Specifications

Chapter 32: Multichannel Tracks and Signal Routing
513
Chapter 32: Multichannel Tracks and
Signal Routing
Surround sessions typically include a combina-
tion of mono, stereo, and multichannel audio
tracks, Auxiliary Inputs, Master Faders, busses,
and inserts.
Once the appropriate I/O Setup has been im-
ported or configured, any audio track can be
mixed in multichannel for surround using
Pro Tools mixing features.
Multichannel I/O and signal routing is deter-
mined by the paths defined in the I/O Setup di-
alog.
Multichannel Quick Start
The following is an overview of how to get
started mixing in multichannel for surround in
Pro Tools.
To mix in multichannel:
1
Make sure the Surround Mixer plug-in is in-
stalled in your Plug-Ins folder. If it is not, it can
be installed using your Pro Tools Installer CD-
ROM. For details on installing Pro Tools options
from the Pro Tools Installer CD-ROM, see your
Getting Started Guide
.
2
Open any stereo Pro Tools session to remix it
in surround. (You can also create new, empty
surround sessions. See “New Sessions and I/O
Settings” on page 508.)
3
Configure the I/O Setup dialog with multi-
channel inputs, outputs, busses, and inserts, as
needed. (See “Configuring Pro Tools for Multi-
channel Sessions” on page 508.)
4
Do one of the following:
•Create new tracks, and assign track outputs
and sends to your multichannel paths.
Configure signal routing as needed for sub-
mixing, bussing, processing, and monitor-
ing. For tracks that do not need to be
panned in 360°, place them in the mix us-
ing sub-paths and signal routing.(See “Mul-
tichannel Signal Routing” on page 516.)
Use the Import Tracks command to import
multichannel tracks.
Use the Import Session Data command
(Pro Tools 6.x only) to import existing 5.1
tracks, busses, and other data. (See “Im-
porting Tracks and Track Attributes” on
page 114.)
5
Pan in surround using the multichannel Track
Output and Send windows. (For information on
mixing and panning for surround, see
Chapter 33, “Surround Panning and Mixing.”)