Specifications

SYNC HD Guide72
Example of VITC Timing Rule
As an example, if you are using LTC as a posi-
tional reference from a 3/4-inch U-Matic VTR,
then that VTR should be referenced to the same
video signal that you are applying to the SYNC
peripheral. As another example, in Generator
Preset Mode (Positional Reference = Generate),
a clock reference of Internal is not a good
choice, simply because the SYNC peripheral in-
ternal crystal runs asynchronously with respect
to the supplied video signal, and thus repeated
or skipped frame addresses are sure to eventu-
ally occur.
LTC Signals
Because it’s an analog audio signal, LTC can
sometimes be susceptible to either tape drop-
outs (tape shedding), or to level mismatches be-
tween the LTC source and the LTC input. The
SYNC peripheral Freewheeling feature allows
you to compensate for brief timecode dropouts.
However, if you have serious dropouts, you may
not be able to sustain accurate synchronization.
If you plan to use LTC as a clock reference
(whether or not you are also using it as a posi-
tional reference), you will need to ensure that
your LTC is recorded at as high a level as possi-
ble without distortion, and that there are no
dropouts longer than 1/80th of a frame.
A SYNC peripheral reads LTC most reliably
when fed with a LTC signal of at least –12 dBu
(and preferably 0 dBu to +3 dBu.)
LTC Servo Gain
You can adjust the servo gain of the SYNC pe-
ripheral LTC input from the SYNC peripheral
front panel controls and from the Pro Tools Ses-
sion Setup window. See “Servo Gain” on page 63
for more information.
Working with Analog Machines
It is good practice on a 24-track analog tape ma-
chine to record timecode on Track 24 at a refer-
ence level of –10 dBu (or lower), with Track 23
left blank as a “guard” track. This practice
avoids crosstalk “bleed” that can occur between
the timecode track and otherwise adjacent audio
tracks. Timecode (which is a mid-frequency al-
ternating pitch square wave) is very sensitive to
crosstalk from adjacent tracks, and conversely
you don’t want audible timecode leaking onto
your audio tracks.
If your ATR is under the control of a synchro-
nizer, you must make sure that the synchronizer
and the SYNC peripheral are both locked to the
same reference source (such as a video black
burst generator.)
Auto-Switch LTC/VITC
Auto-Switch LTC/VITC lets the SYNC periph-
eral automatically select between these two
(timecode) sources.
LTC and VITC both provide useful and unique
capabilities. For instance, it is impossible to
read LTC off a paused videotape. Consequently,
using only LTC, there’s no way you can use Pro
Tools to perform Auto-Spotting of clips when
the tape is paused. However, VITC continues to
be read as long as the picture remains visible, so
it can be used as a positional reference when the
VTR is paused. On the other hand, VITC cannot
be read at fast winding speeds (except by broad-
cast-quality VTRs); LTC can be read at fast
winding speeds, as long as its signal remains
within the high-end frequency response of the
ATR or VTR.