Specifications

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HEAVY DISTORTION HD300
This devastating distortion pedal enhances with both a gain and
bass boost, giving you bottom-heavy crunch like none other.
Its dedicated Gain-Boost, Distortion, Tone, Bottom and Level
controls let you create a whole new standard in metal.
HEAVY METAL HM300
This heavy distortion box features ultra-high gain
circuitry to give you thick distortion with endless sustain.
DedicatedDistortion, 2-band EQ and Level controls let you
personalize your own style of brutal rock.
OVERDRIVE/DISTORTION OD300
It’s two pedals in one! Take o with overdrive, distortion or a
combination of both e ects in one powerful pedal. Dedicated
Level, Tone, Drive and Mode controls for awesome sound shaping,
blue status LED for e ect on/o and battery check and  rst-class
electronic On/O switch for highest signal integrity in bypass mode.
OVERDRIVE OD400
The OD400 gives you the warm, tube-like overdrive that allows
your unique style to shine through. Its dual-stage overdrive
circuitry o ers bigger and fuller sound than competing models,
complete with endless sustain and compression.
HEAVY DISTORTI
O
HEAVY METAL
HM
OVERDRIVE/DIST
O
OVERDRIVE OD
40
POWER OVERDRIVE PO300
This supercharged pedal is built to blast larger-than- life
overdriven tone that packs the low-end punch of a
tube- powered 4 x 12" cabinet. Its incredible overdrive circuit
o ers endless sustain and smooth compression.
SUPER FUZZ SF300
This wild thing has three di erent sound modes to give you the
choice of classic fuzz, garage rock or a good old-fashioned gain
boost. The dedicated Gain, 2-band EQ and Level dials control a
wide spectrum of primal rock power.
SUPER METAL SM400
The SM400 will satisfy your craving for extreme distortion and
endless sustain. With its High and Low frequency EQ controls,
the SM400 can generate anything from a slight crunch to a
fat-bottomed juggernaut that will not be denied!
TUBE AMP MODELER TM300
The TM300 is loaded with modeling sounds, including
3authentic classic amps, 3 gain modes and 3 mic placements,
for a total of 27 stunning con gurations. Achieve the most
sought-after tube amp sounds, from squeaky clean to
tube- stack distor tion.
POWER OVERDRIV
SUPER FUZZ SF30
SUPER METAL SM
TUBE AMP MODEL
VINTAGE TUBE OVERDRIVE TO800
Get the sound of valve-powered overdrive with smooth sustain
and crunchy chords with the TO800. It’s simple circuit has been
used for decades to overdrive real tube amps. This workhorse
uses original 4558 ICs and MA150 distortion diodes for
authentic vintage sound.
ULTRA DISTORTION UD300
The UD300’s dual-mode switch lets you choose between warm
overdrive and screaming distortion. Just twist the dedicated
Level, Tone and Distortion dials to create a distortion that’s
distinctly yours.
ULTRA METAL UM300
With the UM300 ULTRA METAL, you get control of not just the
Mids, but of the Mids within the Mids! The Distortion, High,
Low, Level and dual Mid controls give you full control over thick
distortion with merciless sustain.
DISTORTION-X XD300
This stomp box easily handles all things heavy: thrash, metal
and hard rock. Its Distortion, Punch, Contour and Level controls
let you add a brutal low end with gobs of high-end bite to any
style of rock n’ roll.
VINTAGE TUBE OV
ULTRA DISTORTIO
ULTRA METAL UM
DISTORTION-X XD
Guitar Stompboxes
DIGITAL DELAY DD600
The DD600 is no mere pedal—it’s a veritable studio in a box! Its
11 unique delay modes are powered by BEHRINGER Real Sound
Modeling technology and emulate real acoustic environments,
providing delay you can almost reach out and touch.
DIGITAL DELAY DD400
The DD400 e ects pedal o ers 7 di erent time modes
for everything from subtle to radical stereo delay and
echo capabilities, with resolution comparable to that of
state- of- the- art studio rackmount processors. The DD400 will
add tremendous dimensionality to your tone.
