Specifications
Pro Tools Reference Guide62
Mutes Follow Groups When this option is se-
lected, muting a track that belongs to a Mix
group mutes all members of the group. When
this option is deselected, tracks are muted indi-
vidually. You can also mute individual group
members by Right-clicking (Windows) or Con-
trol-clicking (Macintosh) their Mute buttons.
Solos Follow Groups When this option is se-
lected, soloing a track that belongs to a Mix
group solos all members of the group. When
this option is deselected, tracks are soloed indi-
vidually. You can also solo individual group
members by Right-clicking (Windows) or Con-
trol-clicking (Macintosh) their Solo buttons.
Send Mutes Follow Groups When this option is
selected, muting a Send on a track that belongs
to a Mix group mutes the corresponding Send
(A–E) on all members of the group. When this
option is deselected, Sends are muted individu-
ally. You can also mute individual group mem-
bers by Right-clicking (Windows) or Control-
clicking (Macintosh) their Solo buttons.
Send Levels Follow Groups When this option is
selected, adjusting the level of a Send on a track
that belongs to a Mix group adjusts the level of
the corresponding Send (A–E) on all members of
the group. When this option is deselected, Send
levels are adjusted individually. You can also ad-
just individual group members by Start-drag-
ging (Windows) or Control-dragging (Macin-
tosh) their Send level faders.
LFEs Follow Groups When this option is se-
lected, adjusting an LFE (Low Frequency Effects)
control of a track or send that belongs to a Mix
group adjusts the LFE controls of all members of
the group. When this option is deselected, LFE
controls are adjusted individually. You can also
adjust individual group members by Start-drag-
ging (Windows) or Control-dragging (Macin-
tosh) their LFE controls. With send-based LFEs,
grouping affects only that Send (A–E) on other
tracks.
Degree of Thinning Specifies the amount of thin-
ning performed on automation data when you
use the Thin Automation command, or if you
have selected the Smooth and Thin Data After
Pass option. (See “Thinning” on page 456.)
Touch Timeout If you are writing automation in
Auto Touch mode and you stop moving a non-
touch sensitive control, Pro Tools continues to
write automation for the Touch Timeout value.
After the Touch Timeout period, writing of au-
tomation stops and the automation data returns
to its previous automation value at the rate spec-
ified in the AutoMatch Time setting.
AutoMatch Time If you are writing automation
in Auto Touch mode, when you release a fader
or control, writing of automation stops and the
automation data returns to its previous automa-
tion value. The rate of return to the previous
value is the AutoMatch Time. See “AutoMatch”
on page 456.
Amount of memory to reserve for automation re-
cording Allocates memory for automation. See
“Setting the Automation Buffer Size” on
page 457 for details.
Write Switches to Touch After Pass does not
affect Trim mode. In Trim mode, tracks do
not automatically change from Trim/Auto
Write to Trim/Auto Touch after an auto-
mation pass.