbnail will appear in the Media List representing the entire frame sequence.
Using Blackmagic Media Express Media List Project name, video format and frame rate Timecode List, Thumbnail and Favorites view Clip Bins Mark In / Mark Out Search Field Clip Information Grab Still Frame VTR / deck timecode Favorites Selection Transport Controls Audio channel enable/disable Video Preview Audio Meters Remote indicator
Using Blackmagic Media Express Playing back Video and Audio Files Importing clips You can play back your video and audio files after importing media into Media Express in any of the following ways: Double-click an empty area of the Media List. Right-click an empty area of the Media List and select Import Clip from the contextual menu. Go to the File menu, select Import and then Media Files. Then select the video and audio clip(s) you wish to import from the Open Video Clip dialog box.
Using Blackmagic Media Express Browsing Media In the Media List, you can view your clips in Thumbnail view or Timecode List view by clicking on the desired view button at the top-right of the Media List. In the Media List, choose to view your clips in Timecode List view or Thumbnail view. Click the Favorites button to only show your favorite clips. Type in the Search field to find your favorite clips. Thumbnail view Thumbnails are the most intuitive way to display your clips.
Using Blackmagic Media Express Once you have marked clips as favorites, click on the gray, Favorites, star button at the top of the Media list and it will turn yellow. All clips in your Media List will be hidden except for those marked as favorites. This is similar to creating a playlist and makes it easy to only play back your favorite clips and even master them to tape. Deleting clips and bins To delete clips, select the unwanted clips and press the forward delete button on your keyboard.
Using Blackmagic UltraScope What is Blackmagic UltraScope? With HyperDeck Studio Pro you get the incredible features of Blackmagic UltraScope, which you can even use with compatible Mac OS X and Windows notebook computers with Thunderbolt technology! Blackmagic UltraScope software is installed by the HyperDeck Studio Pro Installer.
Using Blackmagic UltraScope Blackmagic UltraScope Interface 1. Parade Display 2. Waveform Display 3. Vectorscope Display 4. Histogram Display 6. Audio Metering Display 7. Picture Display 5.
Using Blackmagic UltraScope Understanding Blackmagic UltraScope Views Blackmagic UltraScope has two different views available depending on your workflow needs and screen resolution. You have the choice of viewing six displays in “Full Screen” view, or for more compact viewing, choose any 2 displays in “2-up” view. The display view can be selected from the View menu. Choose Full Screen to enter “Full Screen” view. If this option is unchecked, “2-up” view will be displayed.
Using Blackmagic UltraScope Zoom Function Blackmagic UltraScope allows you to zoom in on various displays for a more detailed analysis. This helpful function will also pan and zoom the graticules for each display in high resolution. The zoom function is available in the Parade, Waveform, Vectorscope and Picture displays. To zoom in, simply click on the bottom right of each respective display. Now you will be able to view the display in finer detail.
Using Blackmagic UltraScope 2. Waveform Display The Waveform Display is similar to traditional composite waveform monitors seen in many broadcast studios. On Mac OS X, the Waveform Display always shows the luminance view and the B/W button is permanently selected. On Windows, select B/W for the luminance only view, COMP for the composite only view, and BOTH for the twin luminance and composite view.
Using Blackmagic UltraScope 3. Vectorscope Display The Vectorscope Display uses a vector view to show the colors in a video signal. You can see color bar video levels by using the color boxes in the graticule. All you need to do is select 75% or 100% color bars, depending on the standard of color bar test signals used in your facility! Some people think you can use a vectorscope to check for illegal levels.
Using Blackmagic UltraScope 4. Histogram Display Histogram Display is most familiar to graphic designers and camera operators. Histogram Display shows the distribution of white to black information and lets you monitor how close the detail is to being clipped off in the whites or blacks of the video. Histogram Display also lets you see the effects of gamma changes in the video. Black video is shown on the left of the display, and whites are shown on the right.
Using Blackmagic UltraScope 5. Error Logging Display Error Logging records errors in video and audio and is indispensable when reviewing video and for unattended operation. Errors may be logged for color, brightness or audio threshold levels as well as loss of video signal, change of video format or audio silence. After setting the parameters which define when an error should be logged, you can choose to start or stop error logging, save the log to a file, or clear the log.
Using Blackmagic UltraScope How to Customize Error Logging To customize error logging, go to the Error Logging menu and choose Profiles to open the Error Logging Profiles window. Saved profiles appear in the profile list at the left and the current, active profile appears in bold above the list. The standard EBU-R103 profile cannot be deleted or modified and is grayed out. You can add a profile by clicking the add (+) button and typing a name for your profile.
Using Blackmagic UltraScope 6. Audio Metering Display Audio Metering Display shows you the audio levels in the embedded audio of the HyperDeck Studio Pro's video signal. 8 channels of embedded audio from your HyperDeck Studio Pro are de-embedded and then displayed in either dBFS or VU format. The VU button switches between dBFS and VU audio metering standards. dBFS is essentially a meter of the overall digital audio signal and is common on modern digital equipment.
Using Blackmagic UltraScope 7. Picture Display The Picture Display is a handy confidence monitor so you can see the video that is being received by Blackmagic UltraScope. The Picture Display has three settings: COLOR, B/W (black & white) and BLUE (Blue Only). Set to COLOR or B/W depending on the needs of your facility.
Using Blackmagic Disk Speed Test Using Blackmagic Design Disk Speed Test Blackmagic Disk Speed Test is a beautiful and fun to use application that measures the read and write performance of storage media in video frame sizes. The use of video frame sizes provides accurate measurement of how the disk storage will perform with video related applications. If you have ever wondered whether your hard drive is suitable for playback (“read”) of a particular video format, you can use Disk Speed Test to find out.
Using Blackmagic Disk Speed Test Settings Click this button to access the settings before running a disk speed test START Click this button once to start the disk speed test.
Using Blackmagic Disk Speed Test Start Once you have chosen the desired settings, click the Start button to commence the disk speed test. Disk Speed Test will write a temporary file to the selected target drive. When the file has finished writing, or when 8 seconds has elapsed, Disk Speed Test will stop writing and start reading back the temporary file from the drive.
Help Getting Help The fastest way to obtain help is to go to the Blackmagic Design online support pages and check the latest support material available for your HyperDeck. Blackmagic Design Online Support Pages The latest manual, software and support notes can be found at the Blackmagic Support Center at www.blackmagicdesign.com/support.
Warnings Caution: Risk of Electric Shock On HyperDeck Studio Pro rear panel you will see a yellow warning label marked ‘Caution: Risk of Electric Shock’. This is intended to warn users that there may be the presence of uninsulated “dangerous” voltage within the HyperDeck Studio Pro’s enclosure which may be of sufficient magnitude to constitute a risk of electric shock to the user.
Warranty 12 Month Limited Warranty Blackmagic Design warrants that this product will be free from defects in materials and workmanship for a period of 12 months from the date of purchase. If a product proves to be defective during this warranty period, Blackmagic Design, at its option, either will repair the defective product without charge for parts and labor, or will provide a replacement in exchange for the defective product.
