User Manual
Table Of Contents
- Getting Started
- Switching your Production
- Additional Features on ISO Models
- ATEM SDI Extreme ISO
- ATEM Software Control
- Switching Modes
- Using ATEM Software Control
- Media Manager
- Audio Mixer
- Camera Control
- Using the Software Control Panel
- Transition Control and Upstream Keyer
- Downstream Keyers
- Processing Palettes
- Media Player Tab
- Output Tab
- Recording ISO Files
- Timecode Generator
- Using the Audio Mixer
- Shaping your Audio Mix using Advanced Fairlight Controls
- Using the 6 Band Parametric Equalizer
- Fairlight Controls Workflow Guide
- Using the Media Page
- Navigating the Browse Window
- ATEM Media Pool
- Image File Types
- Creating a TGA File with an Alpha Channel
- Camera Control
- Using Macros
- Changing Switcher Settings
- ATEM Setup Settings
- Using Adobe Photoshop with ATEM
- Using Multiple Control Panels
- Connecting to a Network
- Connecting to an Internet Router
- Keying using ATEM SDI
- Streaming Video
- HyperDeck Control
- ATEM 1 M/E Advanced Panel
- Using ATEM 1 M/E Advanced Panel
- ATEM Camera Control Panel
- Mixing Audio
- Help
- Regulatory Notices
- Safety Information
- Warranty
DaVinci Resolve Primary Color Corrector
If you have a color correction background, then you can change your camera control from a
switcher style CCU interface to a user interface that’s more like a primary color corrector on a
post production color grading system.
Blackmagic cameras feature a DaVinci Resolve primary color corrector built in. If you have used
DaVinci Resolve, then creatively, grading in the Blackmagic camera will be identical so you
can use your color grading experience for live production. The color corrector panel can be
expanded out of any camera controller and provides expanded color correction control with
extra settings and a full primary color corrector interface.
Click on the DaVinci Resolve primary color corrector button to expand the color correction window
andadjust settings.
You have color wheels and settings such as saturation available and you can see shadows,
midtones and highlight settings all at the same time. Simply switch between cameras using the
camera selection controls at the top of the window as you need.
Lift, gamma and gain color wheels in the color corrector panel.
72Camera Control