Manual
Table Of Contents
- Thank you
- Important Safety Instructions
- Legal Disclaimer
- Limited warranty
- About the DeepMind 12
- 1. Introduction
- 2. Features
- 3. Controls
- 4. Program Management
- 5. Playing Guide
- 6. Signal Path / Voice Structure
- 7. Menu System
- 8. Programming
- 9. Effects Reference Guide
- 10. Short-cuts
- 11. Applications
- 12. DAW MIDI Configuration
- 13. System Block Diagram
- 14. Connection Wiring Diagrams
- 15. Technical Specifications
- 16. MIDI Commands
- 17. MIDI NRPN Commands
- 18. Global Commands
- 19. MIDI SysEx Commands
- 20. Firmware Update
- 21. Troubleshooting
- 22. Bootloader Menu
- 23. Definition of Terms
- 24. Appendix 1 - Octave Shifting
- 25. Appendix 2 - ARP/SEQ/LFO Sync Timing
- 26. Appendix 3 - Poly Chords
- 27. Appendix 4 - Default Program
- 28. Appendix 5 - Revert to Panel
61 DeepMind 12 User Manual
4. Selected parameters are adjusted using the -/NO and +/YES switches, the
rotary knob or the DATA ENTRY fader. The rotary knob has a click which
allows very accurate control. The fader allows rapid adjustment across the
full range.
• SHAPE - This option allows you to select one of the waveform shapes
from the following options (shown below with their typical visualization
waveforms from the PROG display).
Sine - A mathematically-correct sinusoidal waveform.
Triangle - A symmetrical triangular waveform.
Square - A symmetrical square waveform.
Ramp Up - An up-ramping triangular waveform.
Ramp Down - An down-ramping triangular waveform.
Smp&Hold (Sample and Hold) - A random stepped waveform which
transitions instantly from step to step.
Smp&Glide (Sample and Glide) - A random stepped waveform which
glides from step to step.
The default LFO SHAPE setting is the Triangle.
• RATE - This option is the same as the physical LFO RATE fader on the surface.
Any changes to the LFO RATE fader will be reected here.
The LFO RATE range is from 0 to 255, with 0 being 0.05371 Hz and 255 being
65.4 Hz. The default LFO RATE setting is 0.
Note: When the ARP-SYNC is ON, the RATE parameter is not shown,
but CLOCK-DIVIDE instead. This menu shows values that are based on the
time division of the Master BPM RATE as shown below:
Note: For a timing diagram please consult the section later in this
document.
RATIO DESCRIPTION
4 Four notes
3 Three notes
2 Two notes
1 One note
½ Half note
⁄ Dotted quarter note
⁄ Third note (Half note triplets)
¼ Quarter note
⁄ Dotted eighth note
⁄ Sixth note (Quarter note triplets)
⁄ Eighth note
⁄ Dotted sixteenth note
⁄ Twelfth note (Eighth note triplets)
⁄ Sixteenth note
⁄ Dotted thirty-second note
½ Twenty-fourth note (Sixteenth note triplets)
⁄ Thirty-second note
⁄ Dotted sixty-fourth note
¼ Forty-eighth note (Thirty-second note triplets)
⁄ Sixty-fourth note
• KEY SYNC - This option allows you to turn Key Synchronisation On or O.
When KEY-SYNC is On, the LFO waveform generation will be reset as you
strike a note (keeping in mind the LFO DELAY TIME is also part of the
waveform generation). When KEY-SYNC is O, the LFO will free run.
The default KEY-SYNC setting is O.
• ARP SYNC - This option allows you to turn Arpeggiator Synchronisation On
and O. When ARP-SYNC is On, the LFO waveform will synchronize to the
Master BPM. When ARP-SYNC is o, the LFO will run at the rate set by the
LFO RATE fader parameter.
The default ARP-SYNC setting is O.
LFO (KEY SYNC OFF)
KEY GATE
LFO (KEY SYNC ON)
LFO KEY SYNC
LFO (ARP SYNC OFF)
ARP CLOCK
LFO (ARP SYNC ON)
LFO ARP SYNC