DIGITAL DELAY DD
DIGITAL DELAY DD
REVERB/DELAY DR400
This digital reverb/delay sounds just like a state-of-the-art
studio processor! It uses BEHRINGER Real Sound Modeling (RSM)
to combine DSP technology with sophisticated algorithms
to emulate real acoustic environments—allin24- bit
high- resolution stereo sound!
DIGITAL REVERB DR600
Whether you choose a classic Spring, Plate or Hall reverb, DR600’s
24-bit stereo engine will take your music to the best sounding
aural spaces you’ve ever experienced. It’s reverb like nothing
you’ve heard before, plus Gate, Room and Modulate settings!
REVERB/DELAY D
DIGITAL REVERB D
What exactly is RSM?
Effects processing devices have been around for a very
long time. They have taken the form of everything from
mechanical doohickies that raise and lower the pitch of
a string, like a “whammybar,” to the electronic circuitry
that recreates the highly complex reflected sound of
a subterranean cavern. Ever since early mortals began
making sounds, we’ve been trying to make the sound
better or alter it to our liking. It’spart of our verynature.
At BEHRINGER, we build some of the finest audio gear
around, so it was only natural for us to use our expertise
to build a better stomp box. But to do so, we first had
to develop an entirely new technology—RealSound
Modeling. Our RSM technology combines state-of-the-
art DSP technology with sophisticated algorithms that
emulate real-world acoustic environments. Suchhigh-
level processing requires electronic architecture that
takes into account virtually all factors affectingsound.
Wh
at exact
ly
is RSM?
Effects processing devices have been around for
a
long time They have taken the form of everythin
The sound of a musical instrument is affected
significantly by a number of factors before it is actually
heard: thematerials used, the instrument’s design
and construction, and the components incorporated
into the transducer and amplification system. Even
the subtle interaction between amplifier stages can
affect the overall quality of the sound generated by
real instruments through real amps. This is especially
true in tube amplifiers, where the gain structure of
preamp stages creates a cascading effect all the way to
theoutput.
Put simply, the average stomp box processor does
not have the power to mimic these subtle nuances,
which are so critical to attaining the level of realism
that BEHRINGER RSM technology achieves. Thorough
research and analysis of these factors has enabled
us to reinvent the stomp box! RSM equipped pedals
deliver the detail of true-to-life amplifier and effects
modeling, without unwanted artifacts or fake-sounding
approximations.
The high-performance RSM engine is only available in
BEHRINGER products that bear the RSM logo. Hearing
is believing.
VINTAGE TIME MACHINE VM1
The VM1 is an awesome combination of e ects including
chorus, vibrato and pure analog delay. With up to 550 ms of
organic echo, it easily competes head-to-head with most
vintage tape delays. Dial in the sounds of the ’70s with this
fantastic piece of gear and let your sounds travel back in time
comfortably, leaving the struggle with nasty tape loops and
worn-out mechanical gear behind you.
VINTAGE DELAY VD400
Though sound technology constantly evolves, nothing sounds
quite like the true analog bliss of the VD400 VINTAGE DELAY.
Fromtrippy, fading repeats to vintage slap-back echo, the
Vintage Delay sends ri s into the stratosphere by harnessing the
authentic sounds of 1960s studio insanity. With its dedicated
Repeat Rate, Intensity and Echo dials, this stomp box delivers up
to 300milliseconds of delay powered by true analog circuitry.
From quick and choppy to slow and spacey, the VD400 is the
old-school way to delay.
ECHO MACHINE EM600
Every branch of the delay family tree—analog, tape and
digital—is packed into this pedal and ready to send your tone
into orbit. BEHRINGER RSM technology gives you access to every
imaginable  avor of this most curious ambient garnish.
Reverb Delay
V
VI
NTAG
E
E
TIME MACHI
N
NE
V
M1
VINTAGE DELAY
V
ECHO MACHINE E
M
Guitar Stompboxes
Products mentioned herein are exclusively BEHRINGER products and are not in any way associated with and have not been approved, licensed, sponsored, endorsed, designed or manufactured (or anything else for that matter!) by anyone other than BEHRINGER.