Specifications

USING THE 1000XT TRANSMITTER’S CONTROLS AND DISPLAY

A. Power

The POWER ON/OFF switch [k] turns the 1000XT ON or OFF.

B. Audio

Prior to first turning the 1000XT ON it is best to set the AUDIO switch

[j] to OFF. When you are ready to begin transmitting, switch to ON.

The OFF position acts as a ‘mute’ that maintains the RF signal but turns

off the audio.

C. MIC Connector/Locking Ring

This 3-pin XLR connector [e] is the microphone input. Any low imped-

ance microphone with a corresponding connector can be attached

here. If the microphone requires external (phantom) power, the 1000XT

can supply 9V. The XLR connector is wired with pin 1 is for audio -, pin

2 is audio + (and +9V when Phantom Power is ON) and pin 3 is ground.

Once the microphone is plugged into the 1000XT the locking ring [f]

should be rotated clockwise until snug. To remove the microphone,

first rotate the locking ring counterclockwise and then, while pressing

the XLR release, pull the microphone away from the 1000XT.

10 ii

Thank you for selecting the Azden 1000 Series for your portable/ENG

on-camera UHF wireless needs. We are confident that these compo-

nents will perform beyond your expectations. For over 40 years Azden

Corporation has been creating technologically advanced products. By

taking advantage of the latest in CAD design and SMT production tech-

niques, Azden’s engineers are able to produce products that exceed

the published specifications and perform well beyond the warranty pe-

riod.

The 1000 Series represents a breakthrough in on-camera, digital fre-

quency-selectable UHF receivers and transmitters. Its enhanced per-

formance assures you of the highest image rejection combined with

the finest in audio clarity. The crystal-controlled, PLL-synthesized mixer/

local oscillator provides for extremely accurate frequency selection while

the twin-antenna true diversity dual front-end reduces multipath distor-

tion caused dropouts to near zero.

In the real world of ENG the ability to be able to select a ‘clear’ fre-

quency on the spot is vitally important. Going out into the field with a

single-frequency unit invites disaster since there is no way of knowing

what frequencies will be used by the other crews that are covering the

same story. Think of your 1000 Series units as your insurance policy -

your assurance of getting the story.

vide you with years of worry-free, high-quality performance.

INTRODUCTION

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