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With this mapping, this audio clip exposes only one item on one track in the Edit page Timeline,
or five lanes within a single track in the Fairlight page Timeline. Either way, this mapping
exposes a single editable unit.
A single audio channel exposed in the Timeline
Optionally, you could choose to mute the four individual microphone channels and only monitor
the top mixdown channel. This can be accomplished by setting channels 2-5 to mute. Muted
channels are always retained, just not heard, and you can turn them back on whenever you like
using by right-clicking a clip in the Timeline and choosing Clip Attributes to get back to these
controls for the specific timeline clip you’ve edited.
The Audio panel of the Clip Attributes
window for a clip with four channels muted
NOTE: If you export audio clips with muted tracks to Pro Tools in the Deliver page, the
muted channels are exported as well.
Alternately, you might elect to set these clips up with five separate audio tracks with a single
audio channel each, in order to expose each channel separately in the Timeline for
independent editing. First, set the top track to be Mono using Embedded Channel 1. Then,
using the Add channel controls at the top of the channels list, you can set Tracks to 4, format to
Mono, and click Add to create four additional tracks in addition to the one track that clip had
originally. Remapping channels 2-5 to these new tracks will result in the track mapping seen in
the following screenshot.
Chapter – 36 Working with Audio in the Edit Page 743