Specifications
Table Of Contents
- Contents
- Introduction
- Installation and Authorization
- Session and Track Features
- Advanced Editing Features
- Advanced Automation Features
- AutoJoin with Latch Mode
- Touch/Latch Mode
- Trim Mode
- Composite Automation Playlist
- Copy Track Automation to Sends
- AutoMatch
- Prime Controls for Writing Automation in Latch Mode
- Glide Automation
- Trim Automation
- Write Automation to the Start, End, or All of a Track or Selection
- Write Automation to the Next Breakpoint or to the Punch Point
- Overwrite or Extend Mute Automation
- Snapshot Automation
- Preview Automation
- Capture Automation
- VCA Master Track Automation
- Surround Features
- Pro Tools Audio Connections for 5.1 Mixing
- Configuring Pro Tools for Multichannel Sessions
- Default I/O Selectors in I/O Setup
- 5.1 Track Layouts, Routing, and Metering
- Routing Audio for Surround Mixing
- Multichannel Audio Tracks
- Multichannel Signal Routing
- Paths in Surround Mixes
- Example Paths and Signal Routing for a Surround Mix
- Introduction to Pro Tools Surround Panning
- Output Windows
- Surround Panner Controls
- Panning Modes
- Divergence and Center Percentage
- LFE Faders in Multichannel Panners
- Pan Playlists
- Surround Scope Plug-In
- Video Features
- Included Plug-Ins
- Index
Chapter 3: Session and Track Features 11
This ensures that even when a VCA Master track
is not visible, the true state of its slave tracks is
accurately displayed.
VCA Slave Track Controls and Group Behavior
When a group is assigned to a VCA Master, the
VCA-modifiable controls (Volume, Mute, Solo,
and Record Enable) on its slave tracks, by de-
fault, do not follow any grouped behavior that
may be set in the Attributes page of the Groups
dialog. This lets you control the output levels of
the group’s member tracks while retaining the
ability to adjust individual member track levels.
Slave tracks can be set to follow normal grouped
behavior. See “Assigning Groups to VCA Mas-
ters” on page 12.
Common Uses for VCA Master Tracks
By grouping tracks in a Mix group and assigning
that group to a VCA Master track, you can:
• Control the output levels of all the VCA
group’s member tracks without the need to
bus them to an Auxiliary Input track or to
the same output path
• Create multiple, nested VCA groups and
control the output levels of multiple sub-
mixes at the same time
• Automate a submix by automating its VCA
Master track
VCA Master Track Controls
The controls on a VCA Master track affect the
corresponding controls on the slave tracks in its
assigned Mix group. VCA Master tracks have the
following controls:
Volume
The VCA Volume fader controls the Volume
fader on audio, Auxiliary Input, Instrument,
Master Fader, and other VCA Master tracks in a
VCA-controlled group. (Volume faders on MIDI
tracks are not affected.) Volume faders on slave
tracks move to show the composite level, or the
level on each track resulting from the position
of the VCA Master Volume fader.
Mute
The VCA Mute button controls the mute state of
audio, Auxiliary Input, Instrument, MIDI, and
other VCA Master tracks in a VCA-controlled
group. Muting a VCA-controlled group does not
change the underlying mute state of slave
tracks. (Mute buttons on slave tracks that were
previously unmuted show an implicit mute.)
Solo
The VCA Solo button controls the solo state of
audio, Auxiliary Input, Instrument, MIDI, and
other VCA Master tracks in a VCA-controlled
group.
• Soloing a VCA Master will implicitly mute
all tracks except its slave tracks, thereby in-
directly soloing the slave tracks.
• Soloing a VCA Master will clear any explicit
solos on its slave tracks, leaving them indi-
rectly soloed, and implicitly mute all other
tracks.
• Explicitly soloing a slave track while its
VCA Master track is soloed will override the
VCA Master solo.