User Manual

Table Of Contents
Timeline Frame: The frame count corresponding to the playhead’s position in the
overall Timeline.
Source Frame: The frame count corresponding to the playhead’s position relative to
the currently selected clip.
KeyKode: The KeyKode number corresponding to the media’s KeyKode track,
if there is one.
Show Timecode at 30 FPS: Displays 24 fps timecode, via 3:2 pulldown, as 29.97 fps
timecode. Has no effect on video playback.
In the same way, the top timecode display can alternately be changed to show KeyKode, if
it’savailable, within a DPX media file’s header.
Enhanced, Full, and Cinema Viewing
You can expand the Viewer into Enhanced Viewing mode by choosing Workspace > Viewer
Mode > Enhanced Viewer mode (Option-F), or by pressing CURRENT/VIEWER on the T-bar
panel of the DaVinci control panel.
In Enhanced Viewing mode, the Viewer works exactly as it does at its regular size, but it
expands to fill up the entire area of the screen above the palettes and Keyframe Editor. To exit
Enhanced Viewing mode, press (Option-F) again.
This can be useful if you need a closer view of the image for purposes of making detailed
corrections, examining noise patterns up close, making a tricky color selection, or drawing a
complicated PowerCurve.
Color page in Enhanced Viewer mode
In Full Viewing mode (available by choosing Workspace > Viewer Mode > Full Page Viewer,
pressing Shift-F, or Option-clicking the Enhanced Viewing mode button), the Viewer takes up
even more room by hiding the palette controls, but leaves room for the transport controls, the
Onscreen Control drop-down menu, the timecode display, and the page buttons along the
bottom of the DaVinci Resolve UI. This mode is useful when you need an even closer look at
the image, but you still want access to a minimal set of onscreen controls.
Chapter – 114 Viewers, Monitoring, and Video Scopes 2586