User Manual

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sRGB: Decodes into the standard color space defined by the sRGB standard,
typically used for computer display.
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Adobe1998: Decodes into Adobe’s unique version of the sRGB standard.
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DCI-P3: Decodes to an RGB-encoded image data with a D61 white point, intended
for use when outputting media for DCI mastering.
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DCI-P3 D65: Decodes RGB-encoded image data with a D65 white point, intended
for monitoring with a P3-compatible display.
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ProPhoto RGB: A color space developed by Kodak that offers a large gamut
intended for photography. An idiosyncrasy of this color space is that the green and
blue primary points are outside the boundaries of visible color, meaning this gamut
encompasses “imaginary” colors in order to achieve an extremely large gamut.
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CameraRGB: Outputs the original, unmodified sensor data. Not a
recommendedsetting.
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REDspace: Fits the raw R3D image data into a color space thatʼs larger than that of
Rec. 709. Appropriate for digital cinema mastering and film output. REDspace was
the predecessor to the REDcolor setting.
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REDcolor: A color space thatʼs similar to the Rec. 709 option, but modified to
balance accuracy with pleasing color rendition, emphasizing accurate skin tones.
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REDcolor2: Similar, but less saturated than, REDcolor.
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REDcolor3: Similar saturation to REDcolor, but with additional modifications to
improve the color rendition of skin tone. Introduced as the optimum color space for
Epic cameras, but also appropriate for previous generations of RED cameras.
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DragonColor: A color space optimized for cameras with the RED Dragon sensor,
although this color space can be used for previous generations of RED cameras
aswell.
 Gamma Curve: There are several options available for choosing a gamma profile to be
used when debayering the raw R3D data:
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REDgamma4: The latest iteration of the REDgamma curve, designed to give a good
in-camera look without the need for grading, while retaining great dynamic range
and highlight handling. REDgamma4 is suitable for all RED cameras.
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REDlog Film: An improved logarithmic gamma setting that’s designed to remap
the original 12-bit R3D data to the standard Cineon gamma curve. This setting
produces flat-contrast image data that preserves image detail with a wide latitude for
adjustment, and is compatible with log workflows, including those intended for film
output.
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Linear: No gamma adjustment is made, this is a linear-to-light representation of data
from the RED camera’s sensor.
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Rec. 709: A gamma curve typical for Rec. 709 display. Does not provide an
abundance of latitude for grading.
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Gamma 2.4: A simple power-function gamma setting commonly used for broadcast.
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Gamma 2.6: A simple power-function gamma setting commonly used for digital
cinema projection.
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sRGB: Similar gamma setting to that employed by Rec. 709.
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HDR ST.2084: The standardized gamma curve for high-dynamic-range (HDR) video.
Also referred to as the PQ curve.
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Hybrid Log Gamma: The standardized gamma curve for the HLG standard of high-
dynamic-range (HDR) video jointly developed by the BBC and NHK.
Chapter – 5 Camera Raw Settings 191