User Manual

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Rec.709 (D60 sim.): A standard transform designed to move media in the Rec. 709
color space with a white point of D60 into the ACES color space.
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REDColor2/3/4/REDGamma3/4/REDLogFilm combinations: Different combinations
of the REDcolor, REDgamma, and REDlogFilm settings are provided for legacy RED
workflows.
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RWGLog3G10: The standardized RED IPP2 color pipeline transform for all RED
camera media.
If you’re working on a project that mixes media formats that require different IDTs, then you can
assign different IDTs to clips using the Media Pool’s contextual menu, or using the Clip
Attributes window, which is also accessible via the Media Pool’s contextual menu.
 ACES Output Device Transform: This drop-down menu lets you choose an ODT
(Output Device Transform) with which to transform the image data for monitoring on
your calibrated display, and when exporting a timeline in the Deliver page. You can
choose from the following options:
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ADX (10 and 16): A standardized ODT designed for media destined for film output.
Two settings accommodate 10-bit and 16-bit output. This ODT is not meant to be
used for monitoring.
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DCDM: This ODT exports X’Y’Z’-encoded media with a gamma of 2.6 intended
for handoff to applications that will be re-encoding this data to create a DCP
(Digital Cinema Package) for digital cinema distribution. This can be displayed via an
XYZ-capable projector.
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DCDM (P3D60 Limited): Outputs a P3 hard-limited signal with a D60 white point.
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DCDM (P3D65 Limited): Outputs a P3 hard-limited signal with a D65 white point.
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P3 D60: Outputs RGB-encoded image data with a D60 white point; intended for
monitoring with a P3-compatible display using a D60 white point.
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P3 D65: Outputs RGB-encoded image data with a D66 white point; intended for
monitoring with a P3-compatible display using a D66 white point.
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P3 D65 (D60 sim.): Outputs RGB-encoded image data to simulate monitoring with a
P3-compatible display using a D60 white point on a display with a D65 white point.
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P3 D65 (Rec.709 Limited): Outputs RGB-encoded image data with a D65 white
point within a P3 gamut that’s hard-limited to the color range of Rec.709.
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P3 D65 ST2084 (108/1000/2000/4000 nits): Outputs an image that’s compatible
with the P3 color gamut, using the SMPTE standard PQ tone curve for High Dynamic
Range (HDR) post-production. Three settings for three different peak luminance
ranges are provided; which one is appropriate to use depends on the maximum
white level of your display. Preliminary standards exist for HDR displays with peak
luminance at 1000 nits, 2000 nits, and 4000 nits. A setting of 108 nits is provided to
simulate an HDR signal clipped to an SDR range.
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P3 DCI (D60 sim.): Outputs RGB-encoded P3 image data that appears as if with a
D60 white point on a DCI projector with a DCI white point.
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P3 DCI (D65 sim.): Transforms RGB-encoded image data with a D61 white point (the
DCI mastering standard) that appears as if with a D65 white point.
Chapter – 7 Data Levels, Color Management, and ACES 233