User Manual

ManualsBrandsBlackmagic Design ManualsMixer and Video ControllerAtem Sdi Extreme Iso - VIDEO PRODUCTION MIXER SWITCHER 8 SDI INPUTS

Table Of Contents

Getting Started
- Plugging in Power
- Plugging in Video Sources
- Plugging in a Monitor and Testing Inputs
- Connect a Microphone
- Connecting to a Computer
- Setting the Webcam Source
Switching your Production
- Switching Sources using a Cut
- Switching Sources using an Auto Transition
- Transition Styles and DVEs
- Controlling Audio
- Using Picture in Picture
- Using the Upstream Keyer
- Fade to Black
- Using a Still Graphic
Additional Features on ISO Models
- Direct Streaming via Ethernet
- Smartphone Tethering
- Stream Buttons
- Record Buttons
- Preparing Media
- Preparing Media on a Computer
- Using the Multiview
- Video Out Buttons
ATEM SDI Extreme ISO
- Connecting Headphones
- Select Bus
- Camera Control Buttons
- Running Macros
- Using SuperSource
ATEM Software Control
- Switching Modes
- Using ATEM Software Control
- Media Manager
- Audio Mixer
- Camera Control
- Using the Software Control Panel
- Transition Control and Upstream Keyer
- Downstream Keyers
- Processing Palettes
- Media Player Tab
- Output Tab
- Recording ISO Files
- Timecode Generator
- Using the Audio Mixer
- Shaping your Audio Mix using Advanced Fairlight Controls
- Using the 6 Band Parametric Equalizer
- Fairlight Controls Workflow Guide
- Using the Media Page
- Navigating the Browse Window
- ATEM Media Pool
- Image File Types
- Creating a TGA File with an Alpha Channel
Camera Control
- Connecting Camera Control
- Camera Control using ATEM Software Control
- Camera Control Panel
- DaVinci Resolve Primary Color Corrector
- Camera Control using ATEM SDI Extreme ISO
- Camera Control using Mini Converter SDI Distribution
Using Macros
- What is a Macro?
- The Macros Window in ATEM Software Control
- Running Macros from ATEM SDI Extreme ISO
Changing Switcher Settings
- General Settings
- Audio Settings
- Multiview Settings
- Labels Settings
- HyperDeck Settings
- Setting the Output Source
- Saving and Restoring Switcher Settings
- Preference Settings
ATEM Setup Settings
- Updating the internal software
- Setup Page
- Documentation Page
Using Adobe Photoshop with ATEM
Using Multiple Control Panels
Connecting to a Network
- Using DHCP and Fixed IP Addresses
- Manually Setting a Fixed IP Address
- Changing ATEM SDI Network Settings
- Changing the Hardware Panel Network Settings
- Setting the Switcher’s IP Location on the Panel
- ATEM Software Control via the Network
Connecting to an Internet Router
- Getting a Stream Key
Keying using ATEM SDI
- Understanding Keying
- Luma Key
- Linear Key
- Pre multiplied Key
- Performing an Upstream Luma/Linear Key
- Chroma Key
- Performing a Chroma Key
- Pattern Key
- DVE Key
- Performing an Upstream DVE Key
- Performing Upstream Keyer Transitions
Streaming Video
- Creating Video Links with ATEM Streaming Bridge
- Direct Connection
- Network Connection
- Remote Administration
- Internet Connection
- Connection Status
- ATEM SDI Pro ISO or ATEM Extreme ISO switcher
- Remote ATEM SDI Switcher
- Broadcast Video Reference
- Factory Reset
- Setting up Open Broadcaster
HyperDeck Control
- Introducing HyperDeck Control
- Controlling HyperDecks with ATEM Software Control
- Controlling HyperDecks with External Hardware Panels
ATEM 1 M/E Advanced Panel
- Connecting the Advanced Panel
Using ATEM 1 M/E Advanced Panel
- Transition Control and Upstream Keyers
- Downstream Keyers
- System Control Menu Buttons
- Performing Transitions
- Recording Macros
ATEM Camera Control Panel
- Changing Network Settings
- Panel Layout
- Controlling Cameras
Mixing Audio
- Using a Third Party Audio Mixer Control Surface
Help
Regulatory Notices
Safety Information
Warranty

Lum Mix Setting

The color corrector built into Blackmagic cameras is based on the DaVinci Resolve primary

color corrector. DaVinci has been building color correctors since the early 1980’s and most

Hollywood films are color graded on DaVinci Resolve than any other method.

This means that your color corrector built into the camera has some unique and creatively

powerful features. The YRGB processing is one of those features.

When color grading, you can choose to use RGB processing, or YRGB processing. High end

colorists use YRGB processing because you have more precise control over color and you can

independently adjust the channels with better separation and more creative options.

When the Lum Mix control is set to the right side, you have the 100% output of the YRGB color

corrector. When you have the Lum Mix control set to the left side, you get 100% output of the

RGB corrector. You can set the Lum Mix to any position between the left and right to get a blend

of output from both the RGB and YRGB correctors.

Which is the correct setting to use? That’s up to you, as color correction is a pure creative

process and there is no right and wrong. The best setting is what you like the most and what

you think looks good!

Hue Setting

The Hue setting rotates all hues of the image around the full perimeter of the color wheel.

Thedefault setting of 180 degrees shows the original distribution of hues. Raising or lowering

this value rotates all hues forward or backward along the hue distribution as seen on a

color wheel.

Tint Setting

Adjusting the tint setting will add green or magenta to the image to help balance the color.

Thiscan assist when filming with artificial lighting sources such as fluorescent and sodium

vapor lighting fixtures.

Drag the sliders left or right to adjust Contrast, Saturation, Hue and Lum Mix settings.

Synchronizing Settings

When connected, camera control signals are sent from your ATEM switcher to the Blackmagic

camera. If a setting is accidentally adjusted from your camera, camera control will automatically

reset that setting to maintain synchronization.

74Camera Control