User Manual

However, Ripple Overwrite works differently if you’ve set In and Out points in the Timeline to
define a range. In this case, the incoming clip substitutes whatever portion of the Timeline falls
within this range, moving all other clips that are to the right of the affected range either forward
to make room if the incoming clip is longer, or back to eliminate gaps if the incoming clip
is shorter.
Performing a Ripple Overwrite to substitute a In/Out range of the
Timeline (part of clips BB and CC) with the incoming clip DD
Close Up
Lets you edit a clip into the Timeline as a zoomed-in close up, to make up for a lack of actual
close ups that would have been shot with either longer lenses or by moving the camera closer
to the subject. This function is particularly useful when you’re working with 4K media in a
1080 timeline, or 8K media in a 4K timeline, which enables you zoom into existing wide shots to
create medium shots, or medium shots to create close up shots, with no loss of quality.
Performing this edit adds the incoming clip as an approximate 150% scaled close up, also
performs a face detection, and if a face or faces are found automatically re-positions the face in
the frame. Which frame of the Timeline the incoming clip aligns with depends on the following:
 If no In or Out points are set on the Timeline, the incoming clip aligns with the Timeline
playhead as the In point.
 The incoming clip aligns with a timeline In point if one has been set.
 The incoming clip’s Out point will align with a timeline Out point if one has been set
without an In point. This “backtimes” the clip.
(Top) Before a Close Up edit,
(Bottom) After editing clip DD into the Timeline with a Close Up edit
Chapter – 20 Fast Editing in the Cut Page 434