User Manual

ManualsBrandsBlackmagic Design ManualsMixer and Video ControllerAtem Sdi Extreme Iso - VIDEO PRODUCTION MIXER SWITCHER 8 SDI INPUTS

Table Of Contents

Getting Started
- Plugging in Power
- Plugging in Video Sources
- Plugging in a Monitor and Testing Inputs
- Connect a Microphone
- Connecting to a Computer
- Setting the Webcam Source
Switching your Production
- Switching Sources using a Cut
- Switching Sources using an Auto Transition
- Transition Styles and DVEs
- Controlling Audio
- Using Picture in Picture
- Using the Upstream Keyer
- Fade to Black
- Using a Still Graphic
Additional Features on ISO Models
- Direct Streaming via Ethernet
- Smartphone Tethering
- Stream Buttons
- Record Buttons
- Preparing Media
- Preparing Media on a Computer
- Using the Multiview
- Video Out Buttons
ATEM SDI Extreme ISO
- Connecting Headphones
- Select Bus
- Camera Control Buttons
- Running Macros
- Using SuperSource
ATEM Software Control
- Switching Modes
- Using ATEM Software Control
- Media Manager
- Audio Mixer
- Camera Control
- Using the Software Control Panel
- Transition Control and Upstream Keyer
- Downstream Keyers
- Processing Palettes
- Media Player Tab
- Output Tab
- Recording ISO Files
- Timecode Generator
- Using the Audio Mixer
- Shaping your Audio Mix using Advanced Fairlight Controls
- Using the 6 Band Parametric Equalizer
- Fairlight Controls Workflow Guide
- Using the Media Page
- Navigating the Browse Window
- ATEM Media Pool
- Image File Types
- Creating a TGA File with an Alpha Channel
Camera Control
- Connecting Camera Control
- Camera Control using ATEM Software Control
- Camera Control Panel
- DaVinci Resolve Primary Color Corrector
- Camera Control using ATEM SDI Extreme ISO
- Camera Control using Mini Converter SDI Distribution
Using Macros
- What is a Macro?
- The Macros Window in ATEM Software Control
- Running Macros from ATEM SDI Extreme ISO
Changing Switcher Settings
- General Settings
- Audio Settings
- Multiview Settings
- Labels Settings
- HyperDeck Settings
- Setting the Output Source
- Saving and Restoring Switcher Settings
- Preference Settings
ATEM Setup Settings
- Updating the internal software
- Setup Page
- Documentation Page
Using Adobe Photoshop with ATEM
Using Multiple Control Panels
Connecting to a Network
- Using DHCP and Fixed IP Addresses
- Manually Setting a Fixed IP Address
- Changing ATEM SDI Network Settings
- Changing the Hardware Panel Network Settings
- Setting the Switcher’s IP Location on the Panel
- ATEM Software Control via the Network
Connecting to an Internet Router
- Getting a Stream Key
Keying using ATEM SDI
- Understanding Keying
- Luma Key
- Linear Key
- Pre multiplied Key
- Performing an Upstream Luma/Linear Key
- Chroma Key
- Performing a Chroma Key
- Pattern Key
- DVE Key
- Performing an Upstream DVE Key
- Performing Upstream Keyer Transitions
Streaming Video
- Creating Video Links with ATEM Streaming Bridge
- Direct Connection
- Network Connection
- Remote Administration
- Internet Connection
- Connection Status
- ATEM SDI Pro ISO or ATEM Extreme ISO switcher
- Remote ATEM SDI Switcher
- Broadcast Video Reference
- Factory Reset
- Setting up Open Broadcaster
HyperDeck Control
- Introducing HyperDeck Control
- Controlling HyperDecks with ATEM Software Control
- Controlling HyperDecks with External Hardware Panels
ATEM 1 M/E Advanced Panel
- Connecting the Advanced Panel
Using ATEM 1 M/E Advanced Panel
- Transition Control and Upstream Keyers
- Downstream Keyers
- System Control Menu Buttons
- Performing Transitions
- Recording Macros
ATEM Camera Control Panel
- Changing Network Settings
- Panel Layout
- Controlling Cameras
Mixing Audio
- Using a Third Party Audio Mixer Control Surface
Help
Regulatory Notices
Safety Information
Warranty

Make Up

The make up setting lets you increase the overall signal in combination with compression

settings. With loud parts of the audio reduced using compression, you can now use the make

up control to boost the overall sound without clipping.

Limiter

The limiter prevents peaks of the signal from exceeding a set maximum level. A limiter is helpful

to prevent hard clipping. For example, if you set the limiter to -8 dB, the input signal will never

exceed that level. Adjusting the attack, hold and release settings will set how gentle the limiter

affects the signal.

Dynamics Controls Characteristics

Control Minimum Default Maximum

Expander/Gate

Expander Controls*

Threshold -50dB -45dB** 0dB

Range 0dB 18dB 60dB

Ratio 1.0:1 1.1:1 10:1

Attack 0.5ms 1.4ms 30ms

Hold 0.0ms 0.0ms 4s

Release 50ms 93ms 4s

Expander/Gate

Gate Controls*

Threshold -50dB -45dB** 0dB

Range 0dB 18dB 60dB

Attack 0.5ms 1.4ms 30ms

Hold 0.0ms 0.0ms 4s

Release 50ms 93ms 4s

Compressor

Compressor Controls

Threshold -50dB -35dB 0dB

Ratio 1.0:1 2.0:1 10:1

Attack 0.7ms 1.4ms 30ms

Hold 0.0ms 0.0ms 4s

Release 50ms 93ms 4s

Limiter

Limiter Controls

Threshold -50dB -12dB 0dB

Attack 0.7ms 0.7ms 30ms

Hold 0.0ms 0.0ms 4s

Release 50ms 93ms 4s

* Master Dynamics expander/gate controls are unused in Master Dynamics.

** Master Dynamics expander/gate threshold default is -35dB. MicDynamics expander/gate

threshold default is -45dB.

60ATEM Software Control