User Manual

Table Of Contents
Main Dir: Main Bus Direct Out, can be pre or post the Main bus master fader,
with an offset
Main Out: Main Bus Out, always post the Main bus master fader
Osc: Oscillator outputs. Sine, Pink noise, White noise.
Solo Out: AFL and PFL Solo Bus Out, always post the respective bus master fader
The following Audio Destination options are available:
Track Input: Input to the Record and Thru path; simply put, the available audio tracks in
the current timeline.
Track Return: Track insert return
Aux-Bus Return: Aux Bus master insert return
Sub-Bus Return: Sub Bus master insert return
Main Return: Main Bus master insert return
CR-Mon In: Input to the Monitor system’s fold up/down matrices
Talk Back: The Talkback system, showing Comm1 and Comm2
Audio Outputs: The available physical audio outputs on your workstation, for example
SX-36, MADI, or system audio.
Using a Channel Strips Input Menu
The Input drop-down menu at the top of each track’s channel strip in the mixer provides some
shortcuts for patching different inputs and buses to the tracks of your mix. Each option in this
menu makes the Patch Input/Output window appear with different Audio Source and Audio
Destination selections automatically set up.
Input
The Patch Input/Output window appears set up to let you patch different inputs (such as the
system audio input) to the tracks of the timeline. This makes it fast for setting up audio inputs in
preparation for recording.
Aux Bus
A shortcut to open the Patch Input/Output window (discussed previously in this chapter), which
appears set up to let you patch different Aux buses to specific submix and timeline
track channels.
Sub Bus
A shortcut to open the Patch Input/Output window (discussed previously in this chapter), which
appears set up to let you patch different Sub (submix) bus channels to specific timeline
track channels.
Main Bus
A shortcut to open the Patch Input/Output window (discussed previously in this chapter), which
appears set up to let you patch different Main bus channels to specific timeline track channels.
Chapter – 150 Setting Up Tracks, Buses, and Patching 3168