User Manual

79 DeepMind 12 User Manual
9. E ects Reference Guide
9.1 E ects Table
No Name Description Device Inspiration Type
1 TC-DeepVRB TC Deep Reverb TC Hall of Fame Reverb
2 AmbVerb Ambient Reverb Lexicon 480L Reverb
3 RoomRev Room Reverb Lexicon 480L Reverb
4 VintageRev Vintage Room Reverb EMT250 Reverb
5 HallRev Hall Reverb Lexicon 480L Reverb
6 ChamberRev Chamber Reverb Lexicon 480L Reverb
7 PlateRev Plate Reverb Lexicon PCM-70 Reverb
8 RichPltRev Rich Plate Reverb Lexicon 480L Reverb
9 GatedRev Gated Reverb Lexicon 300/480L Reverb
10 Reverse Reverse Reverb Lexicon 300/480L Reverb
11 ChorusVerb Chorus & Reverb Lexicon PCM-70 Reverb
12 DelayVerb Delay & Reverb Lexicon PCM-70 Reverb
13 FlangVerb Flange & Reverb Lexicon PCM-70 Reverb
14 MidasEQ Midas Equaliser Midas ProX* Processing
15 Enhancer Enhancer SPL Vitalizer Processing
16 FairComp Fair Compressor Fairchild 670 Processing
17 MulBndDist Multi-Band Distortion Midas ProX* Processing
18 RackAmp Rack Ampli er Tech 21 SansAmp Processing
19 EdisonEX1 Stereo Imaging Edison EX-1 Processing
20 Auto Pan Auto-Panning Behringer X32* Processing
21 NoiseGate Noise Gate Midas ProX* Processing
22 Delay Delay Behringer X32* Delay
23 3TapDelay 3-Tap Delay Behringer X32* Delay
24 4TapDelay 4-Tap Delay Behringer X32* Delay
25 T-RayDelay Tel-Ray Delay Tel-Ray Delay Delay
26 DecimDelay Decimator Delay Decimator Delay Delay
27 ModDlyRev Mod, Delay & Reverb Lexicon PCM-70 Delay
28 Chorus Chorus Behringer X32* Creative
29 Chorus-D Chorus D Roland Dimension D Creative
30 Flanger Flanger Behringer X32* Creative
31 Phaser Phase Behringer X32* Creative
32 MoodFilter Mood Filter Moog Type Filter Creative
33 DualPitch Dual Pitch Shifter Harmonizer Creative
34 RotarySpkr Rotary Speaker Leslie Creative
* - Direct algorithms from the hardware devices designed by Music Group
companies.
9.2 E ects Descriptions
Here is a list and brief description of the e ects available on the DeepMind 12
synthesizer.
TC Deep Reverb
TC Electronic is synonymous with some of the best sounding reverbs out there.
There are nine iconic reverb modes you know and love into this e ect that simply
sounds so insanely good – you just have to try it. It’s amazing that just four
controls (Decay, Tone and PreDelay) can give such a wide range of tonal options –
bright and springy, warm and bouncy or gigantic dark re ections… It’s all there
– and then some.
The PRE DELAY fader controls the amount of time before the reverb is heard
following the source signal. TONE enhances high frequencies for positive settings
and enhances low frequencies for negative settings. DECAY controls the amount
of time it takes for the reverb to dissipate. Note: The decay range changes
depending which of the modes is selected.
HallRev, AmbVerb, RichPltRev, RoomRev, ChamberRev
These 5 reverb emulations are inspired by the Lexicon 480L. Hall simulates the
reverberation that occurs when sound is recorded in medium to large-sized
concert halls. Ambience creates a customizable virtual acoustic space to add
warmth and depth without coloring the direct sound.
The PRE DELAY fader controls the amount of time before the reverb is heard
following the source signal. DECAY controls the amount of time it takes for the
reverb to dissipate. SIZE controls the perceived size of the space being created by
the reverb. The DAMP fader adjusts the decay of the high frequencies within the
reverb tail. DIFF(usion) controls the initial re ection density, and LEVEL controls
the e ect output.
LO and HI CUT allow the frequencies a ected by the reverb to be narrowed.
BASSMULT(iplier) controls the low frequency build-up. SPREAD emphasizes
the stereo e ect of the reverb. SHAPE adjusts the contour of the reverberation
envelope. MOD SPEED controls the reverb tail modulation rate and TAIL GAIN
adjusts the volume of the reverb tail. The Rich Plate and Room reverbs allow
the stereo ECHO DELAY and the delay FEEDBACK to be adjusted independently
for each side. The Chamber reverb allows the stereo REFL(ection) DELAY and
GAINtobe adjusted independently.
VintageRev
Vintage Room simulates the reverberation that occurs when sound is recorded in
a small room. When you want to add a bit of warmth and just a touch of reverb,
the Vintage Room breathes life into close-mic'd guitar and drum tracks. (Inspired
by the Quantec QRS)
Set the early re ection times for the left and right channel with ER DELAY L
and ER DELAY R. ER LEVEL sets the loudness of the early re ection level. REV
DELAY controls the amount of time before the reverberation is heard following
the source signal. HI/LOW MULTIPLY adjusts the decay time of the high and
bass frequencies. ROOM SIZE adjusts the size of the room e ect being created
incrementally from small to large. HIGH CUT sets the frequency above which
the source signal does not pass through the reverb. DENSITY manipulates the
re ection density in the simulated room. (This slightly changes the reverb decay
time). LOW CUT sets the frequency below which the source signal does not pass
through the reverb.