Specifications

Pro Tools Reference Guide196
5 Configure monitoring for record enabled
tracks by selecting the appropriate mode from
the Operations menu, as appropriate. Choices
include:
Change Record Enabled Tracks to Auto In-
put
Change Record. Enabled Tracks to Input
Only
Choosing either monitoring mode only affects
tracks that are record enabled.
6 Begin playback.
7 If you want to compare levels of the input
source with audio on disk, click the track Input
button. When lit (green), the track is monitor-
ing input. When unlit (grey), the track is moni-
toring from disk. (For more information see
“TrackInput Monitoring” on page 141.)
8 To punch tracks one at a time, arm the Trans-
port Record and then use the individual track
Record buttons to punch each track in and out
on-the-fly.
9 To punch multiple tracks simultaneously, do
either of the following:
Record enable as many as 16 TrackPunch
enabled audio tracks, then use the Trans-
port Record button to punch them in and
out simultaneously.
– or –
Arm the Transport Record first, then use
Alt+Shift (Win) or Option+Shift (Macin-
tosh) to simultaneously punch on all cur-
rently selected TrackPunch enabled tracks.
10 While continuing local or remote playback,
do any of the following:
Punch in on other TrackPunch enabled
tracks individually.
After punching out, take tracks out of
record enable then record enable different
TrackPunch enabled tracks.
Repeat as needed to punch other stems,
tracks, or takes.
TrackPunch Preferences
The following preference settings let you cus-
tomize TrackPunch performance.
QuickPunch/TrackPunch Crossfade
Length
Pro Tools can automatically write a crossfade for
each punch point when using TrackPunch. The
length for these crossfades is set with the Quick-
Punch Crossfade/TrackPunch Length option in
the Editing Preferences.
To set the TrackPunch Crossfade Length:
1 Choose Setups > Preferences, and select the
Editing tab.
2 Enter a new value (in msec) for the Quick-
Punch /TrackPunch CrossFade Length.
You can also use the track Input buttons to
switch the monitor source for record enabled
tracks, as explained below.
Use groups for single-click selection of mul-
tiple tracks (click to the left of the group
name in the Groups list).