User Manual

13 VIRTUALIZER 3D FX2000 User Manual
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Effects algorithm combinations 2.9
(multi-effects programs)
Effects 61 to 71 are multi-effects algorithms, which allow different effects to be
used simultaneously. Effect 61, for example, can make a solo guitar “wider” with
chorus and simultaneously add a room reverb. Please note that you can modify
the structure of a multi-effect (see chapters 3.1 and 3.6.4).
CHORUS & REVERB: This algorithm combines the popular chorus with a gold
plate effect (as in algorithm 2).
FLANGER & REVERB: The combination of flanger and reverb effects.
ROTARY & REVERB: The input signal, modulated to a degree that you specify,
is then processed with a reverb effect. This effect works especially well with
keyboards and guitars.
PITCH & REVERB: The pitch shifter can be detuned in semitone or cent steps.
The reverb, on the other hand, can be controlled in time and mixing ratio.
DELAY & REVERB: Delay and reverb are the most common combinations for
vocals, solo guitars, etc. The reverb used here is a gold plate, a room that features
a distinctive brilliance and can be used in many ways.
TREMOLO & REVERB: The intensive variation in volume of the tremolo gains
more depth and wideness with the reverb.
PHASER & REVERB: The combination of a classic stereo phaser and a
reverb effect.
CHORUS & DELAY: While the chorus can contribute to a wideness of the signal,
interesting repetition effects can be adjusted with the delay. Vocals can be given
a distinctive effect without making the voice sounding blurred.
FLANGER & DELAY: This effect is just right for creating a modern,
slightly “spacey” vocal sound.
PITCH & DELAY: A repetition of the audio signal, with an oscillatory effect added
by the pitch shifter.
TREMOLO & DELAY: A fast or slow, intensive variation of volume, which is
additionally processed with a panorama effect.
Parameter Function
Speed Modulation speed
Reverb Mix
Wet/dry mix of modulation, delay and reverb effects
(for algorithms 61 - 67)
Decay Room size / duration of reverb tail
Depth Intensity of delay, amplitude, or phase modulation
Doppler Intensity of Doppler effect
Bandlimit Damping of high frequencies
Type
(Delay & Reverb): Selects among mono, stereo and ping
pong delay or a filter in the feedback chain
Delay (Time) Length of the delay
Delay Mix (Chorus & Delay): Ratio of chorus and delay
Feedback Degree of feedback
Semitones Detuning in semitones
Cents Detuning in cents
Auto Mod. Influence on LFO frequency (dependent on the input level)
Hi Damp Damps the high frequencies of the reverb programs
Tab. 2.9: Parameter functions of multi-effects programs
For an overview of the parameters available in the individual programs ◊
refer to chapter 7.1.